The Lesser Gods Of The Sahara

The eight essays that comprise this collection cover various aspects of social change and contested terrain amongst the Tuareg people Algeria.

The northern Tuareg (the Tuareg of Algeria) - the nomadic, blue-veiled warlords of the Central Sahara - were finally defeated militarily by the French at the battle of Tit in 1902. Some sixty years later, following Algerian independence in 1962, they were visited by a young English anthropologist, Jeremy Keenan. During the course of seven years, Keenan studied their way of life, the social, political and economic changes that had taken place in their society since traditional, pre-colonial times, and their resistance and adaptation to the modernising forces of the new Algerian state. In 1999, following eight years during which Algeria's Tuareg were effectively isolated from the outside world as a result of Algeria's political crisis, Keenan returned to visit them once again. Following a further four years of study, he has written a series of eight essays that capture the key changes that have occurred amongst Algeria's Tuareg in the forty years since independence.

This collection examines the Sahara holistically from the earliest (prehistoric) times through the ‘historical’ period to the present and with political direction into the future. The contributions cover palaeoclimatology, history, archaeology (cultural heritage), social anthropology, sociology, politics and international affairs. Structured chronologically, the volume can almost be read as a narrative of the Sahara from the earliest times to the present, i.e. from the past climates of the Sahara in prehistoric times to the current ‘war on terror’ and its implications for the peoples of the Sahara. Importantly, the collection shows how the region must be approached ‘holistically’, highlighting the importance of each of these subject areas (palaeo-climates, history, politics, etc.) in relation to each other. Indeed, the first contribution is a remarkable (and unique) paper, bringing together the work of some 8-9 internationally recognised scientists to tell the story and show the relevance to the present day of the Sahara’s past climates etc. Nearly all the contributions stand in their own right at the cutting edge of research in their respective fields (e.g. archaeology, history, politics, etc.). This book was previously published as a special issue of the Journal of North African Studies.

Why publish a Reader? Today, it is relatively easy and convenient to switch on your computer and download an academic paper. However, as many scholars have experienced, historic references are difficult to access. Moreover, some are now lost and are merely references in later papers. This can be frustrating.

This is the third in the five-yearly series of surveys of what is happening in rock art studies around the world. As always, the texts reflect something of the great differences in approach and emphasis that exist in different regions. The volume presents examples from Europe, Asia, Africa, and the New World. During the period in question, 1999 to 2004, there have been few major events, although in the field of Pleistocene art many new discoveries have been made, and a new country added to the select list of those with Ice Age cave art. Some regions such as North Africa and the former USSR have seen a tremendous amount of activity, focusing not only on recording but also on chronology, and the conservation of sites. With the global increase of tourism, the management of rock art sites that are accessible to the public is a theme of ever-growing importance.

This is the third in the five-yearly series of surveys of what is happening in rock art studies around the world. As always, the texts reflect something of the great differences in approach and emphasis that exist in different regions. The volume presents examples from Europe, Asia, Africa, and the New World. During the period in question, 1999 to 2004, there have been few major events, although in the field of Pleistocene art many new discoveries have been made, and a new country added to the select list of those with Ice Age cave art. Some regions such as North Africa and the former USSR have seen a tremendous amount of activity, focusing not only on recording but also on chronology, and the conservation of sites. With the global increase of tourism, the management of rock art sites that are accessible to the public is a theme of ever-growing importance.