The Last Balladeer

Just after recording with John Coltrane in 1963, baritone singer Johnny Hartman (1923–1983) told a family member that “something special” occurred in the studio that day. He was right – the album, containing definitive readings of “Lush Life” and “My One and Only Love,” resides firmly in the realm of iconic; forever enveloping listeners in the sounds of romance. In The Last Balladeer, author Gregg Akkerman skillfully reveals not only the intimate details of that album but the life-long achievements and occasional missteps of Hartman as an African-American artist dedicated to his craft. This book carefully follows the journey of the Grammy-nominated vocalist from his big band origins with Earl Hines and Dizzy Gillespie to featured soloist in prestigious supper clubs throughout the world. Through exclusive interviews with Hartman’s family and fellow musicians (including Tony Bennett, Billy Taylor, Kurt Elling, Jon Hendricks, and others), accounts from friends and associates, newly discovered recordings and studio outtakes, and in-depth research on his career and personal life, Akkerman expertly recollects the Hartman character as a gentleman, romantic, family man, and constant contributor to the jazz scene. From his international concerts in Japan, Australia, and England to his steady presence as an American nightclub singer that spanned five decades, Hartman personifies the “last balladeer” of his kind, singing with a sentiment that captured the attention of Clint Eastwood, who brought Hartman’s songs to the masses in the film The Bridges of Madison County. In the first full-length biography and discography to chronicle the rhapsodic life and music of Johnny Hartman, the author completes a previously missing dimension of vocal-jazz history by documenting Hartman as the balladeer who crooned his way into so many hearts. Backed by impeccable research but conveyed in a conversational style, this book will interest not only musicians and scholars but any fan of the Great American Songbook and the singers who brought it to life.

In The Last Balladeer, author Gregg Akkerman skillfully reveals the life-long achievements and occasional missteps of Johnny Hartman as an African-American artist dedicated to his craft. In the first full-length biography and discography to chronicle the rhapsodic life and music of Johnny Hartman, the author completes a previously missing dimension of vocal-jazz history by documenting Hartman as the balladeer who crooned his way into so many hearts. Backed by impeccable research but conveyed in a conversational style, this book will interest not only musicians and scholars but any fan of the Great American Songbook and the singers who brought it to life.

Breaking horses in Arizona Territory, Colter Farrow is forced to kill a soldier in self-defense, sending him on a wild ride to Mexico where he helps the wild Bethel Strange find her missing father. But there's an outlaw on their trail, and the next ones to go missing just might be them...

The Kardomah Kid is a selection of poetry which ranges over varied subjects as a young poet sits in the Kardomah Cafe in Swansea writing poetry for her alter-ego The Kardomah Kid. These conversations range over romance or rather lack of it, her lack of confidence over poetry, the romanticism and the tragedy of death, her luck at living opposite the Brecon Beacons. A modern telling of poetry, exploring the mind of a nearly twenty year old as she thinks to herself, with her old friends as well.

This book offers an entry point for understanding the comprehensive way this uniquely American artistic form has influenced literature, art, film, and other art forms, while also providing a cultural space for political commentary or social critique.

The introductory essay provides an overview of current issues and methodologies in gender theory, while the 11 essays in the book discuss novels and poems, from the seventeenth century to the present, by British, American, and French male writers who speak as, through, or like the feminine.

To six-year-old Dori, everything seems possible. To her family and their Peers—secular, left-leaning North American Jews—the young state of Israel seems to offer the same promise, as the starry-eyed kibbutz movement prepares the ground for their ideals of justice and cooperation to take root and flourish. They settle on Eldar in northern Galilee, determined to create a new utopia, but life on this remote hill, three kilometres from the Lebanese border, is far more complex than any of its inhabitants could have imagined. The Last Rain tells the story of Eldar's emergence as a kibbutz through the eyes of Dori, as well as through documentary fragments that take the reader on a labyrinthine journey through the characters' collective past. With humour, sensitivity, and a deep love for the land, The Last Rain follows the coming of age not only of a young girl, but also of a country in the first fraught years of its existence.

First Published in 1995. A Meeting About Laughter is a collection of sketches, interludes and theatrical parodies by Nikolai Erdman, Vladimir Mass and others. Translated from the Russian Theatre Archive by John Freedman, Harvard University. Erdman is best known as the author of The Warrant and The Suicide, both written for Vsevolod Meyerhold in the 1920s. Also including the transcript of a startling discussion of The Suicide at the Vakhtangov Theatre in 1930 and the only surviving fragments of Erdman's third play The Hypnotist.