The Last Warner Woman

"Miller is a name to watch."--The Independent "This is magical, lyrical, spellbinding writing."--Granta Adamine Bustamante is born in one of Jamaica's last leper colonies. When Adamine grows up, she discovers she has the gift of "warning": the power to protect, inspire, and terrify. But when she is sent to live in England, her prophecies of impending disaster are met with a different kind of fear--people think she is insane and lock her away in a mental hospital. Now an older woman, the spirited Adamine wants to tell her story. But she must wrestle for the truth with the mysterious "Mr. Writer Man," who has a tale of his own to share, one that will cast Adamine's life in an entirely new light. In a story about magic and migration, stories and storytelling, and the New and Old Worlds, we discover it is never one person who owns a story or has the right to tell it. Born in Kingston, Jamaica, in 1978, Kei Miller is the author of The Same Earth, winner of the Una Marson Prize for Literature; and Fear of Stones, which was shortlisted for the Commonwealth Writers' Prize for Best First Book. His most recent poetry collection has been shortlisted for the Jonathan Llewellyn Rhys Prize, the Bocas Prize for Caribbean Literature, and the Scottish Book of the Year Award. In 2008 he was an International Writing Fellow at the University of Iowa. Miller currently divides his time between Jamaica and Scotland.

Adamine Bustamante is born in Jamaica, inside one of the island�s last leper colonies. When she goes to a Revivalist Church, she discovers her gift of `warning�. But no one has bothered to warn Adamine that when she migrates to England her prophecies of hurricanes and earthquakes will no longer be respected. People will think she is crazy and lock her away in a mental hospital. Now, an old woman, Adamine wants to tell her own story but she must compete with `Mr Writer Man� the novelist who is twisting her words for his own book, and Adamine doesn�t know why. In a story about magic and migration, about stories and story-telling, we discover it is never one person who owns a story, or who has the right to tell it.

11 April 1982: a smell is coming down John Golding Road right alongside the boy-child, something attached to him, like a spirit but not quite. Ma Taffy is growing worried. She knows that something is going to happen. Something terrible is going to pour out into the world. But if she can hold it off for just a little bit longer, she will. So she asks a question that surprises herself even as she asks it, "Kaia, I ever tell you bout the flying preacherman?" Set in the backlands of Jamaica, Augustown is a magical and haunting novel of one woman’s struggle to rise above the brutal vicissitudes of history, race, class, collective memory, violence, and myth.

From the WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2014, a 'humorous, bittersweet fiction, combin[ing] the fantastical realism of Marquez with the domestic comedy of Andrea Levy' INDEPENDENT It all begins with the theft of Tessa Walcott's panties... After the hurricane of 1974, Jamaica is devastated. Imelda Richardson is sent to England, without a place to stay or a plan of what to do. Luckily sheis taken in by Purletta Johnson, a member of the ex-pat bourgeoisie who has decided to become more Jamaican than any Jamaican: sucking her teeth, sporting a gold tooth, and growing ganja on her balcony. But when her mother dies Imelda returns to Jamaica. When Tessa Walcott's panties are stolen, she and Imelda set up a Neighbourhood Watch. But they haven't counted on Pastor Braithwaite who denounces them in Church. The church-goers turn on Imelda, and when the river suddenly floods her home it is seen as a punishment from God. A Pentecostal fervour sweeps through the village of Watersgate, fuelled by Evangelist Millie. In her last great crusade, Miss Millie organises 'fire to burn their sins away', equipping the villagers with kerosene as they set about burning everything. Now they are marching on the gay man's house and only Imelda can save him.

Fourteen “thoughtful and impassioned” autobiographical essays exploring race, sex, gender, belonging, and alienation by an award-winning author (Kirkus Reviews). In a deeply moving, critical and lyrical collection of interconnected essays, award-winning writer Kei Miller explores the silences in which so many important things are kept. Miller examines the experience of discrimination through this silence and what it means to breach it —”to risk words, to risk truth; and through the body and the histories those bodies inherit” the crimes that haunt them, and how the meanings of our bodies can shift as we move through the world, variously assuming privilege or victimhood. Through letters to James Baldwin, encounters with Soca, Carnival, family secrets, love affairs, questions of aesthetics and more, Miller powerfully and imaginatively recounts everyday acts of racism and prejudice from a black, male, queer perspective. An almost disarmingly personal collection, Kei dissects his experiences in Jamaica and Britain, working as an artist and intellectual, making friends and lovers, discovering the possibilities of music and dance, literary criticism, culture, and storytelling. With both the epigrammatic concision and conversational cadence of his poetry and novels, Things I Have Withheld is a great artistic achievement: a work of innovation and beauty which challenges us to interrogate what seems unsayable and why, “our actions, defense mechanisms, imaginations and interactions” and those of the world around us. Praise for Things I Have Withheld Shortlisted for the Baillie Gifford Prize for Nonfiction BOMB Magazine’s Editor’s Choice Best Book of 2021 at Slate and Buzzfeed Times (UK), 16 best philosophy and ideas books 2021 “Miller gives a searing voice to ‘the things’ I have been trying so hard to write” in this entrancing collection. . . . Sharp as blades, Miller’s words cut to the core.” —Publishers Weekly (starred review) “There’s no didacticism or sermons here, merely curiosity and sometimes anger and a deep commitment to speaking the uncomfortable truths we’d rather not hear. A bold and daring collection.” —Buzzfeed “This incisive collection of short essays serves as a tabernacle for stories untold, secrets, and reflections on race and sexuality. . . . Immediately arresting and consistently poignant, Miller’s essays engage with the urgency of gripping fiction and the authenticity of stunning poetry. An important voice of the Caribbean, who should be read together with the likes of Safiya Sinclair, Oonya Kempadoo, and Colin Channer.” —Booklist

An immersive collection of poetry to open your world, curated by the host of Poetry Unbound This inspiring collection, edited by Pádraig Ó Tuama, presents fifty poems about what it means to be alive in the world today. Each poem is paired with Pádraig’s illuminating commentary that offers personal anecdotes and generous insights into the content of the poem. Engaging, accessible and inviting, Poetry Unbound is the perfect companion for everyone who loves poetry and for anyone who wants to go deeper into poetry but doesn’t necessarily know how to do so. Poetry Unbound contains expanded reflections on poems as heard on the podcast, as well as exclusive new selections. Contributors include Hanif Abdurraqib, Patience Agbabi, Raymond Antrobus, Margaret Atwood, Ada Limón, Kei Miller, Roger Robinson, Lemn Sissay, Layli Long Soldier and more.

"Witty, eerie, tender." — John Updike. In this early feminist classic, a middle-aged London spinster escapes her controlling family by moving to the country, becoming a witch, and securing her freedom by making a pact with Satan.

After attempting to kill his brother for his inheritance, twenty-three-year-old Hartley Fudges flees from England to Jamaica where he takes a job as an overseer at a sugar cane plantation during the height of the slave trade.