The Lame Shall Enter First

At his wit’s end with his son’s grief over the death of his mother a year earlier, Sheppard invites a troubled youth, Rufus, into their home. Contemptuous of Sheppard, Rufus resists the man’s attempts to improve him, but the extent—and consequences—of Rufus’s disdain for Sheppard become clear only in Rufus’s dealings with Sheppard’s son, Norton. American author Flannery O’Connor is known for her portrayal of flawed characters and their inevitable spiritual transformation. “The Lame Shall Enter First” is a haunting story of a flawed man unable to connect with and comfort his grieving son. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

Flannery O'Connor was working on Everything That Rises Must Converge at the time of her death. This collection is an exquisite legacy from a genius of the American short story, in which she scrutinizes territory familiar to her readers: race, faith, and morality. The stories encompass the comic and the tragic, the beautiful and the grotesque; each carries her highly individual stamp and could have been written by no one else.

Winner of the National Book Award for Fiction, these thirty-one powerful and disturbing stories cement Flannery O'Connor as one of the preeminent fiction writers of the twentieth century. This collection includes twelve stories that did not appear in the two story collections O'Connor put together in her lifetime. This collection includes the following short stories: "The Geranium" "The Barber" "Wildcat" "The Crop" "The Turkey" "The Train" "The Peeler" "The Heart of the Park" "A Stroke of Good Fortune" "Enoch and the Gorilla" "A Good Man Is Hard to Find" "A Late Encounter with the Enemy" "The Life You Save May Be Your Own" "The River" "A Circle in the Fire" "The Displaced Person" "A Temple of the Holy Ghost" "The Artificial Nigger" "Good Country People" "You Can't Be Any Poorer Than Dead" "Greeleaf" "A View of the Woods" "The Enduring Chill" "The Comforts of Home" "Everything That Rises Must Converge" "The Partridge Festival" "The Lame Shall Enter First" "Why Do the Heathen Rage" "Revelation" "Parker's Back" "Judgement Day" Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.

While Flannery O'Connor is hailed as one of the most important writers of the twentieth-century American south, few appreciate O'Connor as a philosopher as well. In Return to Good and Evil, Henry T. Edmondson introduces us to a remarkable thinker who uses fiction to confront and provoke us with the most troubling moral questions of modern existence. 'Right now the whole world seems to be going through a dark night of the soul, ' O'Connor once said, in response to the nihilistic tendencies she saw in the world around her. Nihilism--Nietzche's idea that 'God is dead'--preoccupied O'Connor, and she used her fiction to draw a tableau of human civilization on the brink of a catastrophic moral, philosophical, and religious crisis. Again and again, O'Connor suggests that the only way back from this precipice is to recognize the human need for grace, redemption, and God. She argues brilliantly and persuasively through her novels and short stories that the Nietzschean challenge to the notions of good and evil is an ill-conceived effort that will result only in disaster. With rare access to O'Connor's correspondence, prose drafts, and other personal writings, Edmondson investigates O'Connor's deepest motivations through more than just her fiction and illuminates the philosophical and theological influences on her life and work. Edmondson argues that O'Connor's artistic brilliance and philosophical genius reveal the only possible response to the nihilistic despair of the modern world: a return to good and evil through humility and grace.

"The study begins with an exploration of O'Connor's Southern milieu, a survey of relevant scholarship (particularly feminist theory), and a clarification of essential terms and concepts surrounding ritual. The remaining chapters are then dedicated to the six short stories, each of which depicts certain ritual patterns and archetypal models. In this way, the study furnishes a prototype that can be applied to O'Connor's entire oeuvre." "Ritual Performance in the Fiction of Flannery O'Connor is an excellent resource for teachers and students of American literature, Southern Studies, feminist theory, and ritual studies. Because it is story-centered rather than theory-driven, it will appeal to those who are looking for ways to read (and teach) O'Connor's astonishing stories more deeply."--BOOK JACKET.

Seeing Flannery O'Connor in the company of poets, rather than realistic prose writers, this work shows how she uses recurring figures of speech to transform or re-create the external world. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In this absorbing study--the first comprehensive exploration of the rhetoric of the novel--Zahava Karl McKeon investigates the complex interrelations of critical poetics, grammars, dialectics, and rhetorics to devise a systematic means of dealing with the structure of prose works as communicative objects. Using the vocabulary and conceptual resources of Aristotle and Cicero, she pursues this exploration to discover the kinds of arguments that characterize novels, to find a way of distinguishing novels from other discursive wholes, and to discriminate different genres of the novel. McKeon's arguments are supplemented by readings of a variety of texts, including the novels and stories of Gunter Grass, John Fowles, Robert Coover, and Flannery O'Connor.