The Last Passenger

"Bravo, Mr. Finch, and keep them coming! More Lenox, please." —Louise Penny, bestselling author of A Better Man From bestselling author Charles Finch comes the third and final in a prequel trilogy to his lauded Charles Lenox series. London, 1855. A young and eager Charles Lenox faces his toughest case yet: a murder without a single clue. Slumped in a third-class car at Paddington Station is the body of a handsome young gentleman. He has no luggage, empty pockets, and no sign of identification on his person. And putting together the clues to the mystery of the man’s identity only raises more questions, when Lenox discovers that the crime has a significant connection to America. As he seeks to solve this impossible case, the young Lenox must confront an equally troublesome problem in his personal life. Kitty Ashbrook, beautiful and cultured, appears to be his soulmate—but love comes with obstacles of its own. In tandem, this fiendish early case and passionate, deeply felt affair will irrevocably shape the brilliant detective and thoughtful gentleman Lenox is destined to become. Written in Charles Finch’s unmistakably witty and graceful voice, The Last Passenger is a cunning, thrilling, and deeply satisfying conclusion to this trilogy of prequels to his bestselling Charles Lenox series.

Reporter Kate Kilroy accepts an assignment to travel on the Valkyrie, a German ship veiled in secrecy for decades after it was discovered adrift in 1939 with only one passenger aboard, a baby boy named Isaac Feldman. Obsessed with understanding his origins, Feldman has spent a small fortune restoring the Valkyrie to try to solve the mystery. Assembling a team of experts and sparing no expense, he aims to precisely recreate the circumstances of the Valkyrie's doomed final voyage. Little does Feldman or his team know that the ship has an agenda of its own. As the Valkyrie begins to weave its deadly web, Kate realizes that she must not only save herself, but the world as she knows it.

The “queen of the sucker-punch twist” (Ruth Ware, #1 New York Times bestselling author) and author of Our House weaves a suspenseful thriller about a commuter who becomes a suspect in his friend’s mysterious disappearance. Perfect for fans of the unputdownable page-turners by Christina McDonald and Lisa Jewell. It all happens so quickly. One day you’re living the dream, commuting to work by ferry with your charismatic neighbor Kit in the seat beside you. The next, Kit hasn’t turned up for the boat and his wife, Melia, has reported him missing. When you get off at your stop, the police are waiting. Another passenger saw you and Kit arguing on the boat home the night before and the police say that you had a reason to want him dead. You protest. You and Kit are friends—ask Melia, she’ll vouch for you. And who exactly is this other passenger pointing the finger? What do they know about your lives? No, whatever danger followed you home last night, you are innocent, totally innocent. Aren’t you?

“A dead-serious thriller (with a funny bone)” (The New York Times Book Review), from the author of the New York Times bestselling Spellman Files series, comes the story of a woman who creates and sheds new identities as she crisscrosses the country to escape her past. Forty-eight hours after leaving her husband’s body at the base of the stairs, Tanya Dubois cashes in her credit cards, dyes her hair brown, demands a new name from a shadowy voice over the phone, and flees town. It’s not the first time. She meets Blue, a female bartender who recognizes the hunted look in a fugitive’s eyes and offers her a place to stay. With dwindling choices, Tanya-now-Amelia accepts. An uneasy―and dangerous―alliance is born. It’s almost impossible to live off the grid in the twenty-first century, but Amelia-now-Debra and Blue have the courage, the ingenuity, and the desperation, to try. Hopscotching from city to city, Debra especially is chased by a very dark secret. From heart-stopping escapes and devious deceptions, we are left to wonder…can she possibly outrun her past? The Passenger’s white-knuckled plot and unforeseeable twists make one thing for certain: the ride will leave you breathless. “When the answers finally come, they are juicy, complex, and unexpected. The satisfying conclusion will leave readers rethinking everything and immediately turning back to the first page to start again. Psychological suspense lovers will tear through this thriller” (Library Journal, starred review).

Based on the real-life events that triggered the greatest mass extinction in modern history – the end of the passenger pigeon – Martha takes budding readers on a grand adventure through a magical world complete with mystic owls, tom-fooling mice and a little straw-haired boy who protects the last living passenger pigeon on the planet from the evil Patsy Brothers. Born with a bum leg, Martha is pushed out of her nest just minutes after her birth. It’s all part of the Seven Cycles of Nature. But since the arrival of the Iron Horse, the Seven Cycles of Nature have been disrupted and the Great Owls know they need to do something to restore balance to their world. They decide to save Martha. Little do they know that Martha may one day, in her small way, save humanity.

A BEST BOOK OF 2021 FOR THE GUARDIAN * FINANCIAL TIMES * TIMES LITERARY SUPPLEMENT * MINNEAPOLIS STAR TRIBUNE * THE TIMES Hailed as a remarkable literary discovery, a lost novel of heart-stopping intensity and harrowing absurdity about flight and persecution in 1930s Germany Berlin, November 1938. Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train. And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly. Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real. Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.

Violin prodigy Etta Spencer had big plans for her future, but a tragic accident has put her once-bright career at risk. Closely tied to her musical skill, however, is a mysterious power she doesn't even know she has. When her two talents collide during a stressful performance, Etta is drawn back hundreds of years through time. Etta wakes,confused and terrified, in 1776, in the midst a fierce sea battle. Nicholas Carter, the handsome young prize master of a privateering ship, has been hired to retrieve Etta and deliver her unharmed to the Ironwoods, a powerful family in the Colonies—the very same one that orchestrated her jump back, and one Nicholas himself has mysteries ties to. But discovering she can time travel is nothing compared to the shock of discovering the true reason the Ironwoods have snared her in their web. Another traveler has stolen an object of untold value from them, and, if Etta can find it, they will return her to her own time. Out of options, Etta and Nicholas embark on a perilous journey across centuries and continents, piecing together clues left behind by the mysterious traveler. But as they draw closer to each other and the end of their search, the true nature of the object, and the dangerous game the Ironwoods are playing, comes to light—threatening to separate her not only from Nicholas, but her path home... forever.

“Fiction readers who crush on blue-blooded British detectives will fall hard for Victorian-era sleuth Charles Lenox." —The Washington Post From the critically acclaimed and USA Today bestselling author Charles Finch comes The Vanishing Man, a prequel to his Charles Lenox Victorian series, in which the theft of an antique painting sends Detective Lenox on a hunt for a criminal mastermind. London, 1853: Having earned some renown by solving a case that baffled Scotland Yard, young Charles Lenox is called upon by the Duke of Dorset, one of England’s most revered noblemen, for help. A painting of the Duke’s great-grandfather has been stolen from his private study. But the Duke’s concern is not for his ancestor’s portrait; hiding in plain sight nearby is another painting of infinitely more value, one that holds the key to one of the country’s most famous and best-kept secrets. Dorset believes the thieves took the wrong painting and may return when they realize their error—and when his fears result in murder, Lenox must act quickly to unravel the mystery behind both paintings before tragedy can strike again. As the Dorset family closes ranks to protect its reputation, Lenox uncovers a dark secret that could expose them to unimaginable scandal—and reveals the existence of an artifact, priceless beyond measure, for which the family is willing to risk anything to keep hidden. In this intricately plotted prequel to the Charles Lenox mysteries, the young detective risks his potential career—and his reputation in high society—as he hunts for a criminal mastermind.