The Letters Of Margaret Fuller 1842 44

Volume Three. -- "The New York Times Book Review"

The third volume of this major series opens with Fuller's decision in early 1842 to resign her post as editor of The Dial, after she realized she would never be paid for her work there. It closes with her in New York, having accepted Horace Greeley's invitation to work as a book reviewer for The Daily Tribune. Her position was nearly without precedent for a woman, and she wrote enthusiastically of her job that it provided "a more various view of life than any I ever before was in." She found herself in a larger world: the new tasks of daily journalism replaced the demands of The Dial, and a mass audience replaced her coterie of intellectual readers. These were prolific years for Fuller, during which she wrote on a wide variety of subjects, and the letters chronicle her progress on a number of projects, among them her travel book, Summer on the Lakes, in 1843, which grew out of a trip to the Midwest; her translation of Bettina von Arnim's Die Günderode; and her essays on contemporary poetry, fiction, and drama. She devoted the fall of 1844 to expanding "The Great Lawsuit," an essay she had written for The Dial; the letters document how the piece grew to become her most important book—Woman in the Nineteenth Century, a provocative study of woman's role in American life.

Whatmore presents an intellectual history of republicans who strove to ensure Geneva's survival as an independent state. Whatmore shows how the Genevan republicans grappled with the ideas of Rousseau, Coltaire, Bentham and others in seeking to make Europe safe for small states, by vanquishing the threats presented by war and by empire.

Perhaps America's best environmental idea was not the national park but the garden cemetery, a use of space that quickly gained popularity in the mid-nineteenth century. Such spaces of repose brought key elements of the countryside into rapidly expanding cities, making nature accessible to all and serving to remind visitors of the natural cycles of life. In this unique interdisciplinary blend of historical narrative, cultural criticism, and poignant memoir, Aaron Sachs argues that American cemeteries embody a forgotten landscape tradition that has much to teach us in our current moment of environmental crisis. Until the trauma of the Civil War, many Americans sought to shape society into what they thought of as an Arcadia--not an Eden where fruit simply fell off the tree, but a public garden that depended on an ethic of communal care, and whose sense of beauty and repose related directly to an acknowledgement of mortality and limitation. Sachs explores the notion of Arcadia in the works of nineteenth-century nature writers, novelists, painters, horticulturists, landscape architects, and city planners, and holds up for comparison the twenty-first century's--and his own--tendency toward denial of both death and environmental limits. His far-reaching insights suggest new possibilities for the environmental movement today and new ways of understanding American history.

Correspondence by the American critic, journalist and feminist traces her intellectual development from age seven to twenty-eight.

Provides a wide-ranging entry point and intervention into scholarship on nineteenth-century American letter-writingThis comprehensive study by leading scholars in an important new field-the history of letters and letter writing-is essential reading for anyone interested in nineteenth-century American politics, history or literature. Because of its mass literacy, population mobility, and extensive postal system, nineteenth-century America is a crucial site for the exploration of letters and their meanings, whether they be written by presidents and statesmen, scientists and philosophers, novelists and poets, feminists and reformers, immigrants, Native Americans, or African Americans. This book breaks new ground by mapping the voluminous correspondence of these figures and other important American writers and thinkers. Rather than treating the letter as a spontaneous private document, the contributors understand it as a self-conscious artefact, circulating between friends and strangers and across multiple genres in ways that both make and break social ties.Key FeaturesDraws together different emphases on the intellectual, literary and social uses of letter writing Provides students and researchers with a means to situate letters in their wider theoretical and historical contextsMethodologically expansive, intellectually interrogative chapters based on original research by leading academicsOffers new insights into the lives and careers of Louisa May Alcott, Charles Brockden Brown, Emily Dickinson, Frederick Douglass, Margaret Fuller, Henry James, Thomas Jefferson, Abraham Lincoln, Herman Melville, Harriet Beecher Stowe, and Edgar Allan Poe, among many others

V. 1. 1813-1835 -- v. 2. 1836-1841 -- v. 3. 1842-1847 -- v. 4. 1848-1855 -- v. 5. 1856-1867 -- v. 6. 1868-1881 -- v. 7. 1807-1844 -- v. 8. 1845-1859. -- v. 9. 1860-1869. -- v. 10. 1870-1881, and an index of proper names for volumes seven to ten.

This study extends from the Neapolitan Revolution of 1799 to the first unification of Italy in 1861, and presents insights into the work of feminist authors who responded to the Italian Risorgimento in their writings, including novels, poetry and non-fiction political analyses. The narratives of these women form a cohesive view of emerging feminism in the nineteenth century in response to the Italian Risorgimento. A number of American and British women who lived in Italy (Emma Hamilton, Margaret Fuller and Elizabeth Barrett Browning), as well as Italian women (Eleonora Fonesca Pimentel and Cristina Belgiojoso), participated directly in the developing events of the Risorgimento revolutions for Italian independence and unification, while British, French and American authors who travelled to Italy, including Mary Shelley, George Sand, Marie d’Agoult (Daniel Stern) and Edith Wharton joined their cause and rallied support for democracy, civic justice and gender equality. These authors promoted gender equality through their feminist narratives and political analyses of the Italian Risorgimento.