The Latino Christ In Art Literature And Liberation Theology

This exploration of Iberian, Latin American, and US-Hispanic representations of Christ focuses on outliers in art, literature, and theology: Spanish painter Salvador Dalí, Mexican muralist José Clemente Orozco, Argentine writer Jorge Luis Borges, Spanish existentialist Miguel de Unamuno, Brazilian theologian Leonardo Boff, and Mexican philosopher José Vasconcelos, some of the most brilliant stars in the Spanish and Latin American firmament. Their work, and that of others, stands out from the conventional and the traditional, stretching our imagination by opening our eyes to what we do not want to see. The author also reflects on such significant lesser-known writers as New Mexican author, painter, and priest Fray Angélico Chávez; Argentine writer and political leader Ricardo Rojas, author of The Invisible Christ; Mexican American theologian Virgilio Elizondo; and Chicana feminist Gloria Anzaldúa, author of Borderlands/La Frontera: The New Mestiza. He shows how artists project their concerns onto representations of Christ and how the perceptions of the reader and viewer reflect their culture and their psychology. Along the way, Candelaria explores the philosophical issues of representation in aesthetics and the problems of hermeneutics and identity.

This first-of-its-kind collection reveals U.S. Latino/a theological scholarship as a vital terrain of study in the search for better understanding of the varieties of religious experience in the United States. While the insights of Latino/a theologians from Central and South America have gained attention among professional theologians, until now the role of U.S. Latino/a theology in the formation of North American theological identity has been largely unacknowledged. Nonetheless, the four-centuries old Latino/a presence in the United States has been forming a rich, creative, and distinctively North American Latino/a Christology. Exploring both constructive theology and popular religion, this collection of essays from top U.S. Latino/a scholars reveals the varieties of religious experience in the United States and the importance of Latino/a understandings of Christ to both academy and community.

A sequel to the popular Mujerista Theology that addresses themes relevant at the beginning of the 21st century.Mujerista theology begins with personal experience and moves toward a theology that advances the dignity and liberation of all Hispanic/Latino women. This collection of essays combining personal narratives and theological discourse brings together important insights into the concerns of Hispanic women, the ways in which they can help shape theology, and the roles they can take on in the church.Divided into two sections, Part 1, The Personal Is Political, presents three essays on the author?s religious-theological experiences, showing how they help form her theology. The eight essays in Part 2, In God?s Image--Latinas and Our Struggles, focus on theological understandings essential for justice.

Salvador Dalø: nuclear mystical Christ -- Fray Angelico Chavez: the Virgin of Port Lligat -- José Clemente Orozco: Christ Prometheus -- Miguel de Unamuno: the Quixotic Christ -- Jorge Luis Borges: the fictional Christ -- Richard Rojas: the invisible Christ -- Liberation theology: Christ the liberator -- The Mestizo Christ -- Coda.

This systematic theology begins from the treatise De Deo Uno and develops the dogma of the Trinity as an expression of divine unicity, on which will depend creation, Christology, and ecclesiology. The Invisible God must be seen and known in the visible. In this way, God and God's relation to creation are distinguished—but not separated—from Christology, the doctrine of perfections from redemption. In the end, the transcendent beauty who is God can be known only in worship and praise.

This comprehensive history of the church in Latin America, with its emphasis on theology, will help historians and theologians to better understand the formation and continuity of the Latin American tradition.

In From the Tricontinental to the Global South Anne Garland Mahler traces the history and intellectual legacy of the understudied global justice movement called the Tricontinental—an alliance of liberation struggles from eighty-two countries, founded in Havana in 1966. Focusing on racial violence and inequality, the Tricontinental's critique of global capitalist exploitation has influenced historical radical thought, contemporary social movements such as the World Social Forum and Black Lives Matter, and a Global South political imaginary. The movement's discourse, which circulated in four languages, also found its way into radical artistic practices, like Cuban revolutionary film and Nuyorican literature. While recent social movements have revived Tricontinentalism's ideologies and aesthetics, they have largely abandoned its roots in black internationalism and its contribution to a global struggle for racial justice. In response to this fractured appropriation of Tricontinentalism, Mahler ultimately argues that a renewed engagement with black internationalist thought could be vital to the future of transnational political resistance.

In The Threshold of Manifest Destiny, Laurel Clark Shire illuminates the vital role women played in national expansion and shows how gender ideology was a key mechanism in U.S. settler colonialism. Among the many contentious frontier zones in nineteenth-century North America, Florida was an early and important borderland where the United States worked out how it would colonize new territories. From 1821, when it acquired Florida from Spain, through the Second Seminole War, and into the 1850s, the federal government relied on women's physical labor to create homes, farms, families, and communities. It also capitalized on the symbolism of white women's presence on the frontier; images of imperiled women presented settlement as the spread of domesticity and civilization and rationalized the violence of territorial expansion as the protection of women and families. Through careful parsing of previously unexplored military, court, and land records, as well as popular culture sources and native oral tradition, Shire tracks the diverse effects of settler colonialism on free and enslaved blacks and Seminole families. She demonstrates that land-grant policies and innovations in women's property law implemented in Florida had long-lasting effects on American expansion. Ideologically, the frontier in Florida laid the groundwork for Manifest Destiny, while, practically, the Armed Occupation Act of 1842 presaged the Homestead Act.