The Life And Work Of Rudolf Bru I

This volume is the first collection of essays in English devoted to the work of the outstanding Yugoslavian composer Rudolf Bruči. It approaches Bruči’s work from a remarkably broad number of angles, and the chapters underline that fact that his work was multivalent. The book emphasizes his wider relevance in the ever-expanding field of musicology dealing with the fascinatingly diverse outputs produced in the Balkans in general, but reminds us of the considerable international reputation that the composer enjoyed far beyond the borders of the former Yugoslavia. Bruči’s creative mind was extraordinarily wide-ranging, and this text also explores his engagement with the wider culture around him. In the context of post-war Yugoslavia, an artist was also a cultural worker, expected to carry out many duties, and contribute to the advancement of the country’s self-governing socialist society.

British art and architecture of the 1950s are little known but extraordinarily topical today. Of particular relevance are the activities of the Independent Group, a loosely structured organization whose members included artists Richard Hamilton, Eduardo Paolozzi, and Magda Cordell, More...photographer Nigel Henderson, critics Reyner Banham and Lawrence Alloway, and architects Alison and Peter Smithson, James Stirling, and Colin St. John Wilson, who sought the essence of the everyday through a sensitivity to the hardships and charm of life in the raw. As Found encounters the transdisciplinary relationship between the constructed environment as it is visually perceived and verbally expressed. Edited by Claude Lichtenstein & Thomas Schregenberger. Artists include: Magda Cordell, Richard Hamilton, Nigel Henderson and Eduardo Paolozzi. Architects include: Alison & Peter Smithson, James Stirling and Colin St. John Wilson.

Setting opera within a variety of contexts - social, aesthetic, historical - Lindenberger illuminates a form that has persisted in recognizable shape for over four centuries. The study examines the social entanglements of opera, for example the relation of Mozart's Abduction from the Seraglio and Verdi's Il trovatore to its initial and later audiences. It shows how modernist opera rethought the nature of theatricality and often challenged its viewers by means of both musical and theatrical shock effects. Using recent experiments in neuroscience, the book demonstrates how different operatic forms developed at different periods to create new ways of exciting a public. Lindenberger considers selected moments of operatic history from Monteverdi's Orfeo to the present to study how the form has communicated with its diverse audiences. Of interest to scholars and operagoers alike, this book advocates and exemplifies opera studies as an active, emerging area of interdisciplinary study.

Notions of crisis have long charged the study of the European avant-garde and modernism, reflecting the often turbulent nature of their development. Throughout their history, the avant-garde and modernists have both confronted and instigated crises, be they economic or political, aesthetic or philosophical, collective or individual, local or global, short or perennial. The seventh volume in the series European Avant-Garde and Modernism Studies addresses the myriad ways in which the avant-garde and modernism have responded and related to crisis from the late nineteenth to the twenty-first century. How have Europe’s avant-garde and modernist movements given aesthetic shape to their crisis-laden trajectory? Given the many different watershed moments the avant-garde and modernism have faced over the centuries, what common threads link the critical points of their development? Alternatively, what kinds of crises have their experimental practices and critical modes yielded? The volume assembles case studies reflecting upon these questions and more from across all areas of avant-garde and modernist activity, including visual art, literature, music, architecture, photography, theatre, performance, curatorial practice, fashion and design.

In one of the most startling literary discoveries of recent years, Jack Zipes has uncovered this neglected treasure trove of Sicilian folk and fairy tales. Like the Grimm brothers before her, Laura Gonzenbach, a talented Swiss-German born in Sicily, set out to gather up the tales told and retold among the peasants. Gonzenbach collected wonderful stories - some on subjects that readers will know from the Grimms or Perrault, some entirely new - and published them in German. Her early death and the destruction of her papers in the Messina earthquake of 1908 only add to the mystery behind her achievement. Beautiful Angiola is an instant classic: a nineteenth-century collection of stories in the great tradition of fairy and folk tales now translated into English for the first time. Gonzenbach delights us with heroines and princes, sorcery and surprise, the deeds of the brave and the treacherous, and the magic of the true storyteller. The Green Bird , The Humiliated Princess , sorfarina , The Magic Cane, the Golden Donkey, and the Little Stick that Hits are titles destine to become new favourites for readers everywhere. Yet while the stories enchant us, the wry taglines with which they often end ('And so they remained rich and consoled, while we keep sitting here and are getting old') gently bring us back to earth.

Introduces a broad range of scientific and philosophical issues about life through the original historical and contemporary sources.