The Lost Literature Of Medieval England

Originally published in 1952 The Lost Literature of Medieval England provides an account of lost masterpieces of medieval English literature. The book examines the evidence for their existence and pieces together a fuller understanding of the literary traditions of the period. In more specific detail, the book looks at the concept of Christian epics and religious and didactic literature, as well as the drama and the lyrical poetry of the period.

Reproduction of the original: Medieval English Literature by W.P Ker

Originally published in 1939, Early Middle English Literature is a comprehensive overview of various aspects of early Middle English literature. The book examines authorship and provenance and the effect this had upon the literature of the period. This text examines literature from the period of 1066 to 1300 and addresses the transition between Old and Middle English and looks at the effect the transition of language during this period from Anglo-French to English, had on the literature of the time.

More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.

The essays collected here present the fruits of the most recent research on aspects of the history, politics and culture of England during the long' fourteenth century - roughly speaking from the reign of Edward I to the reign of Henry V. Based on a range of primary sources, they are both original and challenging in their conclusions. Several of the articles touch in one way or another upon the subject of warfare, but the approaches which they adopt are significantly different, ranging from an analysis of the medieval theory of self-defence to an investigation of the relative utility of narrative and documentary sources for a specific campaign. Literary texts such as Barbour's Bruce are also discussed, and a re-evaluation of one particular set of records indicates that, in this case at least, the impact of the Black Death of 1348-9 may have been even more devastating than is usually thought. Chris Given-Wilson is Professor of Late Mediaeval History at the University of St Andrews. Contributors: Susan Foran, Penny Lawne, Paula Arthur, Graham E. St John, Diana Tyson, David Green, Jessica Lutkin, Rory Cox, Adrian R. Bell

Arguing that outlaw narratives become particularly popular and poignant at moments of national ecological and political crisis, Sarah Harlan-Haughey examines the figure of the outlaw in Anglo-Saxon poetry and Old English exile lyrics such as Beowulf, works dealing with the life and actions of Hereward, the Anglo-Norman romance of Fulk Fitz Waryn, the Robin Hood ballads, and the Tale of Gamelyn. Although the outlaw's wilderness shelter changed dramatically from the menacing fens and forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, Harlan-Haughey observes that the outlaw remained strongly animalistic, other, and liminal. His brutality points to a deep literary ambivalence towards wilderness and the animal, at the same time that figures such as the Anglo-Saxon resistance fighter Hereward, the brutal yet courtly Gamelyn, and Robin Hood often represent a lost England imagined as pristine and forested. In analyzing outlaw literature as a form of nature writing, Harlan-Haughey suggests that it often reveals more about medieval anxieties respecting humanity's place in nature than it does about the political realities of the period.

The first full-length examination of the medieval Charlemagne tradition in the literature and culture of medieval England, from the Chanson de Roland to Caxton.