The Lark Ascending

Originally from Newport, Gwent, for the last eighteen years Richard King has lived in the hill farming country of Radnosrshire, Powys. He is the author of Original Rockers, which was shortlisted for the Gordon Burn Prize, and How Soon Is Now?, both published by Faber.

A radical new history of Britain's natural landscapes and the musical movements they have inspired.

(Schott). Includes new engraving and a detailed preface.

Winner of the Southern Book Prize ​for Fiction * Winner of a Nautilus Award (Gold)​ A timely, powerful story of survival set in the not-too-distant future that Margaret Renkl (Late Migrations) calls “a beautiful book...shot through with such tenderness and humanity, such love and courage and beauty and hope, that it feels almost like a prayer.” With fires devastating much of America, Lark and his family first leave their home in Maryland for Maine. But as the country increasingly falls under the grip of religious nationalism, it becomes clear that nowhere is safe, not just from physical disasters but also persecution. The family secures a place on a crowded boat headed to Ireland, the last place on earth rumored to be accepting American refugees. Upon arrival, it turns out that the safe harbor of Ireland no longer exists either—and Lark, the sole survivor of the trans-Atlantic voyage, must disappear into the countryside. As he runs for his life, Lark finds two equally lost and desperate souls: one of the last remaining dogs, who becomes his closest companion, and a fierce, mysterious woman in search of her lost son. Together they form a makeshift family and attempt to reach Glendalough, a place they believe will offer protection. But can any community provide the safety that they seek? Lark Ascending is a moving and unforgettable story of friendship and bravery, and even more, a story of the ongoing fight to protect our per­sonal freedoms and find our shared humanity, from a writer at the peak of his powers.

First in a new series. Sixteen-year-old Lark sets out on a journey to help her village fight off monsters called Troths and learns she is the Guardian of Life, fated to recover a powerful amulet from the Breeders of Chaos.

Rob Young's Electric Eden: Unearthing Britain's Visionary Music is a seminal book on British music and cultural heritage, that spans the visionary classical and folk tradition from the nineteenth-century to the present day. 'A thoroughly enjoyable read and likely to remain the best-written overview for a long time.' GUARDIAN 'A perfectly timed, perfectly pitched alternative history of English folk music . . . wide-ranging, insightful, authoritative, thoroughly entertaining.' NEW STATESMAN 'A stunning achievement.' SIMON REYNOLDS 'A masterpiece.' CAUGHT BY THE RIVER 'Excellent . . . blissfully quotable.' NEW YORK TIMES 'An authoritative account.' THE TIMES 'Consistently absorbing.' INDEPENDENT 'An impassioned and infectious rallying cry of a book.' SUNDAY TIMES In this groundbreaking survey of more than a century of music making in the British Isles, Rob Young investigates how the idea of folk has been handed down and transformed by successive generations - song collectors, composers, Marxist revivalists, folk-rockers, psychedelic voyagers, free festival-goers, experimental pop stars and electronic innovators. In a sweeping panorama of Albion's soundscape that takes in the pioneer spirit of Cecil Sharp; the pastoral classicism of Ralph Vaughan Williams and Peter Warlock; the industrial folk revival of Ewan MacColl and A. L. Lloyd; the folk-rock of Fairport Convention, Sandy Denny, Nick Drake, Shirley Collins, John Martyn and Pentangle; the bucolic psychedelia of The Incredible String Band, The Beatles and Pink Floyd; the acid folk of Comus, Forest, Mr Fox and Trees; The Wicker Man and occult folklore; the early Glastonbury and Stonehenge festivals; and the visionary pop of Kate Bush, Julian Cope and Talk Talk, Electric Eden maps out a native British musical voice that reflects the complex relationships between town and country, progress and nostalgia, radicalism and conservatism. An attempt to isolate the 'Britishness' of British music - a wild combination of pagan echoes, spiritual quest, imaginative time-travel, pastoral innocence and electrified creativity - Electric Eden will be treasured by anyone interested in the tangled story of Britain's folk music and Arcadian dreams. 'A treat.' TIME OUT 'Young is a fine writer.' MOJO 'Young's immense narrative is both educative and gripping.' UNCUT 'A multitudinous, fascinating and beautifully written account.' TLS

Richard King's account of the several years he spent working in a Bristol independent record shop in the early 90s is destined to become a classic of music writing. We live in an age when the most beautiful of recording formats, vinyl, is back in vogue and thriving. In the early 90s, with the march of the cd and record company disinterest oin the format, vinyl was looking like an anachronism. And with its demise came the gradual erosion of a once beautiful and unique landscape known as the independent record shop. Richard King, author of How Soon is Now, blends memoir and elegiac music writing on the likes of Captain Beefheart, CAN and Julian Cope, to create a book that recalls the debauched glory days of the independent record shop. Chaotic, amateurish and extravagantly dysfunctional, this is a book full of rare personalities and rum stories. It is a book about landscape, place and the personal; the first piece of writing to treat the environment of the record shop as a natural resource with its own peculiar rhythms and anecdotal histories.

Lark Ainsley has yearned to become an adult by having her magical energy harvested, but when she is finally chosen a special talent is revealed and, rather than become a human battery powering the dome that protects humanity, she escapes hoping to find the Iron Wood, a wilderness rumored to be inhabited by others like herself.