The Literary Culture Of Early Modern Scotland

Explaining the literary history of Scotland in the early modern period (1560-1625) through the investigation of manuscript production, this book argues for the importance of three key places of production of such manuscripts; the royal court, burghs and towns.

The first detailed examination of the vibrant culture of literature produced by Scots in Latin in the late-sixteenth and seventeenth centuries.

This study presents a history of the literary culture of early-modern Scotland (1560-1625), based on extensive study of the literary manuscript. It argues for the importance of three key places of production of such manuscripts: the royal court, burghs and towns, and regional houses (stately homes, but also minor lairdly and non-aristocratic households). This attention to place facilitates a discussion of, respectively, courtly, urban or civic, and regional literary cultures. Sebastiaan Verweij's methodology stems from bibliographical scholarship and the study of the 'History of the Book', and more specifically, from a school of manuscript research that has invigorated early-modern English literary criticism over the last few decades. The Literary Culture of Early Modern Scotland will also intersect with a programme of reassessment of early-modern Scottish culture that is currently underway in Scottish studies. Traditional narratives of literary history have often regarded the Reformation of 1560 as heralding a terminal cultural decline, and the Union of Crowns of 1603, with the departure of king and court, was thought to have brought the briefest of renaissances (in the 1580s and 1590s) to an early end. This book purposefully straddles the Union, in order to make possible the rediscovery of Scotland's refined and sophisticated renaissance culture.

In the late medieval and early modern periods, Scottish latinity had its distinctive stamp, most intriguingly so in its effects upon the literary vernacular and on themes of national identity. This volume shows how, when viewed through the prism of latinity, Scottish textuality was distinctive and fecund. The flowering of Scottish writing owed itself to a subtle combination of literary praxis, the ideal of eloquentia, and ideological deftness, which enabled writers to service a burgeoning national literary tradition.

In this interdisciplinary collaboration, an international group of scholars have come together to suggest new directions for the study of the family in Scotland circa 1300-1750. Contributors apply tools from across a range of disciplines including art history, literature, music, gender studies, anthropology, history and religious studies to assess creatively the broad range of sources which inform our understanding of the pre-modern Scottish family. A central purpose of this volume is to encourage further studies in this area by highlighting the types of sources available, as well as actively engaging in broader historiographical debates to demonstrate how important and effective family studies are to advancing our understanding of the past. Articles in the first section demonstrate the richness and variety of sources that exist for studies of the Scottish family. These essays clearly highlight the uniqueness, feasibility and value of family studies for pre-industrial Scotland. The second and third sections expand upon the arguments made in part one to demonstrate the importance of family studies for engaging in broader historiographical issues. The focus of section two is internal to the family. These articles assess specific family roles and how they interact with broader social forces/issues. In the final section the authors explore issues of kinship ties (an issue particularly associated with popular images of Scotland) to examine how family networks are used as a vehicle for social organization.

Fresche fontanis contains twenty-five studies presenting major new research by leading scholars in Scottish culture of the late fourteenth and fifteenth, sixteenth, and seventeenth centuries. The three-part collection includes essays on the prominent writers of the period: James I, Robert Henryson, William Dunbar, John Bellenden, David Lyndsay, John Stewart of Baldynneis, William Fowler, Alexander Montgomerie, Andrew Melville and Alexander Craig. There are also essays on the Scottish romances Lancelot of the Laik, Gilbert Hay’s Buik of King Alexander the Conquerour, The Buik of Alexander, Golagros and Gawain, and the comedic Rauf Coilyear, and the Scottish fabliau The Freiris of Berwick. Chronicles of Fordun, Bower, Wyntoun and Bellenden receive fresh attention in essays concerning Margaret of Scotland, and imperial ideas during the reign of James V. Essays on anthologies, family books, and collaborative compilations make another notable group, providing in-depth analysis, with findings not previously reported, of The Book of the Dean of Lismore, the Maitland Quarto manuscript and The Delitiae Poetarum Scotorum. These studies are enlarged by others on key contextualizing topics, including noble and royal literary patronage, early Scottish printing, performance, spectatorship, and translation. Together they make a significant contribution to a full understanding of the continuities and shifts in cultural emphases during this most imaginatively productive period.

This book provides an overview of Scottish culture from the time of union with England and Wales up to and through the moment of devolution to the present.

Theatricality and Narrative in Medieval and Early Modern Scotland analyses narrative accounts of public theatricality in late medieval and early-modern Scottish culture (pre-1645). Literary texts such as journal, memoir and chronicles reveal a complex spectatorship in which eye witness, textual witness and the imagination interconnect. The narrators represent a broad variety of public actions as theatrical: included are instances of assault and assassination, petition, clerical interrogation, dissent, preaching, play and display, the performance of identity and the spectatorship of tourism. Varying influences of personal experience, oral tradition, and existing written record colour the narratives. Discernible also are those rhetorical and generic forms which witnesses employ to give a comprehensible shape to events. Narratives of theatricality prove central for understanding early Scottish culture since they record moments of contact between those in power and those without it; they show how participants aimed to influence both present spectators and the witness of history; they reveal the contested nature of ambiguous public genres, and they point up the pleasures and responsibilities of spectatorship. McGavin demonstrates that early Scottish culture is revealed as much in its processes of witnessing as in that which it claims to witness. Although the book's emphasis is on the early modern period, its study of chronicle narratives takes it back from the period of their composition (predominantly 15th and 16th century) to earlier medieval events.