The Lame God

Winner of 2013 May Swenson Poetry Award In The Lame God, author M. B. McLatchey reminds us of the inevitable bond between art and empathy. With a controlled language that finds its echo chamber in the immortal themes and characters of classical literature, this courageous work accompanies the author on her journey through a parent’s anguish in the face of a horrific crime. Using the art of poetry she gives voice to a suffering—and a love—that might otherwise go unheard. The May Swenson Poetry Award, an annual competition named for May Swenson, honors her as one of America's most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in Logan, Utah, her hometown.

In The Lame God, author M. B. McLatchey reminds us of the inevitable bond between art and empathy. With a controlled language that finds its echo chamber in the immortal themes and characters of classical literature, this courageous work accompanies the author on her journey through a parent’s anguish in the face of a horrific crime. Using the art of poetry she gives voice to a suffering—and a love—that might otherwise go unheard. The May Swenson Poetry Award, an annual competition named for May Swenson, honors her as one of America's most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in Logan, Utah, her hometown.

Giving Western literature and art many of its most enduring themes and archetypes, Greek mythology and the gods and goddesses at its core are a fundamental part of the popular imagination. At the heart of Greek mythology are exciting stories of drama, action, and adventure featuring gods and goddesses, who, while physically superior to humans, share many of their weaknesses. Readers will be introduced to the many figures once believed to populate Mount Olympus as well as related concepts and facts about the Greek mythological tradition.

The presence of the orthopedically impaired body in art is so pervasive that, paradoxically, it has failed to attract the attention of most art historians. In Picturing the Lame in Italian Art from Antiquity to the Modern Era, Livio Pestilli investigates the changing meaning that images of individuals with limited mobility acquired through the centuries. This study evinces that in distinct opposition to the practice of classical artists, who manifested a lack of interest in the subject of lameness since it was considered 'a defect or a deformity' and deformity a 'want of measure, which is always unsightly,' their Early Christian counterparts depicted them profusely, because images of the miraculous healing of the lame became the reassuring sign of universal acceptance and the promise of a more equitable existence in this life or the next. In the Middle Ages, instead, when voluntary poverty came to be associated with the necessary condition of faithfulness to Christ, the indigent lame, along with others who were forced to beg for a living, became the image of the alter Christus. This view was to change in the Renaissance and Baroque periods, when, with the resurgence of classical and Pauline ideals that condemned the idle, representations of the orthopedically impaired became associated with swindlers, freeloaders and parasites. This fascinating story came basically to an end in the Eighteenth century when, with the revival of the Greek ideal of the Beautiful, the lame gradually left center stage to be relegated again to the margins of the visual arts.

The virtual disappearance of the captive, the shattered, the blind, the deaf mute, the lame, lepers, the maimed, the dead and the poor from Acts poses a problem for Lukan studies. It creates a tension between two firmly held convictions about Luke's writing: that the Gospel and Acts are a unified work; and that Luke has a special concern for the poor. A fresh solution lies in tracing the intertextual links between Luke and the Septuagint. In the Septuagint, these character types are standard, conventional recipients of God's favour. In Luke's gospel, the primary function of these types is christological, in that Jesus' actions toward them reveal him to be God's unique eschatological agent of salvation. In Acts, however, there is a different Christological situation: Jesus is now the risen and ascended Lord, and so Luke has no need to foreground those, such as the poor, who in the Septuagint are especially destined for salvation.

Thrown from Mount Olympus as a newborn and caught by Thetis and Eurynome, who raised him on the island of Lemnos, Hephaistos had an aptitude for creating beautiful objects from a very young age. Despite his rejection from Olympus, he swallowed his anger and spent his days perfecting his craft. His exquisitely forged gifts and weapons earned him back his seat in the heavens, but he was not treated as an equal—his brothers and sisters looked down at him for his lame leg, and even his own wife, Aphrodite, was disloyal. In this installment of George O'Connor's bestselling Olympians graphic novel series, witness Hephaistos’ wrath in God of Fire as he creates a plan that’ll win him the respect he deserves.

In the quest for the truth, you need to know what you believe and why you believe it. Who Made God? offers accessible answers to over 100 commonly asked apologetic questions. Bringing together the best in evangelical apologists, this guide is standard equipment for Christians who want to understand and talk about their faith intelligently. Part one answers tough questions about the Christian faith such as:• Who made God? • How can there be three persons in one God? • What is God’s ultimate purpose in allowing evil? • Where did the universe come from? • How long are the days of creation in Genesis? • Did Jesus rise from the dead? • Are the records of Jesus’ life reliable? • Does the Bible have errors in it?Part two answers tough questions about other faiths, including Islam, Mormonism, Hinduism, Transcendental Meditation, Yoga, Reincarnation, Buddhism, and Black Islam. Relevant stories, questions for reflection and discussion, and a comprehensive list of suggested resources help you dig deeper so you can be prepared to give careful answers that explain the reasons for your faith.