The Lyrical Theology Of Charles Wesley Expanded Edition

Revised with Comprehensive Scriptural Index to Wesley's Poetry The theology of Charles Wesley is expressed primarily in hymns and sacred poems-that is, in a literary and liturgical form of art. Wesley's theological concerns, as seen through his hymns and poems, include inquiries into the meaning of the church's sacred rites, festivals, and seasons (Holy Communion, Baptism, Advent, Christmas, Easter, Ascension, Pentecost), and a host of other theological concerns, such as conversion, sanctification, perfection, holiness, grace, and love. These theological concerns are spread throughout his repertory of over 9,000 hymns and poems. There are two primary purposes of this volume: first, to prepare the reader to read Wesley's poetry, given the plethora of literary, theological, and societal influences on his thought and writing; and second, to bring together a collection of his hymns and sacred poems that are representative of his theological perspectives. Thereby the reader is given the opportunity to become better equipped to grasp the meaning of Wesley's profound lyrical theology and its implications for contemporary theology and life.

The theological concerns of Charles Wesley are expressed primarily through his repertory of over 9,000 hymns and sacred poems. They include inquiries into the meaning of the Church's sacred rites, festivals, and seasons (e.g., Holy Communion, Baptism, Advent, Christmas, Easter, Ascension, Pentecost) and a host of other concerns, such as conversion, sanctification, perfection, holiness, grace, and love. This volume prepares the reader to read Wesley's poetry, showing the plethora of literary, theological,and societal influences on his thought and writing; and brings together a collection of hymns and sacred poems that are representative of his theological perspectives. The reader is given the opportunity to become better equipped to grasp the meaning of Wesley's profound lyrical theology and its implications for contemporary theology and life.

Revised with Comprehensive Scriptural Index to Wesley's PoetryThe theology of Charles Wesley is expressed primarily in hymns and sacred poems-that is, in a literary and liturgical form of art. Wesley's theological concerns, as seen through his hymns and poems, include inquiries into the meaning of the church's sacred rites, festivals, and seasons (Holy Communion, Baptism, Advent, Christmas, Easter, Ascension, Pentecost), and a host of other theological concerns, such as conversion, sanctification, perfection, holiness, grace, and love. These theological concerns are spread throughout his repertory of over 9,000 hymns and poems.There are two primary purposes of this volume: first, to prepare the reader to read Wesley's poetry, given the plethora of literary, theological, and societal influences on his thought and writing; and second, to bring together a collection of his hymns and sacred poems that are representative of his theological perspectives. Thereby the reader is given the opportunity to become better equipped to grasp the meaning of Wesley's profound lyrical theology and its implications for contemporary theology and life.

In 1736, a century into Britain's expansion in North America, Charles Wesley arrived, and departed, the American colonies. His time in Georgia, where he was a missionary of the Church of England, Colonel Oglethorpe's personal aide, and secretary of Indian Affairs, was filled with discord and difficulty. Despite being treated warmly by the Anglican clergy of Boston, he struggled as a newly ordained Anglican priest, and was enveloped by scandal when two women accused him and Oglethorpe of moral impropriety. Charles Wesley in America is the first comprehensive treatment of this period in Wesley's ministry. Kimbrough provides the first explanation of Wesley's silence following the Oglethorpe affair, and also examines his negative attitudes towards the Revolutionary War and nascent opposition to slavery. Drawing on primary sources such as Wesley's poetry and a rare letter exchange between two former slaves whom Wesley befriended in Bristol, Kimbrough gives fresh insight into this formative period and the impact it had on Wesley's later career.

Hymns and the music the church sings are tangible means of expressing worship. And while worship is one of, if not the, central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is an introductory textbook in three volumes describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers that have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Each chapter contains five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The missions of Hymns and Hymnody are to provide biographical data on influential hymn writers for students and interested laypeople, and to provide a theological analysis of what the cited composers have communicated in the theology of their hymns. It is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect is missing in accessible formats for the current literature.

The present collection of essays examines specific texts by Charles Wesley in multiple dimensions (theological, poetical, historical, biographical, etc.), demonstrating both the profound nature of the hymns and their continued relevance for Christians today. The discussions are organized by theological/liturgical topics, and each essay treats us to the hymn in its complete original form (noting significant variants as necessary), explains the historical context of its composition, provides a theological interpretation, and relates it to the life and faith of the believer. In the pages of this book, the reader will find both information and inspiration. Scholars of hymnody and of Charles Wesley will appreciate the depth of inquiry in the chapters. Just as importantly, laypersons and hymn lovers (as well as scholars) will find much spiritual benefit from the study of hymns they know and love, as well as texts with which they may be less familiar. This exploration of these profound hymns will surely lead to a deeper understanding of the “amazing love” responsible for changing the course of Charles Wesley’s life, who in turn changed the course of Christian worship. With contributions from: Steve Weaver Jonathan A. Powers Patrick A. Eby Christopher P. McFadden C. Michael Hawn Josh Dear Joe Harrod Paul W. Chilcote Roger D. Duke Michael A.G. Haykin Margaret Garrett Jim Scott Orrick

Charles Wesley’s Journal is crucial to an understanding of the beginnings of the Wesleyan/Methodist movement. As a primary record of one of the founders of the Wesleyan/Methodist movement, Charles Wesley’s Journal is crucial to an understanding of the beginnings of that movement. It is an indispensable interpretive companion to John Wesley’s Journal, diaries, and letters. Since it provides essential background to the context of Charles Wesley’s lyrical theology expressed in sacred poetry, it is likewise essential for anyone who wants to understand the context out of which Wesleyan theology, worship, spirituality, hymnody, and conferencing emerged. For a church or movement which avers that “it sings its theology,” Charles Wesley’s Journal is an imperative. This volume is part of a series dedicated to providing a complete and accurate published collection of Charles Wesley’s manuscript items beyond his sermons and verse. The various items in the series constitute crucial primary texts for studying Wesley’s life, his ministry, and his increasingly contentious position within Methodism in his later years. The first two volumes of the series were devoted to Charles Wesley’s Manuscript Journal, a single-bound item held at the Methodist Archives and Research Centre. The present volume gathers a number of scattered items (the majority also held at MARC), many of which are earlier—and more complete—drafts of material in the Manuscript Journal. The third major component of the series is the publication of all of Charles Wesley’s surviving personal correspondence, which is replete with material of biographical and larger historical interest. This second edition adds journal letters and records from December 1716–January 1717 (Accounts of “Old Jeffrey”) and May 12–June 14, 1746. Praise for the First Edition “It’s a great day in the life of a student of the Wesleys when we get a fresh volume of material scarcely known to previous generations. So it is with this collection of Charles Wesley’s journal letters from the period 1738–1756 and similar letters up to 1778 that describe his sons’ musical careers and in fact reveal a great deal about his life. This will be relished by all concerned with the heritage of the Wesleys, and we’re especially blessed to have it in a very well annotated critical edition.”—Ted A. Campbell, Professor of Church History, Perkins School of Theology, Southern Methodist University, Dallas, TX “The publication of Charles Wesley’s Journal Letters helps expand our knowledge of his life and ministry and enrich our understanding of the wider evangelical revival. This is an essential text for scholars of early Methodism edited by renowned experts in the field.” —Geordan Hammond, Senior Lecturer in Church History and Wesley Studies and Director of the Manchester Wesley Research Centre, Nazarene Theological College, Manchester, UK