The Life And Miracles Of Saint Maurus

"The first of Benedict's disciples to be identified by name in Gregory the Great's Life of the monastic founder, Maurus serves there to illustrate by example rather than abstract principles the monastic virtues which Benedict inculcated. As the Benedictine Rule spread across the Carolingian Empire in the ninth century, Maurus reappears again, this time as the apostle of Benedictine monasticism north of the Alps. The Abbey of Glanfeuil claimed him as its founder, and from there a Life - purported to be copied from an ancient manuscript - and a Little Book of his miracles extended devotion to Maurus throughout France, and beyond."--BOOK JACKET.

This book explores one of the most significant medieval saints’ cults, that of St. Maurus, the first known disciple of Saint Benedict. Despite the centrality of this story to the myth of medieval Benedictine culture, no major scholarly work has been devoted to Maurus since the late nineteenth century. Drawing on memory studies, this book investigates the origins and history of the cult, from the ninth-century Life of St. Maurus by Odo, abbot of Glanfueil, to its appropriation and re-shaping by three powerful abbeys through to the thirteenth century—Fossés, Cluny, and Montecassino. It traces how these institutions deployed caches of mostly forged documents (many translated here for the first time) to adapt the cult to their aspirations and, moreover, considers how the cult adapted itself further, to face the challenges of the modern world.

Miracles give hope to the hopeless and exemplify the intersection of the divine and the mundane. They have shaped world history and continue to influence us through their presence in films, television, novels, and popular culture. This encyclopedia provides a unique resource on the philosophical, historical, religious, and cross-cultural conceptions of miracles that cut across denominational lines. Multidisciplinary in approach, this informative yet entertaining encyclopedia covers major aspects of miraculous phenomena through more than 150 alphabetically arranged entries that document how humanity's belief in religious miracles over multiple places, periods, and faiths have affected society—even changed the course of history. Written for high school students and general readers, the coverage enables readers to learn about different civilizations and cultures, the controversies surrounding different beliefs, and the often uncomfortable engagement of religion with science. This single-volume book provides a one-stop ready-reference that addresses a broad variety of subject matter on miraculous phenomena and guides further investigations into the subject. Helpful illustrations and lucid explanations of the ancillary concepts associated with miraculous phenomena make learning about this topic more engaging. Readers will be able to link the doctrinal concepts, such as "grace" or "prayer," with the descriptions of miraculous events, especially those associated with saints or holy objects. The examination of the controversial aspects of different belief systems along with the book's balanced coverage of the interpretation of miracles will encourage students to weigh different explanations, thus fostering the development of their critical thinking skills.

In the closing decades of the twelfth century the Cistercian Order found itself in a world rather different from the one in which it had been founded and began to thrive. The Order was justifiably proud of its achievements and unparalleled diffusion across Europe. It had become an important ecclesiastical and economic power in Europe and developed an institutional structure meant to sustain a large, widespread organization. Yet it had lost its influential spokesman, Bernard of Clairvaux, and as the century drew to a close, religious sensibilities were changing. The new mendicant orders, the Franciscans and the Dominicans, and the impulses they embodied, were to shift the center of gravity in Christian religious life for centuries to come.

The Medieval Devil is a unique collection of primary sources that examines the development of medieval society through the lens of how people perceived the devil. In exploring where and how Europeans discerned his presence, detected his machinations, and sought to counter his actions, readers will be afforded a new and important point of entry into medieval history. Each chapter begins with an introduction to familiarize readers with critical issues and to contextualize the primary sources against broader developments of the period. Questions for discussion and reflection, twelve black-and-white illustrations, and a short bibliography are included.

Designed as a quick-reference source to the topics, symbols, themes, and stories most frequently found in early Christian, western medieval, and Byzantine art, this work describes topics that include names and narratives drawn from the Bible and apocrypha, the lives of saints, and numerous other textual sources. Authors whose works were frequently illustrated or who were influential on the visual arts are treated, as are selected art historical terms and events of significance for the arts. Cross-references alert readers to alternate titles and related topics, and the majority of entries cite a pictorial example. These are keyed to standard texts for easy viewing access. The dictionary begins with Aaron and ends with Zoomorphic Decoration. This dictionary focuses on the medieval period and the distinctive ways in which the subjects and symbols referenced in the work evolved and developed during the Middle Ages, resulting in a unique overview of the evolution, development, popularity, and transformations that took place in medieval artistic iconography. The introduction provides chronological, thematic, and bibliographic surveys to supplement the 500 individual entries; the bibliography directs the readers to more detailed studies. The work also includes names and topics not always found in art reference sources, for example, authors whose works were frequently illustrated, or who were influential on the visual arts, and historical events of significance for the arts.