The Long Journey To Glory

The Long Journey to Glory My Side of the Jacksons' Story seeks to finally set the record straight as to who discovered Michael Jackson and the Jackson 5. The book describes the truth about the real beginning of the Jackson singing group and Michael and their climb to fame. It will include the story of the Jacksons, from the family's very meager beginning in Gary, Indiana, like it has never before been told. We learn more about Joe, the father, and also the neighborhood he chose to live in. There are details surrounding the neighborhood, the little community's Little League baseball teams, the long days of practicing their music in the basement of a neighbor's home, the deceptive maneuvers used by Tito Jackson to develop his guitar-playing skills, and finally, the events surrounding the talent show at Gary's Roosevelt High School that introduced the Jacksons. The story is told by the original unknown member and leader of the group. The Jacksons continue to perform to this day. Although refined by experience and technology, the act has not essentially changed from its inception. In the early days, no one except their families knew about their rehearsals. They couldn't practice together at Joe's house, but they did practice at Reynaud's house. Since they were using his basement and he was the oldest, he automatically made himself the leader. They decided they would surprise Joe with their progress. Before then, the Jackson family wasn't charismatic to the neighbors. The neighborhood was booming with children, and the majority of them laughed teasingly at the Jacksons. There were nine Jackson children at the time living in a two-bedroom basement less house with their parents.

The Long Journey to Glory My Side of the Jacksons' Story seeks to finally set the record straight as to who discovered Michael Jackson and the Jackson 5. The book describes the truth about the real beginning of the Jackson singing group and Michael and their climb to fame. It will include the story of the Jacksons, from the family's very meager beginning in Gary, Indiana, like it has never before been told. We learn more about Joe, the father, and also the neighborhood he chose to live in. There are details surrounding the neighborhood, the little community's Little League baseball teams, the long days of practicing their music in the basement of a neighbor's home, the deceptive maneuvers used by Tito Jackson to develop his guitar-playing skills, and finally, the events surrounding the talent show at Gary's Roosevelt High School that introduced the Jacksons. The story is told by the original unknown member and leader of the group. The Jacksons continue to perform to this day. Although refined by experience and technology, the act has not essentially changed from its inception. In the early days, no one except their families knew about their rehearsals. They couldn't practice together at Joe's house, but they did practice at Reynaud's house. Since they were using his basement and he was the oldest, he automatically made himself the leader. They decided they would surprise Joe with their progress. Before then, the Jackson family wasn't charismatic to the neighbors. The neighborhood was booming with children, and the majority of them laughed teasingly at the Jacksons. There were nine Jackson children at the time living in a two-bedroom basement less house with their parents.

Art historians have often minimized the variety and complexity of seventeenth-century Spanish painting by concentrating on individual artists and their works and by stressing discovery of new information rather than interpretation. As a consequence, the painter emerges in isolation from the forces that shaped his work. Jonathan Brown offers another approach to the subject by relating important Spanish Baroque paintings and painters to their cultural milieu. A critical survey of the historiography of seventeenth-century Spanish painting introduces this two-part collection of essays. Part One provides the most detailed study to date of the artistic-literary academy of Francisco Pacheco, and Part Two contains original studies of four major painters and their works: Las Meninas of Velázquez, Zurbarán's decoration of the sacristy at Guadalupe, and the work by Murillo and Valdés Leal for the Brotherhood of Charity, Seville. The essays are unified by the author's intention to show how the artists interacted with and responded to the prevailing social, theological, and historical currents of the time. While this contextual approach is not uncommon in the study of European art, it is newly applied here to restore some of the diversity and substance that Spanish Baroque painting originally possessed.

Reverend Steer McAlilly accepts the pastorate of Morning Glory Presbyterian, a sizeable country church, in hopes that he and his wife, Tanya, might escape the bondage of their old selves. He is a recovering alcoholic and benny popper who fantasizes about driving a racecar. She is a stripper whom Steer rescues from the nightlife with promises of middle-class contentment and Christian bliss. Their new start, born out of their love of Christ and each other, is a true miracle-until Steer falls into the first great sin he's committed in a long while: a sexual indiscretion with a beautiful nineteen-year-old member of his congregation. The boundaries of love, forgiveness, and spiritual certainty are tested, torn, and put back together in unexpected ways as Steer rediscovers the holy revelations of Morning Glory's Long Lost Order of Worship. It has been said that Brian Agincourt Massey is a literary artist who "has gifts other writers do not." His prose has been called "versatile," "hard-bitten, yet fluid and poetic," and "superb," with dialogue that is "top-notch energetic." That the purveyors of these accolades range from New York editors and agents to fellow novelists to L.A. screenwriters attests to Massey's broad appeal.

Often in our life journeys we wrestle with intense struggles. Fears and frustrations sometimes wrestle with inner peace and joy. Each day we find ourselves endeavoring to put on masks that cover our inner pain. Many times we find that we are unable to express our feelings to significant others. Dr. Joan Harrington has spent many years in her personal life journey of ministry among those who have experienced deep sadness and intense struggles. She has used poetry as her own heart expression of these struggles. In her poems, Dr. Joan has expressed these emotional struggles in a way that the reader will identify with as his or her own struggles. This book of poems written over a span of 78 years will assist the reader in finding a way to his or her pain, happiness, faith, and other significant emotions in their own personal life journeys.

What if there was a place where everything wrong in your life could be fixed? Corporate trainer Jake Palmer coaches people to see deeper into themselves--yet he barely knows himself anymore. Recently divorced and weary of the business life, Jake reluctantly agrees to a lake-house vacation with friends, hoping to escape for ten days. When he arrives, Jake hears the legend of Willow Lake--about a lost corridor that leads to a place where one's deepest longings will be fulfilled. Jake scoffs at the idea, but can't shake a sliver of hope that the corridor is real. And when he meets a man who mutters cryptic speculations about the corridor, Jake is determined to find the path, find himself, and fix his crumbling life. But "fixing things" is rarely that simple, and Jake's journey to healing will become more treacherous with each step he takes. Includes discussion questions for book clubs Christy Award winner for Best Visionary Novel in 2017 Standalone novel