The Life Of Crime Detecting The History Of Mysteries And Their Creators

Winner of four major prizes for the best critical/biographical book related to crime fiction: the Edgar, Anthony, Macavity and H.R.F. Keating Awards; and shortlisted for both the Agatha and Gold Dagger Awards. ‘Martin Edwards is the closest thing there has been to a philosopher of crime writing.’ The Times

Winner of the H.R.F. Keating Award for best biographical/critical book related to crime fiction, and nominated for the Edgar Allen Poe and Macavity Awards for Best Critical/Biographical book.

Narrative innovation is typically seen as the domain of the avant-garde. However, techniques such as nonlinear timelines, multiple points of view, and unreliable narration have long been part of American popular culture. How did forms and styles once regarded as “difficult” become familiar to audiences? In Perplexing Plots, David Bordwell reveals how crime fiction, plays, and films made unconventional narrative mainstream. He shows that since the nineteenth century, detective stories and suspense thrillers have allowed ambitious storytellers to experiment with narrative. Tales of crime and mystery became a training ground where audiences learned to appreciate artifice. These genres demand a sophisticated awareness of storytelling conventions: they play games with narrative form and toy with audience expectations. Bordwell examines how writers and directors have pushed, pulled, and collaborated with their audiences to change popular storytelling. He explores the plot engineering of figures such as Raymond Chandler, Agatha Christie, Dashiell Hammett, Patricia Highsmith, Alfred Hitchcock, Dorothy Sayers, and Quentin Tarantino, and traces how mainstream storytellers and modernist experimenters influenced one another’s work. A sweeping, kaleidoscopic account written in a lively, conversational style, Perplexing Plots offers an ambitious new understanding of how movies, literature, theater, and popular culture have evolved over the past century.

Happiness Is a Warm Gun is the sixth of Josh Pachter’s “inspired by” anthologies, following volumes of stories inspired by the songs of Joni Mitchell, Jimmy Buffett, Billy Joel, and Paul Simon…and by the films of the Marx Brothers. For this collection, the lyrics of the Beatles’ inspired the contributing authors to imagine a world in which murder, kidnapping, blackmail, and theft are as common as meter maids and yellow submarines. Each story was inspired by a song from one of the Fab Four’s studio albums: seventeen albums, seventeen songs, seventeen stories—by a total of eighteen authors (since one was written collaboratively by Dru Ann Love and Kristopher Zgorski, two of crime fiction’s leading bloggers). Many of the contributors, like the Beatles themselves, come from England—including award winners Martin Edwards, Paul Charles, Vaseem Khan, Christine Poulson, Marilyn Todd, Kate Ellis, and Tom Mead—while the American authors include such popular crime writers as John Copenhaver, Michael Bracken, John M. Floyd, David Dean, Joseph S. Walker, and Robert Lopresti. So roll up for the Magical Mystery Tour—step right this way! After all, when it comes to crime, all you need is…motive, means, and opportunity!

Across five studio albums with Art Garfunkel (1964-1970) and fourteen solo albums (1965-2018), Paul Simon’s music and lyrics have inspired generations of listeners. For Paranoia Blues, nineteen masters of contemporary short crime fiction wrote new stories, each inspired by one of Simon’s songs: one from each of the five Simon and Garfunkel studio albums (plus a bonus second story inspired by a song from Bridge Over Troubled Water) and one from each of the fourteen solo studio albums. The contributors include award-winners E.A. Aymar, Martin Edwards, Cheryl A. Head, Edwin Hill, Tom Mead, Raquel V. Reyes, Gabriel Valjan, and a dozen more—plus the first new story by Robert Edward Eckels in more than forty years! This is the fifth “inspired by” anthology edited by Josh Pachter, a recent winner of the Short Mystery Fiction Society’s Golden Derringer Award for Lifetime Achievement; the previous books drew on the music of Jimmy Buffett, Billy Joel, and Joni Mitchell—and the films of the Marx Brothers.

When the film Clue came out in 1985, audiences were baffled. A movie based on a board game, with three different endings, and you had to pick which one to go see? Bad reviews compounded the problem, and instead of choosing one ending, most people stayed away entirely. Clue, outgrossed at the box office by films that had been released months earlier, quickly faded away. When it unceremoniously premiered on Showtime a year after its theatrical debut, there was no sign it was destined for anything other than obscurity, another flop bound to be forgotten.Instead, Gen Xers and millennials, raised on pop culture and cable TV in an era long before the streaming wars, discovered this zany farce about a group of six strangers locked in a remote house with a killer. The movie appealed to kids. The creepy mansion and eerie music contrasted with slapstick gags and double entendres, deflating the tension. Today, almost forty years later, Clue is the epitome of a cult classic, with midnight screenings, script readings for charity, cosplaying fans, and a stage play.“ What Do You Mean, Murder?” dives deep into the making of Clue and walks fans through the movie they know and love. From producer Debra Hill' s original idea of Detective Parker bumbling around a mansion to Carrie Fisher' s casting as Miss Scarlet, from Madeline Kahn' s iconic “ flames” ad-lib to the legendary deleted fourth ending, it' s all here. With asides on fandom, Gen X nostalgia, and at how movies were made in the 1980s, the book offers plenty to chew on for die-hard buffs and casual fans alike.

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