The Letters Of A E Housman

The Letters of A. E. Housman is a scholarly edition of over 2200 letters. (The previous edition, edited by Henry Maas, contained just over 880.) The letters cover the whole range of Housman's daily activities, whether he writes as poet, Professor of Latin, son, brother, uncle, friend, or citizen. Thus they allow the fullest possible revelation of a man whose reserve was legendary. He emerges as a more amiable, more sociable, more generous, more painstaking, and more complex person than has previously been realized. In most cases the source of the text is a manuscript, and this has resulted in a text that is more accurate and more complete than any previously available. Accompanying the text are notes covering persons and places, poetry, classical scholarship, publishing history, and literary allusion and echo.

The Letters of A. E. Housman is a scholarly edition of over 2200 letters. (The previous edition, edited by Henry Maas, contained just over 880.) The letters cover the whole range of Housman's daily activities, whether he writes as poet, Professor of Latin, son, brother, uncle, friend, or citizen. Thus they allow the fullest possible revelation of a man whose reserve was legendary. He emerges as a more amiable, more sociable, more generous, more painstaking, and more complexperson than has previously been realized. In most cases the source of the text is a manuscript, and this has resulted in a text that is more accurate and more complete than any previously available. Accompanying the text are notes covering persons and places, poetry, classical scholarship, publishinghistory, and literary allusion and echo.

The Letters of A. E. Housman is a scholarly edition of over 2200 letters. (The previous edition, edited by Henry Maas, contained just over 880.) The letters cover the whole range of Housman's daily activities, whether he writes as poet, Professor of Latin, son, brother, uncle, friend, or citizen. Thus they allow the fullest possible revelation of a man whose reserve was legendary. He emerges as a more amiable, more sociable, more generous, more painstaking, and more complexperson than has previously been realized. In most cases the source of the text is a manuscript, and this has resulted in a text that is more accurate and more complete than any previously available. Accompanying the text are notes covering persons and places, poetry, classical scholarship, publishinghistory, and literary allusion and echo.

2 ALsS. Thanks Housman for publishing Last poems which "crossed the line that divides a book from a companion," as did A Shropshire lad. He also sends a volume of short stories to Housman. "I don't know whether there is such a thing as impersonal affection, but the words best express the feeling I have had towards you, through your poems, for the last thirty years."

A Shropshire Lad (1896) is a cycle of sixty-three poems by the English poet Alfred Edward Housman. A Shropshire Lad was first published in 1896 at Housman's own expense after several publishers had turned it down, much to the surprise of his colleagues and students. At first the book sold slowly, but during the Second Boer War, Housman's nostalgic depiction of rural life and young men's early deaths struck a chord with English readers and the book became a bestseller. Later, World War I further increased its popularity. Alfred Edward Housman (26 March 1859 - 30 April 1936), usually known as A. E. Housman, was an English classical scholar and poet, best known for his cycle of poems A Shropshire Lad. Lyrical and almost epigrammatic in form, the poems were mostly written before 1900. Their wistful evocation of doomed youth in the English countryside, in spare language and distinctive imagery, appealed strongly to late Victorian, Edwardian and Georgian taste, and to many early twentieth century English composers (beginning with Arthur Somervell) both before and after the First World War. Through its song-setting the poetry became closely associated with that era, and with Shropshire itself. Housman was counted one of the foremost classicists of his age, and has been ranked as one of the greatest scholars of all time. He established his reputation publishing as a private scholar and, on the strength and quality of his work, was appointed Professor of Latin at UCL and later, at Cambridge. His editions of Juvenal, Manilius and Lucan are still considered authoritative.

A New York Times Book Review Editor's Choice and Nominated for the 2017 PEN/Bograd Weld Prize for Biography A captivating exploration of A. E. Housman and the influence of his particular brand of Englishness A. E. Housman’s A Shropshire Lad made little impression when it was first published in 1896 but has since become one of the best-loved volumes of poetry in the English language. Its evocation of the English coun - tryside, thwarted love, and a yearning for things lost is as potent today as it was more than a century ago, and the book has never been out of print. In Housman Country, Peter Parker explores the lives of A. E. Housman and his most famous book, and in doing so shows how A Shropshire Lad has permeated English life and culture since its publication. The poems were taken to war by soldiers who wanted to carry England in their pockets, were adapted by composers trying to create a new kind of English music, and have influ - enced poetry, fiction, music, and drama right up to the present day. Everyone has a personal “land of lost content” with “blue remembered hills,” and Housman has been a tangible and far-reaching presence in a startling range of work, from the war poets and Ralph Vaughan Williams to Inspector Morse and Morrissey. Housman Country is a vivid exploration of England and Englishness, in which Parker maps out terrain that is as historical and emotional as it is topographical.