The Lie Of The Land

"Quentin and Lottie Bredin, like many modern couples, can't afford to divorce. Having lost their jobs in the recession, they can't afford to go on living in London; instead, they must downsize and move their three children to a house in a remote part of Devon. Arrogant and adulterous, Quentin can't understand why Lottie is so angry; devastated and humiliated, Lottie feels herself to have been intolerably wounded. Mud, mice and quarrels are one thing - but why is their rent so low? What is the mystery surrounding their unappealing new home? The beauty of the landscape is ravishing, yet it conceals a dark side involving poverty, revenge, abuse and violence which will rise up to threaten them. Sally Verity, happily married but unhappily childless knows a different side to country life, as both a Health Visitor and a sheep farmer's wife; and when Lottie's innocent teenage son Xan gets a zero-hours contract at a local pie factory, he sees yet another. By the end of their year, the lives of all will be changed for ever. Part black comedy, part psychological suspense, this is a rich, compassionate and enthralling novel in its depiction of the English countryside, and the potentially lethal interplay between money and marriage"...Publisher's description.

The Lie of the Land is a novel set against the background of the German colonial wars in Namibia in the early 1900s. The central character is an academic in linguistics who occasionally acts as a British agent. He is a cynical, private individual who sees himself as a neutral observer but is eventually forced to take sides when he witnesses the atrocities of the Herero and Nama genocide and, above all, meets a young Nama woman who enchants him. The novel explores the shifting nature of the oppressor and the oppressed. Despite the unfolding tragic events, the story is lightened by surprising bursts of humour, and is ultimately a love story.

Questions the reasoning behind Western images of the environmental destruction taking place in Africa. This book addresses the issue of how environmental orthodoxies become established, and what the alternative and appropriate approaches for policy-making are. It shows that many of the established orthodoxies are ill-conceived or represent the interests of certain powerful groups. The editors draw together material from 11 key case studies across the continent which use first hand research in different ecological zones. Melissa Leach & RobinMearns are Fellows at the Institute of Development Studies (IDS), University of Sussex Published in association with the International African Institute

The Lie of 1652 debunks the 'empty-land' myth and claims of a 'Bantu invasion', while outlining 220 years of war and resistance. It recounts the history of migration to the Cape by Africans, Indians, Southeast Asians and Europeans, providing a provocative perspective on the de-Africanisation of local people of colour.

The Lie of the Land is a highly engaging study of Ireland's fractured and shifting identities by one of its most talented writers. From its sometimes confused sense of place, caught somewhere between Europe and America, Ireland has redefined itself in the 1990s. Fintan O'Toole highlights the contradictions and the mythologies at work in Ireland's ever-changing idea of itself.

At last, a book that magnificently draws together a sophisticated reading of landscape with a committed understanding of the labor process involved in its construction. Mitchell's analysis appropriates the best of studies of representation while critiquing their abstraction from material production. All this while capturing the role of migrant workers in the making of the California landscape.

English literature is studied, at some stage or other, by almost every middle and upper-class person in India. Its importance as a discipline, or as a body of texts, that shapes the minds, attitudes, behavior and social aspirations of India's educated urban elite is often fundamental. Yet some of the most basic questions about English literary studies in India--their relevance and validity, their social functions, their institutional contexts, their pedagogic and publishing practices--are never posed. The seventeen essays in this volume break the silence and ask why. This volume will be invaluable to those interested in sociology, history, colonialism and culture, and to all who teach or study English literature anywhere in the world.

“Remarkable . . . Scott Lynch’s first novel, The Lies of Locke Lamora, exports the suspense and wit of a cleverly constructed crime caper into an exotic realm of fantasy, and the result is engagingly entertaining.”—The Times (London) An orphan’s life is harsh—and often short—in the mysterious island city of Camorr. But young Locke Lamora dodges death and slavery, becoming a thief under the tutelage of a gifted con artist. As leader of the band of light-fingered brothers known as the Gentleman Bastards, Locke is soon infamous, fooling even the underworld’s most feared ruler. But in the shadows lurks someone still more ambitious and deadly. Faced with a bloody coup that threatens to destroy everyone and everything that holds meaning in his mercenary life, Locke vows to beat the enemy at his own brutal game—or die trying. Praise for The Lies of Locke Lamora “Fresh, original, and engrossing . . . gorgeously realized.”—George R. R. Martin “Right now, in the full flush of a second reading, I think The Lies of Locke Lamora is probably in my top ten favorite books ever. Maybe my top five. If you haven’t read it, you should. If you have read it, you should probably read it again.”—Patrick Rothfuss, New York Times bestselling author of The Name of the Wind “A unique fantasy milieu peopled by absorbing, colorful characters . . . Locke’s wit and audacity endear him to victims and bystanders alike.”—The Seattle Times “A true genre bender, at home on almost any kind of fiction shelf . . . Lynch immediately establishes himself as a gifted and fearless storyteller, unafraid of comparisons to Silverberg and Jordan, not to mention David Liss and even Dickens.”—Booklist (starred review) “High-octane fantasy . . . a great swashbuckling yarn of a novel.”—Richard Morgan