The Letters Of Jude And Second Peter An Introduction And Study Guide

This Guide surveys the more important historical, socio-cultural, theological, and literary factors we must grapple with in understanding the two letters of Jude and Second Peter, between which there are very strong similarities. It appears that the letter of Jude was almost entirely 'plagiarized' by the letter of Second Peter. George Aichele's main approach is the method of semiotics, examining signifying mechanisms in each of the texts both independently and when they are read together. In both of the letters, Jesus Christ is called the 'master', with a Greek word that means 'slave-owner', and the authors of both books refer to themselves and other Christians as the slaves of Christ. Furthermore, both writings report situations of paranoid fear within Christian communities of their time as they picture heretical infiltrators who threaten to pervert and perhaps even destroy the community. In addition to this, in an adventurous excursion, the letter of Jude is read intertextually with the classic science fiction/horror film, Invasion of the Body Snatchers (Siegel 1956), in order to explore the dynamics of paranoia.

How does a Christian behave when surrounded by a hostile world that doesn't understand who we are or why we do what we do? In three letters, Peter and Jude provide some answers: Abandon the old pagan ways. Learn the new habit of love. Put on the mental armor that will make you strong to face suffering that may come. These nine studies from Tom Wright show you the wisdom of their words for us today and remind you, in the midst of hardship, that the God who deserves all praise is still "the one who is able to keep you standing upright."

This Guide surveys the more important historical, socio-cultural, theological, and literary factors we must grapple with in understanding the two letters of Jude and Second Peter, between which there are very strong similarities. It appears that the letter of Jude was almost entirely 'plagiarized' by the letter of Second Peter. George Aichele's main approach is the method of semiotics, examining signifying mechanisms in each of the texts both independently and when they are read together. In both of the letters, Jesus Christ is called the 'master', with a Greek word that means 'slave-owner', and the authors of both books refer to themselves and other Christians as the slaves of Christ. Furthermore, both writings report situations of paranoid fear within Christian communities of their time as they picture heretical infiltrators who threaten to pervert and perhaps even destroy the community. In addition to this, in an adventurous excursion, the letter of Jude is read intertextually with the classic science fiction/horror film, Invasion of the Body Snatchers (Siegel 1956), in order to explore the dynamics of paranoia.

How does a Christian behave when surrounded by a hostile world that doesn't understand who we are or why we do what we do? In three letters, Peter and Jude provide some powerful answers. These nine studies from Tom Wright show you the wisdom of their words for us today.

This Guide surveys the more important historical, socio-cultural, theological, and literary factors we must grapple with in understanding the two letters of Jude and Second Peter, between which there are very strong similarities. It appears that the letter of Jude was almost entirely 'plagiarized' by the letter of Second Peter. George Aichele's main approach is the method of semiotics, examining signifying mechanisms in each of the texts both independently and when they are read together. In both of the letters, Jesus Christ is called the 'master', with a Greek word that means 'slave-owner', and the authors of both books refer to themselves and other Christians as the slaves of Christ. Furthermore, both writings report situations of paranoid fear within Christian communities of their time as they picture heretical infiltrators who threaten to pervert and perhaps even destroy the community. In addition to this, in an adventurous excursion, the letter of Jude is read intertextually with the classic science fiction/horror film, Invasion of the Body Snatchers (Siegel 1956), in order to explore the dynamics of paranoia.

The New Testament writing known as First Peter was probably written at the end of the 1st century CE; it is addressed to 'resident aliens' who live as colonial subjects in the Roman Province of Asia Minor. They are portrayed as a marginalized group who experience harassment and suffering. This letter is ascribed to the apostle Peter but was probably not written by him. It is a rhetorical communication sent from Christians in the imperial centre in Rome (camouflaged as Babylon), an authoritative letter of advice and admonition to good conduct and subordination in the sphere of colonial provincial life. 1 Peter is a religious document written a long time ago and in a culture and world that is quite different from our own. However, as a biblical book it is a part of Christianity's sacred Scriptures. This guide to the letter keeps both of these areas, the cultural-social and the ethical-religious, in mind. It offers help for understanding the letter as both a document of the 1st century and as sacred Scripture that speaks about the religious forces that have shaped Christianity and Western culture. In short, this guide seeks to enable readers to read 'against the grain'.

This guide considers the historical contexts, the literary forms, the social and rhetorical backgrounds, the politics, the theologies, and the reception of 2 Corinthians. Each chapter surveys recent scholarly approaches to the text, focussing especially on critical perspectives that mesh with our contemporary concerns about gender, identity, race and class. 2 Corinthians becomes, in the process, less the work of a single 1st-century writer than a set of fraught, even fractured negotiations between competing interests and impulses, conducted in Paul's voice. The last chapter brings the letter into conversation with Nathaniel Hawthorne's short story 'The Minister's Black Veil' in order to shift the terms of the critical discussion from what Paul meant to how Paul means in later cultural moments. Twomey introduces students to the way 2 Corinthians offers a fascinating but fragmentary glimpse into Paul's continuing ties with the Corinthian community. At the same time, Twomey shows how the letter is the site of many new critical challenges to traditional readings of Paul and early Christianity. In contrast to 1 Corinthians, this 2 Corinthians largely eschews the debates and discussions, the interests and concerns of Paul's correspondents. Instead we find Paul engaged in a multi-pronged defence of his ministry in and beyond Corinth. Over the course of thirteen chapters he runs the gamut of the emotions, rhetorically, from tears to joy to biting anger, while struggling to keep his relationship with (some say, his control over) the community intact.

Scholarly study of Samuel continues to wrestle with how we interpret this pivotal text. Even such basic matters as the question of what kind of literature it is remain unresolved while older questions such as the nature of its text and sources are debated anew in the light of material from Qumran and of current approaches to Hebrew narrative. Recognizing the importance of questions such as these, David Firth explores and introduces fresh ways of reading Samuel as a unified and yet complex text, which displays high levels both of literary artistry and of theological commitment. Although some stories in the books of Samuel are well known, and in the case of David and Goliath even proverbial, much of the content of these books is strange to modern readers. It is a story about a woman wanting a child, for example, that relates the beginnings of monarchy within Israel. Even the question of the monarchy is problematic, for we are introduced to not one royal family but two-those of Saul and David. David is ultimately shown to be the king chosen by God, yet by the end of the book he is only just managing to hold on to the kingdom as it is nearly torn from him by rivalries within his family. These arresting stories are perplexing, for Samuel's writers seldom tell us how to read and interpret them. Firth presents these complex and fascinating stories as part of a bigger picture, enabling students to chart their way through the literary and historical issues of the Samuel narrative. Firth addresses issues of historicity, sources, date and authorship, as well as -- crucially -- appreciating the text as a literary whole.