The Legacy Of Serbia S Great War

Mitrovic's volume fills the gap in Balkan history by presenting an in-depth look at Serbia and its role in WWI. The Serbian experience was in fact of major significance in this war. In the interlocking development of the wartime continent, Serbia's plight is part of a European jigsaw. Also, the First World War was crucial as a stage in the construction of Serbian national mythology in the twentieth century.

In the winter of 1915, following the invasion of Serbia by the Central Powers, the Serbian Army retreated across the mountains of Albania and Montenegro together with thousands of civilians. Around 240,000 lost their lives. Today, the story of the retreat is little known, except in Serbia where it is represents the heroic Serbian sacrifice in the Great War. In this book Alex Tomić examines the centenary events memorializing the First World War with the retreat at its core, and provides a persuasive account of the ways in which the remembrance of Serbian history has been manipulated for political purposes. Whether through commemorations, ceremonies, or grass- root initiatives, she demonstrates how these have been used as distractions from the more recent unexamined past and in doing so provides an important new perspective on the cultural history of commemoration.

In the winter of 1915, following the invasion of Serbia by the Central Powers, the Serbian Army retreated across the mountains of Albania and Montenegro together with thousands of civilians. Around 240,000 lost their lives. Today, the story of the retreat is little known, except in Serbia where it is represents the heroic Serbian sacrifice in the Great War. In this book Alex Tomić examines the centenary events memorializing the First World War with the retreat at its core, and provides a persuasive account of the ways in which the remembrance of Serbian history has been manipulated for political purposes. Whether through commemorations, ceremonies, or grass- root initiatives, she demonstrates how these have been used as distractions from the more recent unexamined past and in doing so provides an important new perspective on the cultural history of commemoration.

The Kingdom of Serbia waged war against Austria-Hungary and the other Central Powers from 28 July 1914 when the Austro-Hungarian government declared war, until the capitulation of Austria-Hungary. In the first two years of the war, Serbia defeated the Austro-Hungarian Balkan Army. The following year, her army was faced with the Axis invasion. Unwilling to surrender, the Serbian Army retreated through Albania and evacuated to Corfu where it rested, rearmed and reorganized. From there the army transferred to the Salonika Front, where it recorded successes by 1916. After a long lull, the struggle to penetrate the Front began in September 1918. Serbian and other Allied forces broke through the Front and Bulgaria was soon forced to surrender. The Serbian Army advanced rapidly and on 1 November 1918 Belgrade was liberated. Thanks to the Serbian military victories and diplomatic efforts, the Kingdom of Serbs, Croats and Slovenes (later Yugoslavia) was created. Serbia paid for her victory in the Great War in a disproportionately exorbitant manner: it is estimated that she lost close to one million inhabitants, of whom about 400,000 were conscripts and the rest civilians, which accounted for nearly a third of the total population, or close to 60% of the male population. No other country that participated in the Great War paid so dearly for its freedom. The Serbian Army in the Great War, 1914-1918 offers readers a very thorough analysis of the Serbian Army of the period, including its organization, participation in military operations, weapons, equipment, uniforms, and system of orders and medals. This book is a synthesis of all available literature and periodicals, appearing for the first time in the English language. The book is well supported by around 500 illustrations, out of which more than 300 are contemporary photographs and other documents, while this is complemented by dozens of color plates of uniform reconstructions and color photographs of the preserved pieces of uniform, equipment and weapons. A special emphasis has been placed on the colors of Serbian uniforms from the period. The book is the result of two decades of research and will enable readers to gain a clearer picture of this subject.

Winner of the 2015 Norman B. Tomlinson, Jr. Book Prize Serbia and the Balkan Front, 1914 is the first history of the Great War to address in-depth the crucial events of 1914 as they played out on the Balkan Front. James Lyon demonstrates how blame for the war's outbreak can be placed squarely on Austria-Hungary's expansionist plans and internal political tensions, Serbian nationalism, South Slav aspirations, the unresolved Eastern Question, and a political assassination sponsored by renegade elements within Serbia's security services. In doing so, he portrays the background and events of the Sarajevo Assassination and the subsequent military campaigns and diplomacy on the Balkan Front during 1914. The book details the first battle of the First World War, the first Allied victory and the massive military humiliations Austria-Hungary suffered at the hands of tiny Serbia, while discussing the oversized strategic role Serbia played for the Allies during 1914. Lyon challenges existing historiography that contends the Habsburg Army was ill-prepared for war and shows that the Dual Monarchy was in fact superior in manpower and technology to the Serbian Army, thus laying blame on Austria-Hungary's military leadership rather than on its state of readiness. Based on archival sources from Belgrade, Sarajevo and Vienna and using never-before-seen material to discuss secret negotiations between Turkey and Belgrade to carve up Albania, Serbia's desertion epidemic, its near-surrender to Austria-Hungary in November 1914, and how Serbia became the first belligerent to openly proclaim its war aims, Serbia and the Balkan Front, 1914 enriches our understanding of the outbreak of the war and Serbia's role in modern Europe. It is of great importance to students and scholars of the history of the First World War as well as military, diplomatic and modern European history.

What did popular song mean to people across the world during the First World War? For the first time, song repertoires and musical industries from countries on both sides in the Great War as well as from neutral countries are analysed in one exciting volume. Experts from around the world, and with very different approaches, bring to life the entertainment of a century ago, to show the role it played in the lives of our ancestors. The reader will meet the penniless lyricist, the theatre chain owner, the cross-dressing singer, fado composer, stage Scotsman or rhyming soldier, whether they come from Serbia, Britain, the USA, Germany, France, Portugal or elsewhere, in this fascinating exploration of showbiz before the generalization of the gramophone. Singing was a vector for patriotic support for the war, and sometimes for anti-war activism, but it was much more than that, and expressed and constructed debates, anxieties, social identities and changes in gender roles. This work, accompanied by many links to online recordings, will allow the reader to glimpse the complex role of popular song in people’s lives in a period of total war.

This is a rich yet succinct account of an underexplored story: the consequences of the Great War for the region which ignited it. It offers a fascinating tapestry: the collapse of Empires, the birth of Turkey and Yugoslavia, Greece as both victor and loser, Bulgaria's humiliating defeat; bitter memories, forced migrations, territorial implications and collective national amnesias. The legacies live on. The contributions in this volume significantly enhance the debate about how the Great War is remembered in South East Europe, and why it still evokes such strong emotions and reactions, more than a century after its beginnings.

This edited collection presents new research on how the Great War and its aftermath shaped political thought in the interwar period across Europe. Assessing the major players of the war as well as more peripheral cases, the contributors challenge previous interpretations of the relationship between veterans and fascism, and provide new perspectives on how veterans tried to promote a new political and social order. Those who had frontline experience of the First World War committed themselves to constructing a new political and social order in war-torn Europe, shaped by their experience of the war and its aftermath. A number of them gave voice to the need for a world order free from political and social conflict, and all over Europe veterans imagined a third way between capitalist liberalism and state-controlled socialism. By doing so, many of them moved towards emerging fascist movements and became, in some case unwillingly, the heralds of totalitarian dictatorships.