The Limits Of Sisterhood

The authors alternate their own analyses of the lives of Catharine Esther Beecher, Harrier Beecher Stowe, and Isabella Beecher Hooker with excerpts from the sisters' private and public papers which illustrate key themes within the nineteenth century debate about the woman's sphere.

An examination of comedy and feminism in the works of early women British novelists.

Life and death are commonly seen as representing the starkest of binaries: Death is the ultimate adversary of all that lives. Beatrice Marovich argues that such understandings of mortality have been deeply influenced by a strain of Christian political theology that has left its mark on both religious and secular narratives. Adapting the figure of “Sister Death” from Saint Francis of Assisi, she calls for recognizing that life and death are family. Drawing on a wide range of sources—from Toni Morrison to Jacques Derrida, psychoanalysis to grassroots “death positive” movements—Marovich critiques a racialized political theology that pits life and death against each other in a state of endless war. In a time of extinctions, it is necessary to disrupt this dominant story in order to apprehend death as a collective, multispecies event. Sister Death proposes an alternative view in which life and death are not mortal enemies destined for mutual destruction. Instead, they are engaged in a contested, tense, and sometimes mutually empowering form of connection—a sisterhood. Eloquent and approachable, this book deftly integrates the insights of a number of disciplines to provide a profound reconsideration of the relations between life and death. Sister Death also features a series of original works by the artist Krista Dragomer that stage an ongoing conceptual conversation with the text.

Our Sister Editors is the first book-length study of Sarah J. Hale's editorial career. From 1828 to 1836 Hale edited the Boston-based Ladies' Magazine and then from 1837 to 1877 Philadelphia's Godey's Lady's Book, which on the eve of the Civil War was the most widely read magazine in the United States, boasting more than 150,000 subscribers. Hale reviewed thousands of books, regularly contributed her own fiction and poetry to her magazines, wrote monthly editorials, and published the works of such writers as Nathaniel Hawthorne, Edgar Allan Poe, Harriet Beecher Stowe, and Lydia Sigourney. Okker successfully relates Hale's contributions both to debates about the status of women and to the development of American literature. Unlike many of her contemporaries, Hale insisted on the power of women within both the public and private spheres. Throughout her long career, Hale helped popularize new ideas about reading and genre, and she made significant contributions to the development of professional authorship.Our Sister Editors also provides the first overview of the large and diverse group of nineteenth-century women editors. In her examination of the role of women as editors, owners, and publishers of periodicals and her use of Hale's career to exemplify and discuss a series of major issues related to women's writing and reading in Victorian America, Patricia Okker offers a provocative revisionist study.

A small group of black and white American women who banded together in the 1830s and 1840s to remedy the evils of slavery and racism, the "antislavery females" included many who ultimately struggled for equal rights for women as well. Organizing fundraising fairs, writing pamphlets and giftbooks, circulating petitions, even speaking before "promiscuous" audiences including men and women—the antislavery women energetically created a diverse and dynamic political culture. A lively exploration of this nineteenth-century reform movement, The Abolitionist Sisterhood includes chapters on the principal female antislavery societies, discussions of black women's political culture in the antebellum North, articles on the strategies and tactics the antislavery women devised, a pictorial essay presenting rare graphics from both sides of abolitionist debates, and a final chapter comparing the experiences of the American and British women who attended the 1840 World Anti-Slavery Convention in London.

The “fascinating, forgotten story” of a daughter of a renowned American family—a suffragette and spiritualist who shocked New England society (Debby Applegate, Pulitzer Prize–winning author of The Most Famous Man in America: The Biography of Henry Ward Beecher). Older sister Harriet Beecher Stowe was the author of Uncle Tom’s Cabin. Brother Henry Ward Beecher was one of the nation’s most influential ministers. Their sibling Catharine Beecher wrote pivotal works on women’s rights and educational reform. And then there was Isabella Beecher Hooker— “a curiously modern nineteenth-century figure.” Tempest-Tossed is the first full biography of the passionate, fascinating youngest daughter of the “Fabulous Beechers” —one of America’s most high-powered families of the time. She was a leader in the suffrage movement, and a mover and shaker in Hartford, Connecticut’s storied Nook Farm neighborhood and salon. But there is more to the story—to Isabella’s character—than that. An ardent spiritualist, Isabella could be off-putting, perplexing, tenacious, or charming in daily life. Many found her daunting to get to know and stay on comfortable terms with. Her “wild streak” was especially unfavorable in the eyes of Hartford society at the time, which valued restraint and duty. In this book, Pulitzer Prize–winning journalist Susan Campbell brings her own unique blend of empathy and unbridled humor to the story of Harriet’s younger half-sister and her evolution from orthodox Calvinist daughter, wife, and mother to one of the most influential players in the suffrage movement, where this unforgettable woman finally gets her proper due.

This edited collection takes a timely and comprehensive approach to understanding Turkey’s television, which has become a global growth industry in the last decade, by reconsidering its geopolitics within both national and transnational contexts. The Turkish television industry along with audiences and content are contextualised within the socio-cultural and historical developments of global neoliberalism, transnational flows, the rise of authoritarianism, nationalism, and Islamism. Moving away from Anglo-American perspectives, the book analyzes both local and global processes of television production and consumption while taking into consideration the dynamics distinctive to Turkey, such as ethnic and gender identity politics, media policies and regulations, and rising nationalistic sentiments.

An unusual ethnography of Catholic sisters in the Philippines