The Latin Irish Lives Of Ciaran Classic Reprint

Excerpt from The Latin Irish Lives of Ciaran Of all the saints of Ireland, whose names are recorded in the native Martyrologies, probably there were none who made so deep an impression upon the minds of their fellow-countrymen as did Ciaran of Clonmacnois. He stands, perhaps, second only to Brigit of Kildare in this respect; for Patrick was a foreigner, and Colum Cille accomplished his work and exercised his influence outside the shores of Ireland. Doubtless much of the importance of Ciaran is reflected back from the outstanding importance of his great foundation - the monastic university, as it is fair to call it, of Cluain maccu Nois (in an English setting spelt "Clonmacnois"), on the shore of the Shannon. But this cannot he the whole explanation of the esteem in which he was held; it must be at least partly due to the memory of his own character and personality. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Of all the saints of Ireland, whose names are recorded in the native Martyrologies, probably there were none who made so deep an impression upon the minds of their fellow-countrymen as did Ciaran of Clonmacnois. He stands, perhaps, second only to Brigit of Kildare in this respect; for Patrick was a foreigner, and Colum Cille accomplished his work and exercised his influence outside the shores of Ireland. Doubtless much of the importance of Ciaran is reflected back from the outstanding importance of his great foundation - the monastic university, as it is fair to call it, of Cluain maccu Nois (in an English setting spelt Clonmacnois), on the shore of the Shannon. But this cannot be the whole explanation of the esteem in which he was held; it must be at least partly due to the memory of his own character and personality.

"The Latin & Irish Lives of Ciaran" by Robert Alexander Stewart Macalister. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

"Ecclesiastical Vestments" by Robert Alexander Stewart Macalister. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

This book provides the first overview of classical presences in Anglophone Irish poetry after 1960. Featuring detailed studies of Seamus Heaney, Michael Longley, Derek Mahon, and Eavan Boland, including close readings of key poems, it highlights the evolution of Irish poetic engagements with Greece and Rome in the last sixty years. It outlines the contours of a ‘movement’ which has transformed Irish poetry and accompanied its transition from a postcolonial to a transnational model, from sporadic borrowings of images and myths in the poets’ early attempts to define their own voices, to the multiplication of classical adaptations since the late 1980s -- at first at a time of personal and political crises, notably in Northern Ireland, and more recently, as manifestations of the poets’ engagements with European and other foreign literatures.