The Last Days Of American Crime Vol 1

The critically acclaimed, smutty, sci-fi, and noir first collaboration between RICK REMENDER (LOW, DEADLY CLASS) and GREG TOCCHINI (LOW, Uncanny X-Force) is finally back in print, remastered, and delivered in a glorious hardcover format. Collects LAST DAYS OF AMERICAN CRIME #1-3. Select praise for THE LAST DAYS OF AMERICAN CRIME: ñLast Days hits reader with an unflinching dose of pulp noir seediness and doesnÍt let up.î „USA Today ñWriter Remender layers plenty of sex and violence on top of a zinger of a story. TocchiniÍs artwork is superbƒ Last Days is the perfect blend of art, dialogue and gritty feel.î „WIRED ñAlthough Remender has crafted a fine crime noir, it's the socio-political aspect that won me over.î „IGN ñIf you enjoy Criminal and other crimes books, you'll probably get a kick out of this.î „Comic Book Resources

Owners of mystery bookshops will tell you that there are several sorts of buyers: those who purchase on impulse or whim; genre addicts who buy paperbacks by the week and by the armful; and those who have caught up on canonical texts and regularly buy new novels by select authors in hardcover. Richard B. Schwartz belongs in the last group, with his own list of approximately seventy favorite writers. Nice and Noir: Contemporary American Crime Fiction explores the work of these writers, building upon a reading of almost seven hundred novels from the 1980s and 1990s. By looking at recurring themes in these mysteries, Schwartz offers readers new ways to approach the works in relation to contemporary cultural concerns.

Many theories--from the routine to the bizarre--have been offered up to explain the crime decline of the 1990s. Was it record levels of imprisonment? An abatement of the crack cocaine epidemic? More police using better tactics? Or even the effects of legalized abortion? And what can we expect from crime rates in the future? Franklin E. Zimring here takes on the experts, and counters with the first in-depth portrait of the decline and its true significance. The major lesson from the 1990s is that relatively superficial changes in the character of urban life can be associated with up to 75% drops in the crime rate. Crime can drop even if there is no major change in the population, the economy or the schools. Offering the most reliable data available, Zimring documents the decline as the longest and largest since World War II. It ranges across both violent and non-violent offenses, all regions, and every demographic. All Americans, whether they live in cities or suburbs, whether rich or poor, are safer today. Casting a critical and unerring eye on current explanations, this book demonstrates that both long-standing theories of crime prevention and recently generated theories fall far short of explaining the 1990s drop. A careful study of Canadian crime trends reveals that imprisonment and economic factors may not have played the role in the U.S. crime drop that many have suggested. There was no magic bullet but instead a combination of factors working in concert rather than a single cause that produced the decline. Further--and happily for future progress, it is clear that declines in the crime rate do not require fundamental social or structural changes. Smaller shifts in policy can make large differences. The significant reductions in crime rates, especially in New York, where crime dropped twice the national average, suggests that there is room for other cities to repeat this astounding success. In this definitive look at the great American crime decline, Franklin E. Zimring finds no pat answers but evidence that even lower crime rates might be in store.

Meet Glory: a young woman raised off the grid in a convoy of truckers, the last men and women fighting for true freedom on the American open road. Now, in order to save her fathers life, Glory has three days to pull off four dangerous cross-country heists with mob killers, crooked cops, and a psycho ex-husband all out to bring her inÑor die trying. Time, fuel, and hope may be in short supply, but no one outruns Glory! This oversized prestige hardcover collects the complete runaway smash hit from New York Times bestselling author RICK REMENDER and legendary French artist, BENGAL! "...Nothing but blood-pumping action for nearly a dozen issues" ComicBook.com "RICK REMENDER and BENGAL have knocked it out of the park, and I canÕt recommend this comic enough"ÑBleeding Cool Collects DEATH OR GLORY #1-11

Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that embody values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, providing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is delivered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Staci Strobl explore these representations and show that comic books, as a historically important American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes’ calculations of “deathworthiness,” or who should be killed in meting out justice, and how these judgments have as much to do with the hero’s character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engaging, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way.

With one week until the end of all crime in the United States, can the last heist in American history be pulled off? In the not-too-distant future, as a final response to terrorism and crime, the U.S. government plans in secret to broadcast a signal making it impossible for anyone to knowingly commit unlawful acts. To keep this from the public, the government creates a distraction, installing a new currency system using digital charge cards. Enter Graham Bricke, a career criminal never quite able to hit the big score. In a grand scheme, Graham intends to steal one of the charging stations, skip the country and live off unlimited funds for the rest of his life. But the media has leaked news of the anti-crime signal one week before it was to go live ... and now Graham and his team have just a few days to turn the heist of the century into the last crime in American history.

Rule of law has vanished in America’s criminal justice system. Prosecutors decide whom to punish; most accused never face a jury; policing is inconsistent; plea bargaining is rampant; and draconian sentencing fills prisons with mostly minority defendants. A leading criminal law scholar looks to history for the roots of these problems—and solutions.