The Last Englishman

A sumptuous biographical saga, both intimate and epic, about the waning of the British Empire in India John Auden was a pioneering geologist of the Himalaya. Michael Spender was the first to draw a detailed map of the North Face of Mount Everest. While their younger brothers—W. H. Auden and Stephen Spender—achieved literary fame, they vied to be included on an expedition that would deliver Everest’s summit to an Englishman, a quest that had become a metaphor for Britain’s struggle to maintain power over India. To this rivalry was added another: in the summer of 1938 both men fell in love with a painter named Nancy Sharp. Her choice would determine where each man’s wartime loyalties would lie. Set in Calcutta, London, the glacier-locked wilds of the Karakoram, and on Everest itself, The Last Englishmen is also the story of a generation. The cast of this exhilarating drama includes Indian and English writers and artists, explorers and Communist spies, Die Hards and Indian nationalists, political rogues and police informers. Key among them is a highborn Bengali poet named Sudhin Datta, a melancholy soul torn, like many of his generation, between hatred of the British Empire and a deep love of European literature, whose life would be upended by the arrival of war on his Calcutta doorstep. Dense with romance and intrigue, and of startling relevance for the great power games of our own day, Deborah Baker’s The Last Englishmen is an engrossing story that traces the end of empire and the stirring of a new world order.

A 2,640-mile hiking adventure on the Pacific Crest Trail. Short-listed for Outdoor Book of the Year by The Great Outdoors magazine. New edition includes bonus chapter - What Happened to Rockets?

Arthur Ransome, best known for the Swallows and Amazons series, led a double, and often tortured, life. Before his fame as an author, he was notorious for very different reasons: between 1917 and 1924, he was the Russian correspondent for the Daily News and the Manchester Guardian, and his sympathy for the Bolshevik regime gave him access to its leaders, politics, and plots. He was friends with Karl Radek, the Bolshevik's Chief of Propaganda, and Felix Dzerzhinsky, founder of the secret police. In this biography, Chambers explores the tensions Ransome felt between his allegiance to England's decencies and the egalitarian Bolshevik vision, between the Lake Country he loved and always considered home and the lure of the Russian steppes to which he repeatedly returned. What emerges is not only history, but also the story of an immensely troubled man not entirely at home in either culture or country.

A biography of the English educator, dictionary writer, and celebrated author of A Month in the Country. J.L. Carr was the most English of Englishmen: headmaster of a Northamptonshire school, cricket enthusiast and campaigner for the conservation of country churches. But he was also the author of half a dozen utterly unique novels, including his masterpiece, A Month in the Country, and a publisher of some of the most eccentric—and smallest—books ever printed. Byron Roger’s acclaimed biography reveals an elusive, quixotic and civic-minded individual with an unswerving sympathy for the underdog, who led his schoolchildren through the streets to hymn the beauty of the cherry trees and paved his garden path with the printing plates for his hand-drawn maps, and whose fiction is quite remarkably autobiographical. Much more than the life of a thoroughly decent man, The Last Englishman is a comic and touching anatomy of the best kind of Englishness. Praise for The Last Englishman “A miniature masterpiece of social history.” —Simon Jenkins, The Times (UK) “A fine biography. . . . Rogers has done a wonderful job.” —Daily Telegraph (UK) “Conveying the significance of the author of Carr’s Dictionary of Extraordinary Cricketers to anyone unfamiliar with his books, or what may now fairly be called his myth, was always going to be difficult. Somehow, Roger’s has managed it.” —D. J. Taylor, Sunday Times (UK) “A great success, and more life-affirming than F. R. Leavis’s entire output.” —Independent on Sunday (UK)

Never before told, Ben Macintyre's The Englishman's Daughter is a harrowing tale of love, duplicity and their tragic consequences, which haunt the people of Villeret eight decades after the Great War. "I have a rendezvous with death, at some disputed barricade." Alan Seeger, 1916 In the first days of World War I four soldiers, left behind as the British army retreated through northern France under the first German onslaught, found themselves trapped on the wrong side of the Western Front, in a tiny village called Villeret. Just a few miles from the Somme, the village would be permanently inundated with German troops for the next four years, yet the villagers conspired to feed, clothe and protect the fugitives under the very noses of the invaders, absorbing the Englishmen into their homes and lives until they could pass for Picardy peasants. The leader of the band, Robert Digby, was a striking young man who fell in love with Claire Dessenne, the prettiest maid in the village. In November 1915, with the guns clearly audible from the battlefront, Claire gave birth to Digby's child, the jealous whispering began, and the conspiracy that had protected the soldiers for half the war started to unravel.

THE SUNDAY TIMES BESTSELLER 'Compelling and stunningly written' THE TIMES 'Wildly exciting . . . a classic' SPECTATOR 'Flawless . . . poetic . . . superbly portrayed' DAILY TELEGRAPH Three men. Three short, glittering lives. Young English painter Christopher Wood arrives in Paris in 1921 set on becoming the next great master. By day he studies; by night he attends parties with Picasso and Cocteau before paying too high a price for success. Richard Hilary, a confident if unprincipled Spitfire pilot, is suffering from terrible burns after being shot down. But the operations to restore him haven't deterred him from returning to action. And Jeremy Wolfenden, the cleverest of his set at All Souls College, leaves it all behind to report on the Cold War. But his louche private life makes him a plaything for the intelligent services, taking him on a fateful journey between East and West. The Fatal Englishman is a stunning tale of three short lives that burned brightly from a master storyteller.

The Englishman’s Boy brilliantly links together Hollywood in the 1920s with one of the bloodiest, most brutal events of the nineteenth-century Canadian West – the Cypress Hills Massacre. Vanderhaeghe’s rendering of the stark, dramatic beauty of the western landscape and of Hollywood in its most extravagant era – with its visionaries, celebrities, and dreamers – provides vivid background for scenes of action, adventure, and intrigue. Richly textured, evocative of time and place, this is an unforgettable novel about power, greed, and the pull of dreams that has at its centre the haunting story of a young drifter – “the Englishman’s boy” – whose fate, ultimately, is a tragic one.