The Love Machine

The spectacular bestseller from the author of VALLEY OF THE DOLLS. In a time when steak, vodka, and Benzedrine were the three main staples of a healthy diet, when high-powered executives called each other “baby” and movie stars wore wigs to bed, network tycoons had a name for the TV set: they called it “the love machine.” But to supermodel Amanda, socialite Judith and journalist Maggie, “the love machine” meant something else: Robin Stone, “a TV-network titan around whom women flutter like so many moths…The novel deals with his rise and fall as he makes the international sex scene (orgying in London, transvestiting in Hamburg), drinks unlimited quantities and checks out the latest Nielsens.”—Newsweek “I READ IT IN ONE GREEDY GULP, ENJOYING EVERY MINUTE.”—Liz Smith “[Susann’s] pulp poetry resonates to this day. WITH HER FORMULA OF SEX, DRUGS, AND SHOW BUSINESS, Susann didn’t so much capture the tenor of her times as she did predict the Zeitgeist of ours.”—Detour

A best-friends-to lovers standalone romance from New York Times bestselling author Kendall Ryan. She says she needs some help ... in the bedroom. Come again? No, really come again. Sweet, nerdy, lovable Keaton. She's my best friend and has been for years. Sure she likes numbers and math, and thinks doing other people's taxes is fun. And I like ... none of that stuff. She's obsessed with her cat and reads novels I'll never understand, and yet we just click. There's no one I'd rather share breakfast burritos with or binge watch hours of Netflix. She's my person. And so when she takes off her glasses and asks me to help her improve her skills in the bedroom, I barely have to think about it. Of course I'll help her. There's no one better for the job. I've been there for her through everything, why should this be any different? But what happens when she's ready to take her new-found confidence and move on?

Montague Small, an obsessive writer of detective thrillers, mourns his lately dead wife, who may or may not have been unfaithful to him. His attempts at meditation are a failure. He detests his fictional detective. His interest in his neighbour's difficulties and his neighbour's wife appear to be his only consolations after all. The neighbour, Blaise Gavender, is an amateur psychotherapist who has seen through himself. Has Blaise the courage to change his life and become an honest man? What is honesty in any case? Blaise's wife Harriet lives for love, love of her husband, love of her son. She if fond of Monty too. Emily McHugh is quite another matter. She too lives for love: for love and justice and revenge, aided and incited by her ambiguous friend Constance Pinn. Emily's son Luca, a very disturbed child, becomes the subject of a tug of war between two possessive women. Edgar Demornay, a distinguished scholar, also blunders into the fray; he adores Monty and falls in love with Monty's women. A deed of violence finally solves many problems. This is a story of different loves; and of how a man may need two women in such a way that he can be happy with neither. Sacred and profane love are related opposites; the one enjoyed renders the other necessary, so that the ever unsatisfied heart swings constantly to and fro.

Teetering between the ridiculous and the sublime, The Wilds blends Southern gothic strangeness with dystopian absurdities, sci-fi speculations, and fairy-tale transformations. At an obscure South Carolina nursing home, a lost world reemerges as a disabled elderly woman undergoes newfangled brain-restoration procedures and begins to explore her environment with the assistance of strap-on robot legs. At a deluxe medical spa on a nameless Caribbean island, a middle-aged woman hopes to revitalize her fading youth with grotesque rejuvenating therapies that combine cutting-edge medical technologies with holistic approaches and the pseudo-religious dogma of Zen-infused self-help. And in a rinky-dink mill town, an adolescent girl is unexpectedly inspired by the ravings and miraculous levitation of her fundamentalist friend’s weird grandmother. These are only a few of the scenarios readers encounter in Julia Elliott’s debut collection The Wilds. In her genre-bending stories, Elliott blends Southern gothic strangeness with dystopian absurdities, sci-fi speculations with fairy-tale transformations. Teetering between the ridiculous and the sublime, Elliott’s language-driven fiction uses outlandish tropes to capture poignant moments in her humble characters’ lives. Without abandoning the tenets of classic storytelling, Elliott revels in lush lyricism, dark humor, and experimental play.

Contains 55 pictures! From 1970 to 1972, Barbara Leigh and Elvis Presley embarked on a torrid love affair from the moment they locked eyes. At the time, Leigh was a world-class model and actress whose looks and beauty embodied the naturalistic seventies and captured the Kings heart at the same time. Add to this mix an affair with the worlds number one box-office attraction, Steve McQueen, and president of MGM studios and the inspiration for Jacqueline Susans The Love Machine, Jim The Smiling Cobra Aubrey, and you have the decades steamiest love triangle. Leigh herself has a legion of fans in Hollywood and abroad. She is legendary among Presley fans and, over the years, has developed a cult following as she was the original Vampirella, a comic book character created by Forrest J. Ackerman. One of six children, Leigh was born Barbara Ann Kish on November 16, 1946, in Ringgold, Georgia. She was raised in a Miami orphanage since her mother could not afford to raise all six children alone. Married at 14 to her sisters ex-boyfriend, and a mother at 17, she moved to Los Angeles and found work as a doctors assistant. Divorced soon after, Leigh was encouraged by a boyfriend to pose for photos, which led to a successful and glamorous modeling career. That soon led to more than 50 national TV commercials and a burgeoning movie career that boasted 10 films, including the cult classic The Student Nurses, Sam Peckinpahs gentle Junior Bonner and Roger Vadims Pretty Maids All In a Row. By the time she turned 21, Barbara Leigh had already lived several lifetimes worth of experiences. Barbara Leigh resides in Los Angeles, California, but spends a good amount of her time traveling around the country, where she frequently appears as a guest at collectors conventions. Leigh currently is working with Marilyn Grabowski, the west coast editor for Playboy for the last 40 years. In her private time, Ms. Leigh is actively involved with Animal Rescue, a passion she takes very seriously. To reach Barbara Leigh, go to www.barbaraleigh.com. Writer Marshall Terrill resides in Mesa, Arizona, and is the author of five books, including the best-selling biography, Steve McQueen: Portrait Of An American Rebel (Donald I. Fine, 1993) Terrill is currently a reporter for Tribune Newspapers as well as a writing teacher at Mesa and Glendale Community Colleges in Phoenix, Arizona.

The spectacular bestseller from the author of VALLEY OF THE DOLLS. Once upon a time, the entertainment industry was a world that never slept. Magazine editors, models, pop stars and all the rest visited “vitamin doctors” to get the shots that would allow them to stay up all night and then work all day—in offices decorated with beanbag chairs and Calderesque mobiles… In this world, January Wayne goes from poor-little-rich-girl to grown-up swinger, as she searches New York and Los Angeles for a guy just like Mike Wayne, the glamorous movie producer, who also happens to be her father… “SPECTACULARLY SUCCESSFUL. There are plane crashes, drug orgies, motorcycle accidents, mass rapes, attempted abortions, suicide, evil doctors and other assorted activities; and I couldn’t put the damned thing down.” —Library Journal “[Susann’s] pulp poetry resonates to this day. WITH HER FORMULA OF SEX, DRUGS, AND SHOW BUSINESS, Susann didn’t so much capture the tenor of her times as she did predict the Zeitgeist of ours.”—Detour

The machine as a social movement of today's “precariat”—those whose labor and lives are precarious. In this “concise philosophy of the machine,” Gerald Raunig provides a historical and critical backdrop to a concept proposed forty years ago by the French philosophers Félix Guattari and Gilles Deleuze: the machine, not as a technical device and apparatus, but as a social composition and concatenation. This conception of the machine as an arrangement of technical, bodily, intellectual, and social components subverts the opposition between man and machine, organism and mechanism, individual and community. Drawing from an unusual range of films, literature, and performance—from the role of bicycles in Flann O'Brien's fiction to Vittorio de Sica's Neorealist film The Bicycle Thieves, and from Karl Marx's “Fragment on Machines” to the deus ex machina of Greek drama—Raunig arrives at an enhanced conception of the machine as a social movement, finding its most apt and concrete manifestation in the Euromayday movement, which since 2001 has become a transnational activist and discursive practice focused upon the precarious nature of labor and lives.

Andra wakes up from a cryogenic sleep 1,000 years later than she was supposed to, forcing her to team up with an exiled prince to navigate an unfamiliar planet in this smart, thrilling sci-fi adventure, perfect for fans of Renegades and Aurora Rising. When Andra wakes up, she's drowning. Not only that, but she's in a hot, dirty cave, it's the year 3102, and everyone keeps calling her Goddess. When Andra went into a cryonic sleep for a trip across the galaxy, she expected to wake up in a hundred years, not a thousand. Worst of all, the rest of the colonists--including her family and friends--are dead. They died centuries ago, and for some reason, their descendants think Andra's a deity. She knows she's nothing special, but she'll play along if it means she can figure out why she was left in stasis and how to get back to Earth. Zhade, the exiled bastard prince of Eerensed, has other plans. Four years ago, the sleeping Goddess's glass coffin disappeared from the palace, and Zhade devoted himself to finding it. Now he's hoping the Goddess will be the key to taking his rightful place on the throne--if he can get her to play her part, that is. Because if his people realize she doesn't actually have the power to save their dying planet, they'll kill her. With a vicious monarch on the throne and a city tearing apart at the seams, Zhade and Andra might never be able to unlock the mystery of her fate, let alone find a way to unseat the king, especially since Zhade hasn't exactly been forthcoming with Andra. And a thousand years from home, is there any way of knowing that Earth is better than the planet she's woken to?