The Literary Detective

The Literary Detective is an omnibus edition of John Sutherland's three best-selling collections of literary puzzles, Is Heathcliffe a Murderer?, Can Jane Eyre be Happy?, and Who Betrays Elizabeth Bennet? Investigating a variety of anomalies, enigmas, and conundrums such as 'Why does RobinsonCrusoe find only one footprint?' and 'Where does Fanny Hill keep her contraceptives?', Professor Sutherland explores the questions readers often ask and critics rarely discuss. His forensic skills focus on authors from Defoe and Fielding to Wells and Woolf, relishing in particular thenineteenth-century novelists, Austen, Collins, Dickens, and the Brontes.By addressing 'real world' questions John Sutherland has brought lit. crit. Down from the rarefied heights of academe and into the everyday discourse of ordinary readers, who bring their own expertise to bear on these novels. In his introduction he quotes from some of the many letters he hasreceived, which demonstrate that we can all be astute and entertaining critics. The 'Sherlock Holmes of Literature', as he has been called, John Sutherland reminds us of the sheer pleasure and excitement that good books inspire, and of their endless ability to surprise and delight us.

It may seem obvious -- but it is not! How to read a book, a novel? How to increase your joy at reading an old or a new work? How to inject new vitality into an old and, perhaps, boring activity? Is there a method or a technique in reading a novel which can illuminate the meanings behind the story? This book answers these questions in a bold, imaginative and accessible manner! Reading is similar to a treasure hunt. You set out, you collect clues and you hope to discover a treasure, or solve a mystery. How does it work? Great detectives start out with an open mind, unaware of what lies ahead of them. They investigate, they examine the evidence, they collect the clues, they ask questions, they think things through, until they solve the mystery. Glen Hammond argues that anybody -- a casual reader, a student, or a teacher -- can learn the techniques of this new kind of literary detection. In eighteen chapters -- Sleuthing, The Creative Relationship, Tools of the Trade, Villains, Method, Title, Repetition, Characterisation, Setting, Associative Pairing, Page Space, Case Closed, Expert Witnesses -- Glenn Hammond introduces you to the excitement of reading and the treasures to be found in literary work.

This book begins with a history of the detective genre, coextensive with the novel itself, identifying the attitudes and institutions needed for the genre to emerge in its mature form around 1880. The theory of the genre is laid out along with its central theme of the getting and deployment of knowledge. Sherlock Holmes, the English Classic stories and their inheritors are examined in light of this theme and the balance of two forms of knowledge used in fictional detection--cool or rational, and warm or emotional. The evolution of the genre formula is driven by changes in the social climate in which it is embedded. These changes explain the decay of the English Classic and its replacement by noir, hardboiled and spy stories, to end in the cul-de-sac of the thriller and the nostalgic Neo-Classic. Possible new forms of the detective story are suggested.

Crime fiction is one of the most popular literary genres and has been for more than a century. At the heart of almost all forms of mysteries—from the Golden Age puzzler to the contemporary police procedural, from American hardboiled fiction to the Japanese timetable mystery—is the investigator. He—or, increasingly, she—can be a private eye, a police officer, or a general busybody. But whatever forms these investigators take, they are the key element of crime fiction. Criminals and their crimes come and go, while our attention is captured by these fascinating characters who exist at the intersection of so many different literary and social roles. 100 Greatest Literary Detectives offers a selection of the most influential, important, and intriguing fictional sleuths—amateur or professional—from around the world. From Sherlock Holmes to Harry Hole, Kinsey Millhone to Kiyoshi Mitarai, the detectives profiled here give readers a broader picture of one of fiction’s most popular genres. Each entry summarizes the distinctive features of notable investigators and their approaches to crime, provides a brief outline of major features of their fictional careers, and makes a case for their importance based on literary-historical impact, novelty, uniqueness, aesthetic quality, or cultural resonance. The characters profiled here include Lew Archer, Martin Beck, Father Brown, Brother Cadfael, Adam Dalgliesh, Mike Hammer, Miss Jane Marple, Hercule Poirot, Ellery Queen, Ezekiel “Easy” Rawlins, Kay Scarpetta, Sam Spade, Phillip Trent, V. I. Warshawski, Lord Peter Wimsey, Nero Wolfe, and many others. Readers will find some of their favorite detectives here, learn more about their literary and cultural significance, and discover other great sleuths—old and new, local and international—in this engaging volume. 100 Greatest Literary Detectives provides a fascinating look into some of the most intriguing fictional characters of all time.

'Detective Fiction' is a clear and compelling look at some of the best known, yet least-understood characters and texts of the modern day. Undergraduate students of Detective and Crime Fiction and of genre fiction in general, will find this book essential reading.

P. D. James, the undisputed queen of mystery, gives us an intriguing, inspiring and idiosyncratic look at the genre she has spent her life perfecting. Examining mystery from top to bottom, beginning with such classics as Charles Dickens's Bleak House and Wilkie Collins's The Woman in White, and then looking at such contemporary masters as Colin Dexter and Henning Mankell, P. D. James goes right to the heart of the genre. Along the way she traces the lives and writing styles of Arthur Conan Doyle, Agatha Christie, Dashiell Hammett, and many more. Here is P.D. James discussing detective fiction as social history, explaining its stylistic components, revealing her own writing process, and commenting on the recent resurgence of detective fiction in modern culture. It is a must have for the mystery connoisseur and casual fan alike.

This book re-imagines nineteenth-century detective fiction as a literary genre that was connected to, and nurtured by, contemporary periodical journalism. Whilst ‘detective fiction’ is almost universally-accepted to have originated in the nineteenth century, a variety of widely-accepted scholarly narratives of the genre’s evolution neglect to connect it with the development of a free press. The volume traces how police officers, detectives, criminals, and the criminal justice system were discussed in the pages of a variety of magazines and journals, and argues that this affected how the wider nineteenth-century society perceived organised law enforcement and detection. This, in turn, helped to shape detective fiction into the genre that we recognise today. The book also explores how periodicals and newspapers contained forgotten, non-canonical examples of ‘detective fiction’, and that these texts can help complicate the narrative of the genre’s evolution across the mid- to late nineteenth century.

Computational linguistics can be used to uncover mysteries in text which are not always obvious to visual inspection. For example, the computer analysis of writing style can show who might be the true author of a text in cases of disputed authorship or suspected plagiarism. The theoretical background to authorship attribution is presented in a step by step manner, and comprehensive reviews of the field are given in two specialist areas, the writings of William Shakespeare and his contemporaries, and the various writing styles seen in religious texts. The final chapter looks at the progress computers have made in the decipherment of lost languages. This book is written for students and researchers of general linguistics, computational and corpus linguistics, and computer forensics. It will inspire future researchers to study these topics for themselves, and gives sufficient details of the methods and resources to get them started.