The Killing Ground

Sean Dillon takes on a mission of mercy, in which he will be shown none. Intelligence operative Sean Dillon stops Caspar Rashid at Heathrow Airport?and is pulled into danger. The man?s daughter has been kidnapped by Rashid?s own father and taken to Iraq to be married to one of the Middle East?s most feared terrorists. Rashid begs Dillon for help?but he has no idea of the terrible chain of events he is about to unleash, nor of the danger he is about to face.

This books explains why the British Army fought the way it did in the First World War. It integrates social and military history and the impact of ideas to tell the story of how the army, especially the senior officers, adapted to the new technological warfare and asks: Was the style of warfare on the Western Front inevitable?Using an extensive range of unpublished diaries, letters, memoirs and Cabinet and War Office files, Professor Travers explains how and why the ideas, tactics and strategies emerged. He emphasises the influence of pre-war social and military attitudes, and examines the early life and career of Sir Douglas Haig. The author's analysis of the preparations for the Battles of the Somme and Passchendaele provide new interpretations of the role of Haig and his GHQ, and he explains the reasons for the unexpected British withdrawal in March 1918. An appendix supplies short biographies of senior British officers. In general, historians of the First World War are in two hostile camps: those who see the futility of lions led by donkeys on the one hand and on the other the apologists for Haig and the conduct of the war. Professor Travers' immensely readable book provides a bridge between the two.

THE STORY: As the curtain rises, a poor, dusty shop with its dirty window obscuring the dark hos-tile night, with its mean little counter, and with its juke box glaring vulgarly from the side, the storekeeper is taking inventory. The door is flung

The Edgar Award-winning, New York Times-bestselling series by Dana Stabenow set in Alaska. In Killing Grounds, the death of one local man is no great surprise... but private investigator Kate Shugak's case soon takes an unexpected turn... Stabbed, beaten, strangled, drowned. Sometimes people get exactly what they deserve... Cal Meany is a cheat, a poacher, an abusive father and an adulterous husband. So nobody is that surprised when Kate Shugak finds his body floating in the bay. What is surprising is that the corpse has been beaten, stabbed, strangled and drowned. Meany's happily bereaved wife and children are prime suspects. Then again, so are most of his neighbours. But when Meany's daughter is murdered, and her lover disappears, Kate begins to think that this unusual crime may not be so readily solved... Reviewers on Dana Stabenow's Kate Shugak series: 'An antidote to sugary female sleuths: Kate Shugak, the Aleut private investigator.' New York Times 'Crime fiction doesn't get much better than this.' Booklist 'If you are looking for something unique in the field of crime fiction, Kate Shugak is the answer.' Michael Connelly 'An outstanding series.' Washington Post 'One of the strongest voices in crime fiction.' Seattle Times

An autobiographical novel depicts the experiences of a Special Forces operative in Southeast Asia during the Vietnam War.

Book four in Black Library's iconic Ultramarines series returns The Ultramarines are the epitome of a Space Marine Chapter. Warriors without peer, their name is a byword for discipline and honour, and their heroic deeds are legendary. Returning to the Imperium after completing a deadly mission in the heart of the Eye of Terror, Ultramarines exiles Uriel Ventris and Pasanius find themselves on a war-torn world where warp-tainted rebels hold the balance of power. As the pair of Space Marines try to save the planet from the Ruinous Powers, they find that they themselves are suspected of being in league with the Dark Gods, and their chances of a triumphant return to their Chapter look bleak…

" Killing Ground is a significant contribution, a new way of looking at highly familiar images."—Shelby Foote "These haunting photographs of then and now offer a new and powerful perspective on the tragedies and triumphs—above all, the human cost—of the Civil War. John Huddleston's photographs of selected spots on dozens of battlefields of that war, juxtaposed with photographs of soldiers killed or wounded there and other contemporary illustrations, make telling points in a unique manner. This book does more than prove the old adage that a picture is worth a thousand words; it tells the poignant story of the Civil War in a way that goes beyond words."—James McPherson " Killing Ground situates us uncomfortably in a terrain where living memory has only recently completed its transformation into history. John Huddleston has photographed the scenes of this vast communal hurt, from the mightiest battles to obscure actions involving a few combatants; in every instance he asks the land itself to yield up what traces it may hold of the mortal issues contested there. Suburban intersection, brushy tangle, murky pool, well-tended battle park—all are joined by a commonality that Huddleston insists we not forget: Americans died here, killed by other Americans."—Frank Gohlke In Killing Ground, John Huddleston embarks on a photographic odyssey through the modern-day landscape of the Civil War. He pairs historical images of the conflict from sixty-two battle sites across the nation—battlefield scenes, soldiers living and dead, prisoners of war, civilians, and slaves—with his own color photographs of the same locations a century and a half later, always taken at the same time of year, often at the same hour of the day. Sometimes Huddleston's lens reveals a department store or fast-food restaurant carelessly built on hallowed ground; other images depict overgrown fields or well-manicured parks. When contrasted with their mid-nineteenth-century counterparts, these indelible images challenge the meaning of place in American culture and the evolving legacy of the Civil War in our national memory.