The Lonely Guy S Book Of Life

The New York Times–bestselling author finds the pulse of the aging American male in two ingeniously funny novels. “I just laughed myself sick” (Neil Simon). Two classic works of comic self-help fiction by “one of the funniest writers in America” available together for the first time in a single ebook edition (John Gregory Dunne). With its “sparkling . . . winsome and true” look at the single male in America—from his sad new apartment furnishings to his career struggles to the mystifying dating world—Bruce Jay Friedman’s The Lonely Guy’s Book of Life was as cringingly relatable to both men and women when it was first published in 1978 as is today (The New York Times Book Review). The inspiration for Steve Martin’s classic cult film comedy, The Lonely Guy, it was hailed as “the funniest book of this year, or most any other. You don’t close this book. You just start reading it again immediately. I loved every page–and laughed out loud on most of them” (Dan Jenkins, author of Semi-Tough and Dead Solid Perfect). Twenty years later, Friedman returned to the subject with The Slightly Older Guy, finding his quarry no longer alone, maybe a little less lonely, not so young anymore, faltering at fashion, pondering a new career, but just as resiliently witty. Featuring a new afterword, The Considerably Older Guy offers advice on such topics as divorce, grandchildren, exercise, diet, and insomnia. “If you believe in reading, then when a book comes along by Friedman, you have to read it. It’s as simple as that” (The Washington Post Book World).

"Elegant . . . A superb suspense novel, imbued with moral and narrative complexity and an omnipresent low cloud cover of dread.” —Maureen Corrigan, The Washington Post Two British men meet by chance in Berlin. Robert is trying and failing to finish his next book while balancing his responsibilities as a husband and father. Patrick, a recent arrival in the city, is secretive about his past, but eventually reveals that he has been ghostwriting the autobiography of a Russian oligarch. The oligarch has turned up dead, and Patrick claims to be a hunted man himself. Although Robert doubts the truth of Patrick’s story, it fascinates him, and he thinks it might hold the key to his own foundering novel. Working to gain the other man’s trust, Robert draws out the details of Patrick’s past while ensnaring himself ever more tightly in what might be either a fantasist’s creation or a lethal international plot. Through an elegant existential game of cat and mouse, Chris Power’s A Lonely Man depicts an attempt to create art at the cost of empathy. Robert must decide what is his for the taking—and whether some stories are too dangerous to tell.

Originally published in 1962, The Lonely Life is legendary silver screen actress Bette Davis's lively and riveting account of her life, loves, and marriages--now in ebook for the first time, and updated with an afterword she wrote just before her death. As Davis says in the opening lines of her classic memoir: "I have always been driven by some distant music--a battle hymn, no doubt--for I have been at war from the beginning. I rode into the field with sword gleaming and standard flying. I was going to conquer the world." A bold, unapologetic book by a unique and formidable woman, The Lonely Life details the first fifty-plus years of Davis's life--her Yankee childhood, her rise to stardom in Hollywood, the birth of her beloved children, and the uncompromising choices she made along the way to succeed. The book was updated with new material in the 1980s, bringing the story up to the end of Davis's life--all the heartbreak, all the drama, and all the love she experienced at every stage of her extraordinary life. The Lonely Life proves conclusively that the legendary image of Bette Davis is not a fable but a marvelous reality.

First published in 1988, this book contains entries on famous American Humorists. Humor has been present in American literature, from the beginning, and has developed characteristics that reflect the American character, both regional and national. Although American literature was, in the past, treated as inferior to British literature, there has always been a large popular audience for the genre, which this book shows. The figures with entries in this encyclopedia not only amuse in their writing, but also aim to enlighten- setting out to expose the foibles and foolishness of society and the individuals who compose it. It is the manner in which these authors try to accomplish this end that determines whether they appear in the volume. Indeed, the book will demonstrate that the best humor has at its base, a ready understanding of human nature.

“What does it mean to be lonely?” Thomas Dumm asks. His inquiry, documented in this book, takes us beyond social circumstances and into the deeper forces that shape our very existence as modern individuals. The modern individual, Dumm suggests, is fundamentally a lonely self. Through reflections on philosophy, political theory, literature, and tragic drama, he proceeds to illuminate a hidden dimension of the human condition. His book shows how loneliness shapes the contemporary division between public and private, our inability to live with each other honestly and in comity, the estranged forms that our intimate relationships assume, and the weakness of our common bonds. A reading of the relationship between Cordelia and her father in Shakespeare’s King Lear points to the most basic dynamic of modern loneliness—how it is a response to the problem of the “missing mother.” Dumm goes on to explore the most important dimensions of lonely experience—Being, Having, Loving, and Grieving. As the book unfolds, he juxtaposes new interpretations of iconic cultural texts—Moby-Dick, Death of a Salesman, the film Paris, Texas, Emerson’s “Experience,” to name a few—with his own experiences of loneliness, as a son, as a father, and as a grieving husband and widower. Written with deceptive simplicity, Loneliness as a Way of Life is something rare—an intellectual study that is passionately personal. It challenges us, not to overcome our loneliness, but to learn how to re-inhabit it in a better way. To fail to do so, this book reveals, will only intensify the power that it holds over us.

The son of writer and satirist Bruce Jay Friedman, Kipp Friedman, wrote a memoir about growing up and getting into hi-jinx on both coasts with his brothers Drew and Josh Friedman (both famous in their own right): with appearances by mobster Joe Gallo, Groucho Marx, and others. Whether shooting pool with the mobster Crazy Joey Gallo, attending a dinner party hosted by an aged but remarkably spry Groucho Marx, or simply playing doctor with a classmate in the former estate of F. Scott Fitzgerald, Kipp Friedman led a colorful childhood. The youngest son of celebrated writer and satirist Bruce Jay Friedman, Kipp looks back fondly on the amusing and sometimes confusing events and encounters that helped shape his early life in this moving tribute to growing up among a family of creative artists―swept up in the whirlwind of the New York arts scene of the 1960s and ’70s. Follow Kipp’s exploits as bystander and willing participant as he joins older brothers Josh (writer and musician) and Drew (renowned cartoonist and illustrator) as three musketeers on a youthful quest to discover the scariest low-budget horror movies along 42nd Street and Times Square. Delight in their search for classic comic books, monster magazines (and the occasional “nudie” magazine) at their beloved, dingy “Back-Issue Store” in midtown Manhattan. Encounter his family’s bizarre Cold War-like relationship with their new neighbors in an updated suburban Jewish version of the Hatfields vs. the McCoys. Witness their Marx Brothers-like antics while on an all-expenses-paid junket at the Beverly Hills Hotel courtesy of CBS. The stage shifts from New York City to the Caribbean to the suburbs of Long Island, and from the South of France to Broadway and Hollywood as Kipp retraces his family’s defining moments―with the backdrop of his father’s meteoric rise from editor of men’s adventure magazines to successful novelist, playwright, and screenwriter. Through it all, Kipp paints a loving portrait of a childhood and family life that is both magical and yet familiar and real. Barracuda in the Attic is truly a family affair, written by Kipp, with a cover illustration by Drew Friedman, an introduction by paterfamilias Bruce Jay Friedman, and an afterword by Josh Friedman, and is copiously illustrated with photos of the family and their literati friends and hangers-on.

In October 2011, Jeff Ragsdale, a down-and-out actor and stand-up comedian, posted a flyer around Lower Manhattan asking people to call him if they wanted to talk. He thought he'd get a dozen calls; instead he got hundreds, and then thousands once pictures of the flyer went viral on the net. The calls came from all over the country and from as far away as Spain, Saudi Arabia, Iraq, Taiwan, and Australia. Jeff spoke to as many people as he could, answering his phone all day long. Here are the conversations, texts, and voicemails of a particular moment in time - a hilarious, dark, intimate portrait of the way we live now. "OMG I love this It's so Russian - very reminiscent of the Chekhov story 'Complaint Book' (entries in a complaint book at the railway station)." - Elif Batuman, Author of The Possessed "With Reality Hunger, David Shields offered us a manifest, yet unlike most manifestoes, Reality Hunger actually changed the world. Here, by teaming up with Ragsdale and Logan, Shields has now embodied his ethos - we have crossed over the threshold and are now strangely, terrifyingly, beautifully - in this transformed world." - Nick Flynn, Author of Another Bullshit Night in Suck City