The Last Good Year

Few Canadians over the age of forty can forget the feeling of joy and celebration that washed over the country during Canada's centennial year. We were, Pierre Berton reminds us, a nation in love with itself, basking in the warm glow of international applause brought on by the unexpected success of Expo 67 and pumped up by the year-long birthday party that had us all warbling "Ca-na-da, as Bobby Gimby and his gaggle of small children pranced down the byways of the nation. It was a turning-point year, a watershed year--a year of beginnings as well as endings. One royal commission finally came to a close with a warning about the need for a new approach to Quebec. Another was launched to investigate, for the first time, the status of Canadian women. New attitudes to divorce and homosexuality were enshrined in law. A charismatic figure, Pierre Elliott Trudeau, made clear that the state had no place in the bedrooms of the nation. The seeds of Women's Lib, Gay Pride, and even Red Power, were sown in the centennial year. (Of all the pavilions on the Expo site, Berton singles out the Indian pavilion as having the greatest impact.) The country was in a ferment that year. Canadians worried about the Americanization of every institution from the political convention to "Hockey Night in Canada. People talked about the Generation Gap as thousands of flower children held love-ins in city parks. The government tried to respond by launching the Company of Young Canadians, a project that was less than successful. The most significant event of 1967 was Charles de Gaulle's notorious "Vive le Quebec libre!" speech in Montreal. It gave the burgeoning separatist movement a new legitimacy, enhanced by Rene Levesque's departure from the Liberal party later that year. Throughout the book, the author gives us insightful profiles of some of the significant figures of 1967: the centennial activists Judy LaMarsh and John Fisher; the Expo entrepreneurs, Philippe de Gaspe Beaubien and Edward Churchill; Walter Gordon, the fervent nationalist, and his rival, Mitchell Sharp; Lester Pearson and his "bete noire, John Diefenbaker; the three "men of the world" who helped make Canada internationally famous: Marshall McLuhan, Glenn Gould, and Roy Thomson; hippie leaders like David dePoe, American draft dodgers like Mark Satin, women's activists like Doris Anderson and Laura Sabia, youth workers like Barbara Hall, radicals like Pierre Vallieres (author of "White Niggers of America) and such dedicated nationalists as Madame Chaput Rolland and Andre Laurendeau. In spite of the feeling of exultation that marked the centennial year, an opposite sentiment runs through the book like dark thread: the growing fear that the country was facing its gravest crisis. Berton points out that we are far better off today than we were in 1967. "Then why all the hand wringing?" he asks. Because of "the very real fear that the country we celebrated so joyously thirty years ago is in the process of falling apart. "In that sense, 1967 was the last good year before all Canadians began to be concerned about the future of our country."

Nominated for the 2019 Toronto Heritage Book Award We may never see a playoff series like it again. Before Gary Bettman, and the lockouts. Before all the NHL's old barns were torn down to make way for bigger, glitzier rinks. Before expansion and parity across the league, just about anything could happen on the ice. And it often did. It was an era when huge personalities dominated the sport; and willpower was often enough to win games. And in the spring of 1993, some of the biggest talents and biggest personalities were on a collision course. The Cinderella Maple Leafs had somehow beaten the mighty Red Wings and then, just as improbably, the St. Louis Blues. Wayne Gretzky's Kings had just torn through the Flames and the Canucks. When they faced each other in the conference final, the result would be a series that fans still talk about passionately 25 years later. Taking us back to that feverish spring, The Last Good Year gives an intimate account not just of an era-defining seven games, but of what the series meant to the men who were changed by it: Marty McSorley, the tough guy who took his whole team on his shoulders; Doug Gilmour, the emerging superstar; celebrity owner Bruce McNall; Bill Berg, who went from unknown to famous when the Leafs claimed him on waivers; Kelly Hrudey, the Kings' goalie who would go on to become a Hockey Night in Canada broadcaster; Kerry Fraser, who would become the game's most infamous referee; and two very different captains, Toronto's bull in a china shop, Wendel Clark, and the immortal Wayne Gretzky. Fast-paced, authoritative, and galvanized by the same love of the game that made the series so unforgettable, The Last Good Year is a glorious testament to a moment hockey fans will never forget.

Penny was sitting on the tailgate of Henry's wagon, wrapped in a blanket, and crying silently when Jason and the others approached and stopped a few feet away. Jason took two steps forward, and she slid right off the wagon into his arms, sobbing so hard she was almost convulsing. After a few minutes, Penny pushed herself back so she could see his face and demanded, "Where's David? Where's my husband? I thought you were my friend, Jason, why won't anybody tell me?" "I'm sorry, princess, David's gone, the bastards killed him," Jason replied as tears formed in his eyes.

A delightful, best-selling tale about the business and pleasure of wine, adapted into a Ridley Scott movie starring Russell Crowe and Marion Cotillard. Max Skinner has recently lost his job at a London financial firm and just as recently learned that he has inherited his late uncle’s vineyard in Provence. On arrival he finds the climate delicious, the food even better, and two of the locals ravishing. Unfortunately, the wine produced on his new property is swill. Why then are so many people interested in it? Enter a beguiling Californian who knows more about wine than Max does—and may have a better claim to the estate. Fizzy with intrigue, bursting with local color and savor, A Good Year is Peter Mayle, beloved author of A Year in Provence, at his most entertaining.

In the early hours of New Year's Day, seven-year-old Samantha and her next door neighbor, Remy, watched as a man broke into Sam's home and lifted her younger sister, Turtle, from her sleeping bag, taking her away forever. Remy and Sam, too afraid to intervene at the time, later identified the man as Sam's sister Gretchen's much older ex-boyfriend, Steven, who is sent to prison for Turtle's murder. Ten years later, Sam's shattered family returns to her childhood home in an effort to heal. As long-buried memories begin to surface, Sam wonders if she and Remy accurately registered everything they saw. The more they re-examine the events of that fateful night, the more questions they discover about what really happened to Turtle.

Lily Odilon—local wild child from a small Idaho town—has vanished after spending the night with her boyfriend, new kid Albert Morales. Now he is suspected in her disappearance. Albert, along with Lily’s prickly younger sister Olivia, set out to discover what happened to her.

A witty, fresh romantic comedy, set on one fateful prom night, about two high-schools seniors who can’t quite admit they are in love. Think E. Lockhart meets Katie Cotugno. It’s the end of senior year, and Rose Regnero is over it. She’s over chasing stories for a school newspaper no one reads. Over missing out on “normal” high school life. And most of all, over Grant Leitch: editor-in-chief, former close friend, never-quite-boyfriend. Now all she wants is a typical prom, complete with handsome date, fancy corsage, and dancing to cheesy pop songs. It’s the end of senior year, and Grant Leitch is in denial. He’s in denial about handing over the reins of the paper to an unworthy underclassman. In denial that Rose suddenly, inexplicably quit the paper and now won’t talk to him. But mostly he’s in denial that she is at prom with another guy, and it’s no one’s fault but his own. Grant’s only hope of luring Rose back to him (and the paper) is a juicy story she won’t be able to resist. In the end it takes a toga-wearing prom crasher, an emergency lockdown, a secret stalker, and a wild after-party to bring Grant and Rose together for one last story...and one final chance to admit that they’re made for each other.

In the four years between 1881 and 1885, Canada was forged into one nation by the building of the Canadian Pacific Railway. The Last Spike reconstructs the incredible story of how some 2,000 miles of steel crossed the continent in just five years — exactly half the time stipulated in the contract. Pierre Berton recreates the adventures that were part of this vast undertaking: the railway on the brink of bankruptcy, with one hour between it and ruin; the extraordinary land boom of Winnipeg in 1881–1882; and the epic tale of how William Van Horne rushed 3,000 soldiers over a half-finished railway to quell the Riel Rebellion. Dominating the whole saga are the men who made it all possible — a host of astonishing characters: Van Horne, the powerhouse behind the vision of a transcontinental railroad; Rogers, the eccentric surveyor; Onderdonk, the cool New Yorker; Stephen, the most emotional of businessmen; Father Lacombe, the black-robed voyageur; Sam Steele, of the North West Mounted Police; Gabriel Dumont, the Prince of the Prairies; more than 7,000 Chinese workers, toiling and dying in the canyons of the Fraser Valley; and many more — land sharks, construction geniuses, politicians, and entrepreneurs — all of whom played a role in the founding of the new Canada west of Ontario.