The Land Of Rowan Oak

The plants and landscape at Rowan Oak are the "little postage stamp of soil" that William Faulkner owned, walked, and tended for over thirty years during the writing of many of his short stories and novels. Faulkner saw and smelled the earth and listened to sounds from the cultivated grounds and the surrounding woods. This is the place that offered him refuge for writing and provided him food from its garden, fruit and nut trees, and pasture for his horses and a milk cow. Rowan Oak boasts a diverse landscape, encompassing an aristocratic eastern redcedar-lined drive and walk as well as hardy ornamental shrubs, trees, pastures, and a hardwood forest with virgin timber. More than fifty years after Faulkner's death, Rowan Oak remains a sanctuary and a place of mystery and beauty nestled in the midst of Oxford, Mississippi. The photographs in The Land of Rowan Oak are botanist Ed Croom's exploration and documentation of the changes in the plants and landscape over more than a decade. Croom encountered early morning mists, the summer heat and haze, and even rare snowfalls in his near-daily walks on the grounds. His photographs record a decaying fence line, trees and plants that have since disappeared, and the newly restored sunken garden. This book honors the land Faulkner loved. While Faulkner's novels have left an indelible legacy in southern and American letters, the landscape of his beloved home also serves as a record of the botanical history of this most storied corner of the American literary South.

The plants and landscape at Rowan Oak are the "little postage stamp of soil" that William Faulkner owned, walked, and tended for over thirty years during the writing of many of his short stories and novels. Faulkner saw and smelled the earth and listened to sounds from the cultivated grounds and the surrounding woods. This is the place that offered him refuge for writing and provided him food from its garden, fruit and nut trees, and pasture for his horses and a milk cow. Rowan Oak boasts a diverse landscape, encompassing an aristocratic eastern redcedar-lined drive and walk as well as hardy ornamental shrubs, trees, pastures, and a hardwood forest with virgin timber. More than fifty years after Faulkner's death, Rowan Oak remains a sanctuary and a place of mystery and beauty nestled in the midst of Oxford, Mississippi. The photographs in The Land of Rowan Oak are botanist Ed Croom's exploration and documentation of the changes in the plants and landscape over more than a decade. Croom encountered early morning mists, the summer heat and haze, and even rare snowfalls in his near-daily walks on the grounds. His photographs record a decaying fence line, trees and plants that have since disappeared, and the newly restored sunken garden. This book honors the land Faulkner loved. While Faulkner's novels have left an indelible legacy in southern and American letters, the landscape of his beloved home also serves as a record of the botanical history of this most storied corner of the American literary South.

"When residents and tourists visit plantation sites, whose stories are told? All too often the lives of slaveowners are centered, obscuring the lives of enslaved people and making it impossible for their descendants to process the meanings of these sites. Behind the Big House gives readers a candid, behind the scenes look at what it really takes to interpret the difficult history of slavery in the U.S. South. The book explores Jodi Skipper's eight-year collaboration with the Behind the Big House program, a community-based model used at local historic sites around the country to address slavery in the collective narrative of U.S. history and culture. Part memoir and part ethnography, the book interweaves Skipper's experiences as a Black woman and a southerner to imagine more sustainable and healthy spaces for interracial collaborations around historic preservation and slavery tourism in the U.S. South. Skipper considers the growing need among professional and lay communities to address slavery and its impacts through interpretations of local historic sites. In laying out her experiences through an autoethnographic approach, Skipper seeks to help other activist scholars of color negotiate the nuances of place, the academic public sphere, and its ambiguous systems of reward, recognition, and evaluation. By directly speaking to a failed integration of teaching, research, and service as a crisis in academia, she strives not to give others answers, but to model another way of being"--

A year has passed since the defeat of the Great Foulness and the rings of the four great houses have been restored to their rightful heirs. But a new danger has arisen; the Mother Ice Dragon has awakened.

Exploring the antebellum house in Mississippi where William Faulkner wrote his greatest works.

This 304 page coffee table book takes a look at 26 of America s great authors and the places that inspired them. Unique to this book of literary biography is the element of the photograph. With over 140 photographs throughout, the images add mood and dimension to the writing and they are often shockingly close to what the featured authors described in their own words. Lushly illustrated, and beautifully designed, the book is as much of a pleasure to look at as it is to read. Rags to riches. Forbidden loves. Supernatural experiences. Narrow escapes. Some of the greatest stories of American literature are the stories of the scribes themselves and of the places that sparked their imaginations. In 2007, writer Thomas Hummel and photographer Tamra Dempsey set out in search of the sources of inspiration for 26 of this country's greatest authors. Two years and twenty thousand miles later, the result is A Journey Through Literary America -- a literary pilgrimage in photography and prose. In the words of one reviewer, "this is a beautiful and necessary book."

To the King a Daughter begins the cycle of Oak, Yew, Ash, and Rowan: the four powers of the world who have been warring for centuries. The Clan of Ash is slowly dying, their totem tree in the sacred square withering away to nothing. There is a prophecy that a daughter of Ash will rise again, but none have survived the mass killings, thereby rendering the prophecy unfillable. But deep in the swamps, in the care of the witch-healer all need and all fear, there is a young girl-woman who can not be the witch's daughter; a girl who, in fact, by virtue of her beauty and elegance and simmering power, can only be a Daughter of Ash, the one who will rise to fulfill the prophecy--and the destiny of her birthright. At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

NEW YORK TIMES BESTSELLER • From the beloved author of the Vampire Chronicles, the second installation of her spellbinding Mayfair Chronicles—the inspiration for the hit television series! “[Anne] Rice’s descriptive writing is so opulent it almost begs to be read by candlelight.”—The Washington Post Book World In seventeenth-century Scotland, the first “witch,” Suzanne of the Mayfair, conjured up the spirit she named Lasher—a creation that spelled her own destruction and torments each of her descendants. Now, the beautiful Rowan Mayfair, queen of the coven, must flee from this darkly brutal yet irresistible demon. The magic of the Mayfairs continues: THE WITCHING HOUR • LASHER • TALTOS