The Legend Of Blackbeard Band 15 Emerald Collins Big Cat

Travel with fearsome Captain Blackbeard and his crew of pirates across the open seas as they search for treasure and capture ships. But just when Blackbeard thinks he has everything he ever wanted, he realises that it’s being a true pirate that he loves best.

Follow cabin boy Bill on his journey to becoming a pirate as he and Blackbeard battle a terrifying sea monster. This adventure story is wonderfully written by Ciaran Murtagh and illustrated by Nathan Aardvark. - Collins Big Cat Progress books are specifically designed for children at Key Stage 2 who have a Key Stage 1 reading level, giving them age-appropriate texts that they can read, building their confidence and fostering positive attitudes towards reading. - Text type: An adventure story

Sam's family is cursed with a dark and terrible secret. A secret that has its origins on a remote island off the coast of China and has haunted every generation of his family for hundreds of years. Now the curse is about to claim Sam as its next victim.

By offering fluent, accurate translations of extracts and fragments from a wide assortment of ancient texts, this volume allows a comprehensive overview of ancient Greek and Roman concepts of otherness, as well as Greek and Roman views of non-Greeks and non-Romans. A general introduction, thorough annotation, maps, a select bibliography, and an index are also included.

In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.

A woman from Scotland recounts her travels in the U.S., focusing particularly issues relating to women (education, employment, etc.), also discussing more general cultural matters.

DigiCat Publishing presents to you this special edition of "The Firm of Girdlestone" by Arthur Conan Doyle. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Before us lies the valley of the Drave, one of those endless wildernesses where even the wild beast loses its way. Forests everywhere, maples and aspens a thousand years old, with their roots under water; magnificent morasses the surface of which is covered, not with reeds and water-lilies, but with gigantic trees, from the dependent branches of which the vivifying waters force fresh roots. Here the swan builds her nest; here too dwell the royal heron, the blind crow, the golden plover, and other man-shunning animals which are rarely if ever seen in more habitable regions.