The Long March Home An American Soldier S Life As A Nazi Slave Laborer

Newly enlisted in the Army during World War II, 21-year-old Bob Max soon found himself recruited into the Fort Dix Swing Band to play alongside some of the top musicians in the country--sidemen who performed with the big bands of Tommy Dorsey, Les Brown, Harry James, and Benny Goodman. Bob was thrilled. One day his name appeared on a list of recruits to be shipped out for basic training, preparation for ultimate combat. Bandleader Jack Leonard arranged for the order to be set aside, but feeling the call of duty, Bob chose to ship out anyway. He told Jack that he expected to back with the band someday. "Kid," Jack said, "you leave now and you're not ever coming back..."

The honest account of one prisoner-of-war's struggle to survive through five years of Nazi imprisonment. An essential book for readers of Horace Greasley, Alistair Urquhart and Heather Morris. On a cold May morning in 1940, Adrian Vincent arrived in France with his battalion. His war didn't last long. Within five days the Siege of Calais was over and nearly all his comrades were killed, wounded or, like him, taken prisoner. After a brutal journey across the breadth of Germany, Vincent and his fellow survivors began their life in Stalag VIIIB, set to work in terrible conditions down a Polish mine. For the next five years they waged a war not against enemy soldiers, but instead versus monotony, disease, cruelty, starvation and hopelessness. "The most honest prisoner-of-war story I have read in the last ten years." Leicester Mercury "Mr. Vincent has the admirable intention of entertaining the reader, and this he does very successfully. His style is deft and concise. He has a nice wit and his characters emerge as life-like and life-size figures" Times Literary Supplement "Vincent tells his story with humour, sympathy and observation." The Sphere The Long Road Home is a remarkably truthful memoir of what it was like to be a prisoner during the Second World War. Vincent does not portray himself or his comrades as heroes, but instead what they really were: survivors.

In February of 1945, 350 American POWs, selected because they were Jews, thought to resemble Jews or simply by malicious caprice, were transported by cattle car to Berga, a concentration camp in eastern Germany. Here, the soldiers were worked to death, starved and brutalized; more than twenty percent died from this horrific treatment. This is one of the last untold stories of World War II, and Roger Cohen re-creates it in all its blistering detail. Ground down by the crumbling Nazi war machine, the men prayed for salvation from the Allied troops, yet even after their liberation, their story was nearly forgotten. There was no aggressive prosecution of the commandants of the camp and the POWs received no particular recognition for their sacrifices. Cohen tells their story at last, in a stirring tale of bravery and depredation that is essential for any reader of World War II history.

'Remarkable lives in extraordinary times - a gripping and exceptional literary journey.' Philippe Sands 'Alexander Wolff is keen, after a generation of silence, to follow the untold stories wherever they might lead.' Claire Messud, Harpers Magazine 'As riveting as the fiction the Wolffs themselves have published, and deeply affecting.' Newsweek In 2017, acclaimed journalist Alexander Wolff moved to Berlin to take up a long-deferred task: learning his family's history. His grandfather Kurt Wolff set up his own publishing firm in 1910 at the age of twenty-three, publishing Franz Kafka, Émile Zola, Anton Chekhov and others whose books would be burned by the Nazis. In 1933, Kurt and his wife Helen fled to France and Italy, and later to New York, where they would bring books including Doctor Zhivago, The Leopard and The Tin Drum to English-speaking readers. Meanwhile, Kurt's son Niko, born from an earlier marriage, was left behind in Germany. Despite his Jewish heritage, he served in the German army and ended up in an prisoner of war camp before emigrating to the US in 1948. As Alexander gains a better understanding of his taciturn father's life, he finds secrets that never made it to America and is forced to confront his family's complex relationship with the Nazis. This stunning account of a family navigating wartime and its aftershocks brilliantly evokes the perils, triumphs and secrets of history and exile.

On the murderous road to "racial purity" Hitler encountered unexpected detours, largely due to his own crazed views and inconsistent policies regarding Jewish identity. After centuries of Jewish assimilation and intermarriage in German society, he discovered that eliminating Jews from the rest of the population was more difficult than he'd anticipated. As Bryan Rigg shows in this provocative new study, nowhere was that heinous process more fraught with contradiction and confusion than in the German military. Contrary to conventional views, Rigg reveals that a startlingly large number of German military men were classified by the Nazis as Jews or "partial-Jews" (Mischlinge), in the wake of racial laws first enacted in the mid-1930s. Rigg demonstrates that the actual number was much higher than previously thought-perhaps as many as 150,000 men, including decorated veterans and high-ranking officers, even generals and admirals. As Rigg fully documents for the first time, a great many of these men did not even consider themselves Jewish and had embraced the military as a way of life and as devoted patriots eager to serve a revived German nation. In turn, they had been embraced by the Wehrmacht, which prior to Hitler had given little thought to the "race" of these men but which was now forced to look deeply into the ancestry of its soldiers. The process of investigation and removal, however, was marred by a highly inconsistent application of Nazi law. Numerous "exemptions" were made in order to allow a soldier to stay within the ranks or to spare a soldier's parent, spouse, or other relative from incarceration or far worse. (Hitler's own signature can be found on many of these "exemption" orders.) But as the war dragged on, Nazi politics came to trump military logic, even in the face of the Wehrmacht's growing manpower needs, closing legal loopholes and making it virtually impossible for these soldiers to escape the fate of millions of other victims of the Third Reich. Based on a deep and wide-ranging research in archival and secondary sources, as well as extensive interviews with more than four hundred Mischlinge and their relatives, Rigg's study breaks truly new ground in a crowded field and shows from yet another angle the extremely flawed, dishonest, demeaning, and tragic essence of Hitler's rule.

This companion novel to Skrypuch's Making Bombs for Hitler follows a boy who joins the underground Ukrainian resistance in the fight against Hitler. The Nazis took Luka from his home in Ukraine and forced him into a labor camp. Now, Luka has smuggled himself out -- even though he left behind his dearest friend, Lida. Someday, he vows, he'll find her again.But first, he must survive.Racing through the woods and mountains, Luka evades capture by both Nazis and Soviet agents. Though he finds some allies, he never knows who to trust. As Luka makes difficult choices in order to survive, desperate rescues and guerilla raids put him in the line of fire. Can he persevere long enough to find Lida again or make it back home where his father must be waiting for him?Marsha Forchuk Skrypuch, author of Making Bombs for Hitler, delivers another action-packed story, inspired by true events, of daring quests and the crucial decisions we make in the face of war.

The French painter Jean Hélion’s unique and deeply moving account of his experiences in Nazi prisoner-of-war camps prefigures the even darker stories that would emerge from the concentration camps. This serious adventure tale begins with Hélion’s infantry platoon fleeing from the German army and warplanes as they advanced through France in the early days of the war. The soldiers chant as they march and run, “They shall not have me!” but are quickly captured and sent to hard labor. Writing in English in 1943, after his risky escape to freedom in the United States, Hélion vividly depicts the sights, sounds, and smells of the camps, and shrewdly sizes up both captors and captured. In the deep humanity, humor, and unsentimental intelligence of his observations, we can recognize the artist whose long career included friendships with the likes of Mondrian, Giacometti, and Balthus, and an important role in shaping modern art movements. Hélion’s picture of almost two years without his art is a self-portrait of the artist as a man.