The Kin Of Ata Are Waiting For You

A major backlist sleeper! 130,000 sold-to-date! A feminist sci-fi novel. The kin of Ata live only for "the dream". Into their midst comes a desperate man who is first subdued and then led on a spiritual journey that, sooner or later, all of us make.

A version of "The Women's Room," "Ella Price's Journal" presented a re-entry woman before the term was even invented.

1987 American Book Award Winner A A A This ambitious and enchanting novel is both modern-day epic and a work of great emotional and spiritual death. Bold in its historical scope, rich in colorful settings, and eminently readable, Confessions of Madame Psyche also reaches inward, toward quieter truths. A A A The novel is narrated by Mei0li Murrow, born in San Francisco in 1895, the illegitimate daughter of a charismatic confidence man and the Chinese prostitute he has "rescued" from the streets. After her mother's early death, Mei-li is left to care of her mercenary half-sister Erika. When the young Mei-li, by pure coincidence, predicts the San Francisco earthquake of 1906, Erika contructs her identity as "Madame Psyche"-exploiting Mei'li's exoticism and her clients' yearnings for contact with the dead in a series of ingeniously orchestrated seances that win her renown as a medium in California and then in the death-soaked Europe of the First World War. A A A Ironically, it is when she manages to finally reject the popular "spirituality" that has made her famous that Mei-li experiences a truer spiritual vision: One day, while walking on the beach, she has a revelation of her connection to all of life-"an experience of hidden reality which I have never doubted...and which left me permanently changed by what I then knew and know still and will always know." A A A Mei-li's subsequent journey leads her through the aspirations and disappointments of a utopian commune in the Santa Cruz Mountains in the 1920s; to the poverty of migrant work camps in the Depression-era Salinas Valley; and to the courage of the first strikes on San Jose's cannery row. Finally, when the relentless Erika cheats her out of an inheritance by having her committed to the Napa State Hospital, Mee-li finds her greatest wisdom and peace among the outcasts of the asylum-and there writes her "confessions." A A A Mei'li's story is ensconed in the rich history of Northern California in the first half of the twentieth century, and peopled by comrades of many classes and cultures and lovers both male and female; but her central odyssey remains one of inner discovery. In Confessions of Madame Psyche, Dorothy Bryant has created a character who is so honest in her search for truth, growth, and spiritual understanding that this quest becomes inherent to her survival.

Lauren Beukes's frighteningly persuasive, high-tech fable that follows four narrators living in a dystopian near-future. Kendra, an art-school dropout, brands herself for a nanotech marketing program. Lerato, an ambitious AIDS baby, plots to defect from her corporate employers. Tendeka, a hot-headed activist, is becoming increasingly rabid. Toby, a roguish blogger, discovers that the video games he plays for cash are much more than they seem. On a collision course that will rewire their lives, these characters crackle with bold and infectious ideas, connecting a ruthless corporate-apartheid government with video games, biotech attack dogs, slippery online identities, a township soccer school, shocking cell phones, addictive branding, and genetically modified art. Taking hedonistic trends in society to their ultimate conclusions, Lauren Beukes spins a tale of a utopia gone wrong, satirically undermining the idea of progress as society's white knight.

A charmingly told story of the godwit bird’s epic migration, touching on waves of human migration on the way.

An enormous and timeless story of frustration and love for an aging parent.

The word kua‘âina translates literally as "back land" or "back country." Davianna Pômaika‘i McGregor grew up hearing it as a reference to an awkward or unsophisticated person from the country. However, in the context of the Native Hawaiian cultural renaissance of the late twentieth century, kua‘âina came to refer to those who actively lived Hawaiian culture and kept the spirit of the land alive. The mo‘olelo (oral traditions) recounted in this book reveal how kua‘âina have enabled Native Hawaiians to endure as a unique and dignified people after more than a century of American subjugation and control. The stories are set in rural communities or cultural kîpuka—oases from which traditional Native Hawaiian culture can be regenerated and revitalized. By focusing in turn on an island (Moloka‘i), moku (the districts of Hana, Maui, and Puna, Hawai‘i), and an ahupua‘a (Waipi‘io, Hawai‘i), McGregor examines kua‘âina life ways within distinct traditional land use regimes. The ‘òlelo no‘eau (descriptive proverbs and poetical sayings) for which each area is famous are interpreted, offering valuable insights into the place and its overall role in the cultural practices of Native Hawaiians. Discussion of the landscape and its settlement, the deities who dwelt there, and its rulers is followed by a review of the effects of westernization on kua‘âina in the nineteenth century. McGregor then provides an overview of social and economic changes through the end of the twentieth century and of the elements of continuity still evident in the lives of kua‘âina. The final chapter on Kaho‘olawe demonstrates how kua‘âina from the cultural kîpuka under study have been instrumental in restoring the natural and cultural resources of the island.