The Living

After an earthquake destroys California and a tsunami wrecks the luxury cruise ship where he is a summer employee, high schooler Shy confronts another deadly surprise.

Reimagining the scholarly book as living and collaborative--not as commodified and essentialized, but in all its dynamic materiality. In this book, Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project--not as linear, bound, and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema's proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, reaching instead for a dynamic and emergent materiality. Adema suggests ways to unbind the book, describing experiments in scholarly book publishing with new forms of anonymous collaborative authorship, radical open access publishing, and processual, living, and remixed publications, among other practices. She doesn't cast digital as the solution and print as the problem; the problem in scholarly publishing, she argues, is not print itself, but the way print has been commodified and essentialized. Adema explores alternative, more ethical models of authorship; constructs an alternative genealogy of openness; and examines opportunities for intervention in current cultures of knowledge production. Finally, asking why it is that we cut and bind our research together at all, she examines two book publishing projects that experiment with remix and reuse and try to rethink and reperform the book-apparatus by taking responsibility for the cuts they make.

A truly enthralling, disturbing anti-utopian fantasy novel that will have readers gripped from page one. After a global catastrophe called the Great Reduction, the number of people living on Earth has become fixed, remaining a constant 3 billion. The concept of death no longer exists, and instead, people are reborn anywhere on the planet with an in-code that keeps track of information about all their previous incarnations. Humankind is no longer individual— people are only particles making up one composite organism called The Living. The particles of The Living live happily and die happily, according to a government-determined schedule. All of society is connected directly from the brain to the social network (Socio), and family and country are now of no importance. Society is global, and attachment to parents and children is denounced as a deviation. Yet, there is one man born without an in-code— a spare human being. His birth increases the number of The Living by one, which threatens global harmony. Who is Zero and how will The Living survive?

For every person who draws strength and direction from the Bible, there are many more who struggle with it. Some call it a long book with fine print and obscure meaning. Some call it a mystery, a chore to read, or an undecipherable puzzle. The good news is you can easily solve this problem. With over 300,000 sold, this revised and expanded edition of Living by the Book will remove the barriers that keep Scripture from transforming your life. In a simple, step-by-step fashion, the authors explain how to glean truth from Scripture. It is practical, readable, and applicable. By following its easy-to-apply principles, you'll soon find yourself drawing great nourishment from the Word—and enjoying the process! The Living by the Book Workbook is the perfect compliment to provide practical application of lessons.

The 1983 Lamont poetry selection of the Academy of American Poets.

WINNER OF THE NEUSTADT PRIZE This novel of post-9/11 London is a masterful dissection of racism, aging, and the perturbing nature of desire. Ananda Devi's "fluid, poetic language memorably conjures a union of two outcasts" (The New Yorker). A chance encounter on Portobello Road incites an unsettling, magnetic attraction between Mary, a seventy-five-year-old white British spinster, and Cub, a thirteen-year-old Jamaican boy from Brixton. Mary increasingly clings to phantoms as dementia overtakes her reality, latching on to Cub and channeling all of her remaining energy into their relationship. But their macabre romance comes to a horrific climax, as white supremacy, poverty, and class conflict explode on the streets of London. Through exquisite juxtaposition, Devi uses lush prose to confront the tensions of an increasingly nationalistic metropolis, and the queasy nature of desire muddled with power. “A gorgeously written, profoundly upsetting fairy tale of race, class, power, and desire.” —Kirkus Reviews, starred review "Brutal and entirely believable, a gorgeous and haunting depiction of London and the real lives and memories of those unseen within it." —Publishers Weekly

In the hostile conditions of 1920s Soviet Russia, a young woman struggles to preserve her values -- including the man she loves. In pursuit of this goal, she undertakes an affair with an idealistic Communist soldier, and the consequences change all of their lives.

An astonishing novel that seizes the heart, and sets age-old conflicts against modern life. All the Living has the timeless quality of a parable, evoking a time and place with such beauty and power that it is unforgettable. It’s a hot, dry summer and a young woman travels to Kentucky with her lover, Orren, to the isolated tobacco farm he has inherited after his family dies in a terrible accident. As he works through the drought, Aloma struggles to find her way in a combative, erotically charged relationship with this taciturn man. Her growing friendship with a local charismatic preacher further complicates her sense of lonely dissatisfaction as she grapples with the eternal question of whether it is better to fight for freedom or submit to desire. Excerpt: At first she could see his figure only as a dark shape and the sun firing on the watch on his right arm as he turned the wheel. Then when he was finally before her, braking and leaning in slightly under the shade of the visor to pull the keys from the ignition, she found the broad contours of his face and the color of his skin, much browner than the last time she had seen him, the day after the funeral three weeks ago when he came down to the school and sat beside her and set a question to her. He said, You’ll come up? And she said, Yes, yes. And it don’t matter if it’s all out of order like it is? And she shook her head and took his blanched face in her hands and kissed him, and that had struck her later as an odd reversal, he usually being the one to reach out and pull her to him.