The Leather Stocking Tales Volume 2

Anthologie contenant : The Deerslayer The Last of the Mohicans The Pathfinder The Pioneers The Prairie

- The Leatherstocking Tales II contains The Pathfinder and The Deerslayer - the last two of Cooper's epic series of five novels that were published more than a decade after The Pioneers, The Last of the Mohicans, The Prairie - also available from Heritage Publishing as The Leatherstocking Tales I.- Includes: The Pathfinder (1840 and The Deerslayer (1841).- Just as accessible and enjoyable for today's modern readers as they would have been when first published well over a century ago, the novels are some of the great works of American literature and continue to be widely read and studied throughout the world.- This meticulous edition from Heritage Illustrated Publishing is a faithful reproduction of the original texts.

The Leatherstocking Tales is a series of novels following the adventures of the hero Natty Bumppo, who was known by European settlers as "Leatherstocking," 'The Pathfinder", and "the trapper" and by the Native Americans as "Deerslayer," "La Longue Carabine" and "Hawkeye". Natty Bumppo is a child of white parents who was raised by Native Americans, becoming a great and skilful warrier. He respects nature, only hunting to survive and lives by the rule "One shot, one kill." He has an adopted Mohica

James Fenimore Cooper's Leather-Stocking tales, published between 1823 and 1841, are generally regarded as America's first major works of fiction. Here, Geoffrey Rans provides not simply a new reading of the five novels that comprise the series but also a new way of reading them. Rans analyzes each of the five novels (The Pioneers, The Last of the Mohicans, The Prairie, The Pathfinder, and The Deerslayer) in the order in which they were originally composed, an achronological sequence in terms of the stories they tell. As events in early written novels interact with those in later ones, the reader is compelled to construct political meanings different from Cooper's ideological preferences. This approach effectively precludes reading these works as Natty Bumppo's life story, or as an aspect of Cooper's. Rans presents the series as a text that faithfully reproduces the conflicts Cooper faced, both at the time when he wrote the novels and in the history that the novels contemplate. Cooper emerges as a composer of richly problematical texts for which no aesthetic resolution is possible and in which every idealization, political or poetic, is relentlessly subjected to the gaze of historical reality. The tension between potential and practice, which is apparent in the final two volumes of the tales, is present, Rans contends, from the inception of the series. Because the problems of racism and greed that Cooper addresses remained as unresolved for us as for him, Rans concludes that this reading of the Leather-Stocking tales reinforces both Cooper's central canonical position and his value as an articulator of political conflict. Originally published in 1991. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

When Cooper's most memorable hero, Leatherstocking, started an American tradition by setting off into the sunset in The Pioneers, one early reader said of his departure, "I longed to go with him." American readers couldn't get enough of the Leatherstocking saga (collected in two Library of America volumes) and, fourteen years after he portrayed the death of Natty Bumppo in The Prairie, Cooper brought him back in The Pathfinder, or The Inland Sea (1841). During the Seven Years War, just after the events narrated in The Last of the Mohicans, Natty brings the daughter of a British sergeant to her father's station on the Great Lakes, where the French and their Indian allies are plotting a treacherous ambush. Here, for the first time, he falls in love with a woman, before Cooper manages bring off Leatherstocking's most poignant, and perhaps his most revealing, escape. The Deerslayer (1842) brings the saga full circle and follows the young Natty on his first warpath. Instinctively gifted in the arts of the forest, pious in his respect for the unspoiled wilderness on which he loves to gaze, honorable to friend and foe alike, stoic under torture, and cool under fire, the young Leatherstocking emerges as Cooper's noblest figure of the American frontier. Enacting a rite of passage both for its hero and for the culture he comes to represent, this last book in the series glows with a timelessness that readers everywhere will find enchanting. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In The Pilot (1824) and The Red Rover (1828), James Fenimore Cooper invented a new literary genre: the sea novel. Collected here in a single Library of America volume, they are among his finest works. Bold, vigorous, original, each is a tale of high adventure that vividly captures the majesty and power of the seafaring life. Cooper drew on his direct knowledge of ships and sailors to present a truer picture of life on the sea than had ever before achieved in literature. As a boy of seventeen he had sailed before the mast on a merchantman bound from New York to London and then to Spain. On board he experienced the life of a common seaman, learned the craft of sailing, encountered terrifying storms, was chased by pirates, and watched the impressment of crew members by a British man-of-war. He later served as an officer in the United States Navy. The Pilot is loosely based upon stories of John Paul Jones’s daring hit-and-run tactics during the Revolutionary War. The shadowy hero, modeled on Jones, leads a squadron of the infant American navy in a series of raids on the English coast, braving fierce storms and the guns of hostile warships, yet never revealing his identity. In this novel Cooper introduced the character of the “old salt,” the seasoned deckhand happy only aboard ship. Long Tom Coffin, with his briny conversation and shrewd nautical advice, is the first of Cooper’s memorable portraits of common seaman. A ghostly ship, an uncanny hero, a heroine kidnapped by pirates, revelations of mistaken identity, and the reunion of long-lost relatives—scenes of romance and adventure fill the pages of The Red Rover, Cooper’s most theatrical novel. Set in the mid-eighteenth century, the tale recounts the exploits of a noble outcast and visionary who foresees America’s destiny as a sovereign nation. Forced into a life of piracy, the Rover conducts his private war of independence in a story that equates the free and daring life with the American dream of self-reliance and liberty from British rule. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.