The Knights Of The Cape

Judy Moody meets Netflix’s One Day at a Time in this first book in a new chapter book series featuring a young Cuban American girl who tries to find adventure based on the classics she read with her beloved abuela—can Dominguita become a noble knight? All Dominguita wants to do is read. Especially the books in Spanish that Abuela gave to her just before she moved away. They were classics that Abuela and Dominguita read together, classics her abuela brought with her all the way from Cuba when she was a young girl. It helps Dominguita feel like Abuela’s still there with her. One of her favorites, Don Quixote, tells of a brave knight errant who tries to do good deeds. Dominguita decides that she, too, will become a knight and do good deeds around her community, creating a grand adventure for her to share with her abuela. And when the class bully tells Dominguita that girls can’t be knights, Dom is determined to prove him wrong. With a team of new friends, can Dominguita learn how to be the hero of her own story?

Peruvian author Ricardo Palma (1838-1919) was one of the most popular and imitated writers in Latin America during the late nineteenth and early twentieth centuries. As head of the National Library in Lima, Palma had access to a rich source of historical books and manuscripts. His historical miscellanies, which he called "traditions," are witty anecdotes about conquerors, viceroys, corrupt and lovelorn friars, tragic loves and notorious characters. Humor, irony and word play characterize his collection of over five hundred traditions written between 1872 and 1906, whether describing violent deeds or amorous misadventures. Unlike many of his contemporaries in the second half of the nineteenth century, Palma did not write transparent didactic fictions and defend elite cultural forms. Rather, he reveled in ironic approaches to written sources, political authorities and church institutions as well as in popular speech and knowledge. Both fiction and history, Palma's delightful Peruvian Traditions represents a hybrid literary form that constructs historical memory distinct from the dominant literary trends of the time.

Samuel Curtis Upham (1819-1885) was a clerk in a Philadelphia merchant house when he decided to try his luck in California in January, 1849. Sailing round the Horn, he visited Rio de Janeiro and Talcahuana before landing in San Francisco. After a brief career as a gold miner at the Calaveras diggings, Upham moved to Sacramento, where he published the Sacramento Transcript, May-August 1850. Notes of a voyage to California (1878) includes Upham's memoirs of his early years in California, with special attention to Sacramento's colorful history in 1850. He closes his narrative with a brief description of his return to Philadelphia that same year via Panama. The book's lengthy appendix contains chapters on California journalism, the California exhibition at the 1876 Centennial Exhibition, and various reunion dinners and other events sponsored by the California "Pioneers" association.