The Light Of Buddha

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'The Light of Asia' is an epic poem by Sir Edwin Arnold that was first published in 1879. It is a narrative of the life and message of the Buddha. It quickly became a huge sensation and has continued to resonate powerfully across the world over the last century and a half. The poem captivated an Indian monk who remains an iconic personality-Swami Vivekananda. At about the same time, it deeply moved a young man in Colombo who has become famous in history as Anagarika Dharmapala. It caught the attention of an aspiring Indian lawyer in London in 1889. This man later became immortal as Mahatma Gandhi. A few years hence it impacted a teenager in Allahabad who would, in 1947, become the first Prime Minister of India-Jawaharlal Nehru. Two copies of the book adorned the bookshelves of B.R. Ambedkar, the prime architect of the Indian constitution. Weaving together literary, cultural, political and social history, Jairam Ramesh uncovers and narrates the fascinating story of this deeply consequential and compelling poem that has shaped our thinking of an ancient sage and his teachings. Jairam Ramesh brings into this unusual narrative the life of the multi-faceted poet himself who, among other things, was steeped in Sanskrit literature. Sir Edwin Arnold's English rendering of the Bhagavad Gita was one of Mahatma Gandhi's abiding favourites. Sir Edwin was also in many ways the man who shaped Bodh Gaya as we know it today.

Shin is the uniquely Japanese flowering of the type of Buddhism known as "Pure Land." It originated in the thirteenth century with the charismatic and prophetic figure Shinran (1172–1263), whose interpretation of the traditional Pure Land teachings was extremely influential in his own lifetime and remain so today. In a period when Japanese Buddhism was dominated by an elitist monastic establishment, Shinran's Shin teaching became a way of liberation for all people, regardless of age, class, or gender. Although Shin is one of Japan's greatest religious contributions—and is still the most widely practiced form of Buddhism in Japan—it remains little known in the West. In this book, based on several lectures he gave in the 1950s, D. T. Suzuki illuminates the deep meaning of Shin and its rich archetypal imagery, providing a scholarly and affectionate introduction to this sometimes misunderstood tradition of Buddhist practice.

Autobiography

Praise for the French edition “This is a book that should be read by all those who are interested, whether near or far, in Buddhism, its history and its interpretations. . . . [Faure] proposes considering the ‘Life of the Buddha’ as a kind of treasure that never ceases to be reinvented and experienced, from story to story, from language to language, from culture to culture.” —Roger-Pol Droit, Le Monde Many biographies of the Buddha have been published in the last 150 years, and all claim to describe the authentic life of the historical Buddha. This book, written by one of the leading scholars of Buddhism and Japanese religion, starts from the opposite assumption and argues that we do not yet possess the archival and archaeological materials required to compose such a biography: All we have are narratives, not facts. Yet traditional biographies have neglected the literary, mythological, and ritual elements in the life of the Buddha. Bernard Faure aims to bridge this gap and shed light on a Buddha that is not historical but has constituted a paradigm of practice and been an object of faith for 2,500 years. The Thousand and One Lives of the Buddha opens with a criticism of the prevalent historicism before examining the mythological elements in a life of the Buddha no longer constrained by an artificial biographical framework. Once the search for the “historical Buddha” is abandoned, there is no longer any need to limit the narrative to early Indian stories. The life—or lives—of the Buddha, as an expression of the creative imaginations of Buddhists, developed beyond India over the centuries. Faure accordingly shifts his focus to East Asia and, more particularly, to Japan. Finally, he examines recent developments of the Buddha’s life in not only Asia but also the modern West and neglected literary genres such as science fiction.