The Language Of Fear

With an introduction by W. Axl Rose Del James unleashes an extraordinary collection of snapshots from hell—our hell. Here are spine-chilling stories of everyday people, all caught up in terrible urges—sex and obsession, addiction and violence—all sharing the universal language of fear. . . . A heavy-metal dreamer locked in a savage war with his television set. An artist seduced by a vampire. Two boys trapped by an urban legend come to life—or a drug-induced nightmare. A modern-day gladiator engaged in a brutal death match. A rock-and-roll star who years to be with the one good woman he has ever known—and so ignites a blaze of mad destruction. Praise for The Language of Fear “The Language of Fear is spoken in tunes of rock'n'roll, of barking dogs and net-trapped fish, of acid-sizzled flesh and tattoo needles, and after these few lessons, you'll speak it too.”—Cemetery Dance “Pissed-off, heartbroken rock'n'roll horror: surprisingly tender, garage-band crude, savage as a shotgun blast and audacious as an exit wound.”—John Skipp “After a hard day in Hell, James writes down what he saw. Good reading.”—John Shirley “Best described as an updated Night Shift, the contemporary tales [are] short and nasty.”—Cindy Baum, Scream Magazine

This book investigates linguistic strategies of threat construction and fear generation in contemporary public communication, including state political discourse as well as non-governmental, media and institutional discourses. It describes the ways in which the construction of closeness and remoteness can be manipulated in the public sphere and bound up with fear, security and conflict. Featuring a series of case studies in different domains, from presidential speeches to environmental discourse, it demonstrates how political and organizational leaders enforce the imminence of an outside threat to claim legitimization of preventive policies. It reveals that the best legitimization effects are obtained by discursively constructed fear appeals, which ensure quick social mobilization. The scope of the book is of immediate concern in the modern globalized era where borders and distance dissolve and are re-imagined. It will appeal to students and researchers in linguistics, discourse analysis, media communication as well as social and political sciences.

With an introduction by W. Axl Rose Del James unleashes an extraordinary collection of snapshots from hell—our hell. Here are spine-chilling stories of everyday people, all caught up in terrible urges—sex and obsession, addiction and violence—all sharing the universal language of fear. . . . A heavy-metal dreamer locked in a savage war with his television set. An artist seduced by a vampire. Two boys trapped by an urban legend come to life—or a drug-induced nightmare. A modern-day gladiator engaged in a brutal death match. A rock-and-roll star who years to be with the one good woman he has ever known—and so ignites a blaze of mad destruction. Praise for The Language of Fear “The Language of Fear is spoken in tunes of rock'n'roll, of barking dogs and net-trapped fish, of acid-sizzled flesh and tattoo needles, and after these few lessons, you'll speak it too.”—Cemetery Dance “Pissed-off, heartbroken rock'n'roll horror: surprisingly tender, garage-band crude, savage as a shotgun blast and audacious as an exit wound.”—John Skipp “After a hard day in Hell, James writes down what he saw. Good reading.”—John Shirley “Best described as an updated Night Shift, the contemporary tales [are] short and nasty.”—Cindy Baum, Scream Magazine

In the tradition of Malcolm Gladwell, Gardner explores a new way of thinking about the decisions we make. We are the safest and healthiest human beings who ever lived, and yet irrational fear is growing, with deadly consequences — such as the 1,595 Americans killed when they made the mistake of switching from planes to cars after September 11. In part, this irrationality is caused by those — politicians, activists, and the media — who promote fear for their own gain. Culture also matters. But a more fundamental cause is human psychology. Working with risk science pioneer Paul Slovic, author Dan Gardner sets out to explain in a compulsively readable fashion just what that statement above means as to how we make decisions and run our lives. We learn that the brain has not one but two systems to analyze risk. One is primitive, unconscious, and intuitive. The other is conscious and rational. The two systems often agree, but occasionally they come to very different conclusions. When that happens, we can find ourselves worrying about what the statistics tell us is a trivial threat — terrorism, child abduction, cancer caused by chemical pollution — or shrugging off serious risks like obesity and smoking. Gladwell told us about “the black box” of our brains; Gardner takes us inside, helping us to understand how to deconstruct the information we’re bombarded with and respond more logically and adaptively to our world. Risk is cutting-edge reading.

Dragged fresh from the grave and pulled out of the haunted corners of a school locker, these thirteen new stories are a nod to the storytelling style of Tales from the Crypt and The Twilight Zone. Most kids don’t have to stress about things like exotic insects with a taste for human flesh when they go to class. But students at this school have to be ever vigilant. You never know when a supernatural pastry or a clay monster bent on revenge might be lurking just around the corner. Even a simple field trip to a local animal sanctuary can have s-s-serious consequences. A companion volume to Tales from Beyond the Brain, these stories are guaranteed to make you laugh like a hyena, shake your head in wonder or tremble with fear.

A revolutionary guide to acknowledging fear and developing the tools we need to build a healthy relationship with this confusing emotion—and use it as a positive force in our lives. We all feel fear. Yet we are often taught to ignore it, overcome it, push past it. But to what benefit? This is the essential question that guides Kristen Ulmer’s remarkable exploration of our most misunderstood emotion in The Art of Fear. Once recognized as the best extreme skier in the world (an honor she held for twelve years), Ulmer knows fear well. In this conversation-changing book, she argues that fear is not here to cause us problems—and that in fact, the only true issue we face with fear is our misguided reaction to it (not the fear itself). Rebuilding our experience with fear from the ground up, Ulmer starts by exploring why we’ve come to view it as a negative. From here, she unpacks fear and shows it to be just one of 10,000 voices that make up our reality, here to help us come alive alongside joy, love, and gratitude. Introducing a mindfulness tool called “Shift,” Ulmer teaches readers how to experience fear in a simpler, more authentic way, transforming our relationship with this emotion from that of a draining battle into one that’s in line with our true nature. Influenced by Ulmer’s own complicated relationship with fear and her over 15 years as a mindset facilitator, The Art of Fear will reconstruct the way we react to and experience fear—empowering us to easily and permanently address the underlying cause of our fear-based problems, and setting us on course to live a happier, more expansive future.

Speaking in and to a culture that worships power and comfort while cultivating fear as a manipulative tool, Matthew Dickerson offers a transformative alternative: authentic discipleship and disciple making. What does it mean to live as disciples of Christ, what would it look like to be transformed by the Holy Spirit, and how can we be open to that transformation? How can a follower of Christ live as salt and light in the midst of a power-hungry fear-mongering society? And how can we both teach and model that disciple life as we obey Christ's command to make disciples? In the tradition of spiritual theology and formation, Disciple Making in a Culture of Power, Comfort, and Fear draws deeply from Paul's Second Epistle to Timothy--viewed as a reflection on Jesus' great disciple-making commission--as well as on Dickerson's own experiences in disciple-making ministry on college campuses and his local church. Dickerson's writing is deeply informed by Scriptures, by the works of such important Christian thinkers, theologians, and writers as Eugene Peterson, John Stott, and Richard Foster, and also by the literature of C. S. Lewis and J. R. R. Tolkien whose works he has been teaching and writing about for more than thirty years.