The Language Of Life And Death

Labov extends his widely used framework for narrative analysis to matters of greatest human concern: accounts of the danger of death, violence, premonitions, and large-scale community conflicts. This book provides a rich range of narratives that grip the reader's attention together with an analysis of how it is done.

“Perhaps the finest and most profound account of ethnographic fieldwork and discovery that has ever entered the anthropological literature.” —The Wall Street Journal “If you want to experience a profoundly different culture without the exhausting travel (to say nothing of the cost), this is an excellent choice.” —The Washington Post One of Time’s 32 Books You Need to Read This Summer * One of National Geographic’s Best Travel Books of Summer As a young anthropologist, Don Kulick went to the tiny village of Gapun in New Guinea to document the death of the native language, Tayap. He arrived knowing that you can’t study a language without understanding the daily lives of the people who speak it: how they talk to their children, how they argue, how they gossip, how they joke. Over the course of thirty years, as he returned again and again to document the vanishing language, he found himself inexorably drawn into the lives and world of the Gapuners, and implicated in their destiny. In A Death in the Rainforest, Kulick takes us inside the village as he came to know it, revealing what it is like to live in a difficult-to-get-to village of two hundred people, carved out like a cleft in the middle of a tropical rainforest. And in doing so, he also gives us a brilliant interrogation of what it means to study a culture, an illuminating look at the impact of Western culture on the farthest reaches of the globe—and, ultimately, the story of why this anthropologist realized that he had to give up his study of this language and this village.

Twenty-five languages die each year; at this pace, half the world’s five thousand languages will disappear within the next century. In this timely book, Claude Hagège seeks to make clear the magnitude of the cultural loss represented by the crisis of language death. By focusing on the relationship of language to culture and the world of ideas, Hagège shows how languages are themselves crucial repositories of culture; the traditions, proverbs, and knowledge of our ancestors reside in the language we use. His wide-ranging examination covers all continents and language families to uncover not only how languages die, but also how they can be revitalized—for example in the remarkable case of Hebrew. In a striking metaphor, Hagège likens languages to bonfires of social behavior that leave behind sparks even after they die; from these sparks languages can be rekindled and made to live again.

It is commonly agreed by linguists and anthropologists that the majority of languages spoken now around the globe will likely disappear within our lifetime. This text focuses on the question: what is lost when a language dies?

In this emotionally gripping, genre-defying novella from Sarah Pinborough, a woman sits at her father's bedside, watching the clock tick away the last hours of his life. Her brothers and sisters--she is the middle child of five--have all turned up over the past week to pay their last respects. Each is traumatized in his or her own way, and the bonds that unite them to each other are fragile--as fragile perhaps as the old man's health. With her siblings all gone, back to their self-obsessed lives, she is now alone with the faltering wreck of her father's cancer-ridden body. It is always at times like this when it--the dark and nameless, the impossible, presence that lingers along the fringes of the dark fields beyond the house--comes calling. As the clock ticks away in the darkness, she can only wait for it to find her, a reunion she both dreads and aches for...

What Our Last Words Reveal About Life, Death, and the Afterlife A person’s end-of-life words often take on an eerie significance, giving tantalizing clues about the ultimate fate of the human soul. Until now, however, no author has systematically studied end-of-life communication by using examples from ordinary people. When her father became terminally ill with cancer, author Lisa Smartt began transcribing his conversations and noticed that his personality underwent inexplicable changes. Smartt’s father, once a skeptical man with a secular worldview, developed a deeply spiritual outlook in his final days — a change reflected in his language. Baffled and intrigued, Smartt began to investigate what other people have said while nearing death, collecting more than one hundred case studies through interviews and transcripts. In this groundbreaking and insightful book, Smartt shows how the language of the dying can point the way to a transcendent world beyond our own.

Even though he’s only ten years old, there are lots of things Arthur Williams knows for sure. He knows all about trilobites, and bridge, and that he doesn’t want to be Victoria Brown’s boyfriend, and that tapping maple trees causes them excruciating pain. He knows his real dad is probably flying a hot-air balloon across the Pacific, or paving a city with moss. And he knows that Simon, the guy who pretends to be his dad, does absolutely nothing interesting. But when Arthur finds a weather-worn notebook in the woods behind his house, all he has are questions. Why was its author, Phil, so sad, and why does it end on Page 43? Suddenly, there are other questions too: Why do people abandon people? Why do they abandon themselves? Arthur embarks on a top-secret investigation to find out who Phil is, or was. But getting straight answers from grown-ups is impossible - and before long, the only thing he knows for sure is that everything he thought he knew about life is probably wrong, and that what he has to do is ten times bigger than what he can do. Told through a trio of voices: the wildly imaginative and perpetually awkward Arthur, Phil’s manic journal, and the forest which watches them both, Ben Stephenson’s debut novel is a heartbreaking story of love, death, and the unspeakable pain of being small. A Matter of Life and Death Or Something marks the exciting debut of an inventive and gifted storyteller.

First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.