The Lifted Veil

Latimer is cursed with psychic abilities that allow him to see the future, yet he’s unable to avoid the dark turn of his own life. What many consider a gift, he sees as a curse that has destroyed his ability to have normal relationships. Latimer can hear people’s deepest thoughts and has visions of their impending future. It’s a power he acquired at a young age following a brief illness. Latimer loathes his ability, as it has made it nearly impossible for him to make genuine connections. He unknowingly uncovers dark secrets that reveal the worst of humanity. Despite this foresight, Latimer’s desire to control his own narrative blinds him to an inevitable outcome. The Lifted Veil is a unique entry in Eliot’s literary catalogue. It was released the same year as her debut novel, Adam Bede, and is a stark departure from her usual themes. It highlights a different point-of-view and Eliot’s diverse storytelling ability. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Lifted Veil is both modern and readable.

The Lifted Veil is a novella by George Eliot, first published in 1859. Quite unlike the realistic fiction for which Eliot is best known, The Lifted Veil explores themes of extrasensory perception, the essence of physical life, possible life after death, and the power of fate. The novella is a significant part of the Victorian tradition of horror fiction, which includes such other examples as Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde (1886), and Bram Stoker's Dracula (1897).

The negative historical judgment given to George Eliot’s ‘The Lifted Veil’ amounts nowadays to a gross critical blunder, and in the last three decades the story has been firmly reinstated in Eliot’s major canon. The premise of the present book is that George Eliot’s oeuvre is a compact macrotext where themes, motifs, patterns and cultural and personal archetypes recur with variations, and that ‘The Lifted Veil’ functions as the linchpin of this oeuvre. A sequential approach to the story is authorized by the use of a mimetic enunciation that simulates a gradual ‘definition’ of events, places, and characters as they have appeared to the narrating ‘I’ in the course of time until the moment of the enunciation. Contextualizing ‘The Lifted Veil’ means placing it within Eliot’s oeuvre and against the background of Victorian mid-century fiction; in a further meaning, seeing it as intersecting various contemporary genres and subgenres, such as that of the European and American ‘literature of the veil’, that of the archetypal icon of the femme fatale, that of Wilkie Collins’s ‘dead secret’ novels. The most significant facet that critical literature on ‘The Lifted Veil’ has tended to overlook is however the encrypting of the experience of a failed religious conversion and the foreshadowing of the search for a spiritual and racial identity of Daniel Deronda, the hero of Eliot’s final novel.

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Garstin, a pretty upper-middle class debutante, squanders her early youth amusing herself by living a social high life, during which her domineering mother attempts to arrange a "brilliant match" for her.

This study shows how George Eliot, a leader in the nineteenth-century intellectual world of Darwin and the Industrial Revolution, wrestled in her early novels with the esthetic problems of reconciling her art and her philosophy. Attempting in her fiction to reproduce the real, temporal world she lived in, George Eliot also tried to reassure herself and her readers that their godless modern world still operated according to higher moral laws of justice and perfectibility. U. C. Knoepflmacher examines here for the first time in sequence George Eliot's development of increasingly sophisticated forms of fiction in her efforts to reconcile the two conflicting orientations in her thought. We see this popular novelist as she progressed artistically from the flawed "Amos Barton" in 1857 up to the balance she achieved in Silas Marner in 1861. And we discover her in the context of her literary antecedents and surrounding in a way that brings many new affiliations to light, particularly the connection of her novels to the writings of Milton, the Romantic poets, and her contemporaries Arnold and Carlyle. Professor Knoepflmacher thoroughly discusses each work in George Eliot's first stage, brining new attention to minor works like "The Lifted Veil" and Scenes of Clerical Life and fresh insights to such well known works as Adam Bede, The Mill on the Floss, and Silas Marner. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

In Brother Jacob, George Eliot explores the relationship between the self-centered, ambitious David Faux and his slow-witted brother, Jacob. David Faux imagines that the greatest profession in the world must be that of the confectioner, but when reality fails to lives up to the promise, he decides to change course and seek his fortune overseas. To get there he'll have to bilk Jacob out of his rightful inheritance. Sayre Street Books offers the world's greatest literature in easy to navigate, beautifully designed digital editions.