The Last Kind Word

Millionaire and unlicensed P.I. Rushmore McKenzie agrees to go undercover to help the ATF track a cache of stolen gunsNafter all, what could possibly go wrong?

New York Times Bestseller Named one of the Best Books of the Year by the Seattle Times The Last Kind Words Saloon marks the triumphant return of Larry McMurtry to the nineteenth-century West of his classic Lonesome Dove. In this "comically subversive work of fiction" (Joyce Carol Oates, New York Review of Books), Larry McMurtry chronicles the closing of the American frontier through the travails of two of its most immortal figures, Wyatt Earp and Doc Holliday. Tracing their legendary friendship from the settlement of Long Grass, Texas, to Buffalo Bill's Wild West Show in Denver, and finally to Tombstone, Arizona, The Last Kind Words Saloon finds Wyatt and Doc living out the last days of a cowboy lifestyle that is already passing into history. In his stark and peerless prose McMurtry writes of the myths and men that live on even as the storied West that forged them disappears. Hailed by critics and embraced by readers, The Last Kind Words Saloon celebrates the genius of one of our most original American writers.

From award-winning author Tom Piccirilli comes what Lee Child calls “perfect crime fiction,” a wholly original novel introducing the Rands, a vipers’ nest of crooks and cons, one generation stealing from the next. Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation. Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose. Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend. Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface. A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure. Includes a preview of Tom Piccirilli’s next book, The Last Whisper in the Dark. Praise for The Last Kind Words “A crime noir mystery as hard-boiled as any in recent memory, recalling the work of Chandler, Pelecanos and Connelly . . . Readers literally will be pinned to their seats until the last page is turned.”—Bookreporter “At once a dark and brooding page-turner and a heartfelt tale about the ties that bind.”—Lisa Unger, New York Times bestselling author of Heartbroken “[A] caustic thriller . . . The characters have strong voices and bristle with funny quirks.”—The New York Times Book Review “[Piccirilli] deserves a breakout novel, and this just might be it.”—Booklist (starred review)

A celebration of 78 rpm record subculture reveals the growing value of rare records and the determined efforts of their collectors and archivists, exploring the music of blues artists who have been lost to the modern world.

Rushmore McKenzie agrees to go undercover to help the ATF track a cache of stolen guns—after all, what could possible go wrong? Rushmore McKenzie is both a millionaire and an unlicensed PI, which means he can afford to do the occasional favor and, as a former detective for the St. Paul (Minnesota) Police Department, he's got the necessary skills and connections to do them right. But this time, he's really stepped in it. When the ATF gets a lead on a much sought-after cache of illegal guns near the Canadian border, they call McKenzie in to help them track down the elusive gunrunners. Their only lead is a guy who is part of a small-time gang of armed robbers working north of the Twin Cities. Their idea is for McKenzie to infiltrate the group and wait for them to lead him to the guns. Their plan is to fix McKenzie with a false identity as a serious bad guy and then fake an escape with the captured gang member. Which seemed like a bad idea to McKenzie at the time, but even he had no idea just how bad things were going to get. Last Kind Word is a Twin Cities P.I. Mac McKenzie novel from David Housewright.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

The secret behind a kidnapping and a murder lies hidden in McKenzie's own difficult past, in the latest work from the Edgar Award-winning author.