The Last Of The Southern Girls

"Harrigan's novel, part mystery and part coming-of-age, explores the process of healing from tragedies and misunderstandings."—Publishers Weekly A tender, yet thrilling suspense novel about a young woman who uncovers devastating secrets that will resurrect the people she lost and the lies she buried perfect for fans of Diane Chamberlain and Ellen Marie Wiseman Ten years ago, Julie Portland accidentally killed her best friend, Reba. What's worse is she got away with it. Consumed by guilt, she left the small town of Lawrence Mill, Mississippi, and swore nothing would ever drag her back. Now, raising her daughter and struggling to make ends meet in Manhattan, Julie still can't forget the ghost of a girl with golden hair and a dangerous secret. When August, Reba's first love, begs Julie to come home to find the diary that Reba kept all those years ago, Julie's past comes creeping back to haunt her. That diary could expose the shameful memories Julie has been running from, but it could also unearth the hidden truths that Reba left buried...and reveal that Julie isn't the only one who feels responsible for Reba's death.

Carol Hollywell is beautiful, smart, elegant, and charming. A debutante from De Soto Point, Arkansas, and a recent graduate of Ole Miss, she is heir to a good southern name and a small southern fortune. She knows what she wants and, more important, knows how to get it. She is, in other words, the prototypical southern belle, a Scarlett O’Hara for the 1950s, and when she moves to Washington, D.C., in 1957, she sets the town on its ear. Willie Morris’ cleverly conceived and brilliantly executed novel (loosely based on a real-life figure) follows this headstrong woman from her arrival at the Capital and traces the ups and downs of her life in the political and social whirl of the city over the next decade and a half. Eventually, she becomes romantically involved with a prominent congressman—an idealist, a reformer, a man perhaps headed for the very pinnacle of political life. It is at first a dazzling alliance, yet the genuine satisfactions they find in their relationship cannot long withstand the pressures of the ambitions both of them harbor. The very drives that initially brought them together in the end propel their love affair into jeopardy. Morris paints a devastatingly accurate portrait not only of a power-hungry woman but also of the society that feeds such hunger. His descriptions of Washington and its denizens—the politicos, the journalists, the socialites, and the hangers-on—are nothing short of breathtaking.

Three black women and three white women are Southern Girls - followed from childhood (circa 1952) through middle age. In a small town a few hours outside of Birmingham, six little girls play together. As teenagers, the invisible line dividing their worlds become ever more pronounced. Wanda-Sue, a light skinned black, teeters between the world of her white half-sister, Charlotte (plus friends Dolly and June-Adele) and her black friends, sisters Ruth and Naomi. Each woman is driven by unique fears, hopes and secrets. As the years pass and their world changes, each woman's dreams are affected by the turbulent times in which they live. Southern Girls is a bittersweet memory play, set against the backdrop of the changing South which mirrors the lives of these six women. -- from back cover.

From the time she was a little girl, Nia has dreamed up adventures about the Javanese mythical princess, Dewi Kadita. Now fourteen, Nia would love nothing more than to continue her education and become a writer. But high school costs too much. Her father sells banana fritters at the train station, but too much of his earnings go toward his drinking habit. Too often Nia is left alone to take over the food cart as well as care for her brother and their home in the Jakarta slums. But Nia is determined to find a way to earn her school fees. After she survives a minibus accident unharmed and the locals say she is blessed with 'good luck magic,' Nia exploits the notion for all its worth by charging double for her fried bananas. Selling superstitions can be dangerous, and when the tide turns it becomes clear that Nia’s future is being mapped without her consent. If Nia is to write a new story for herself, she must overcome more obstacles than she could ever have conceived of for her mythical princess, and summon courage she isn't sure she has.

Much has been written about America's troubled teens, particularly endangered teenage girls. Works like Mary Pipher's Reviving Ophelia and many others have contributed to the general perception that contemporary young women are in a state of crisis. Parents, educators, social scientists, and other concerned individuals worry that our nation's girls are losing their ambition, moral direction, and self-esteem as they enter adolescence--which can then lead them to promiscuous sex, anorexia, drug abuse, and at the very least, declining math scores. In spite of evidence to the contrary in life and literature, this bleak picture is seldom challenged, but a good place to begin may be with recent literary representations of young women, fictional and autobiographical, which show proud young women who are highly focused and use their brains and good humor to work toward satisfying adult lives. This book addresses the ways in which 12 women writers use their heroines' stories to challenge commonly held and frequently damaging notions of adolescence, femininity, and regional identity. The book begins with a chapter on sociological and literary theories of adolescent female development. This chapter also includes theoretically informed discussions of young adult fiction and Southern literature. Chapters that follow focus on adolescent heroines in the novels and autobiographies of the contemporary Southern women writers Anne Tyler, Bobbie Ann Mason, Josephine Humphreys, Dorothy Allison, Kaye Gibbons, Tina Ansa, Janisse Ray and Jill McCorkle and young adult writers Katherine Paterson, Mildred Taylor and Cynthia Voigt. Instructors considering this book for use in a course may request an examination copy here.

William Weaks Morris was a writer defined in large measure by his Southern roots. A seventh generation Mississippian, he grew up in Yazoo City frequently reminded of his heritage. Spending his college years at the University of Texas and at Oxford University in England gave Morris a taste of the world and, at the very least, something to write home about. This volume is a comprehensive reference work dealing with Willie Morris’ life and works. It is also a literary biography based on hundreds of primary sources such as letters, newspaper articles and interviews. The principal focus is on Morris’ literary legacy, which includes works such as North Toward Home, New York Days and My Dog Skip.

The New York Times bestselling Southern girls’ guide to succeeding in life—with a foreword by Fannie Flag. They're called Sweet Potato Queens, Steel Magnolias, Ya-Ya Sisters, and Southern Belles, but at heart they're just plain Grits—Girls Raised in the South! Now, Deborah Ford, founder of Grits® Inc., reveals the code behind the distinctive—and irresistible—style of the Southern woman. Equal parts sweet sincerity and sharp, sly humor, The Grits Guide to Life is chock-full of Southern charm: advice, true-life stories from honest-to-god "Grits," recipes, humor, quotable wisdom, and more. Readers will learn vital lessons, including: how to eat a watermelon in a sundress; how to drink like a Southern lady (sip... a lot); and the real meaning of PMS (Precious Mood Southerner). This charming book is destined to become a bible for the Southern girl—whether born and bred, expatriated, or adoptive—and her many admirers. “Funny, wise, charming, and smart...Grits deserves a place on your shelf between Gone With the Wind and the Memphis Junior League cookbook, and I predict in the years to come it will be passed down to daughter along with the family silver and great-grandmother's lace doilies.”—Fannie Flag, from her foreword to The Grits Guide to Life