Freaky Crush

Poet Parker is living a new reality now that she knows what she is. Unfortunately for her, she still doesn't know what she can do ... and she doesn't think she's going to figure it out in Little Rock, Arkansas. Since her uncle Sidney is in tow, Poet is hopeful for a quiet week. Little Rock has never been a hotbed of activity. Quiet isn't what she gets, however. What started as an irritation on the pedestrian bridge turns into a full-blown attack. It seems Little Rock has a seedy underbelly after all, and it's something Poet was never expecting. There's a craven on the loose, a woman who can control actions and emotions ... and she's set her sights on Kade. The craven has a specific type, and Kade fits it to a tee. Unfortunately for him, the craven's victims all end up dead. Poet is determined to keep her loved ones safe, but it's proving to be more difficult than she anticipated. With half her army vulnerable to the craven, Poet has to fight her own people, even as she desperately tries to protect them at the same time. Poet's new powers are necessary for the fight, but is she ready to embrace them? When the loas join the party and make things worse-because that's what they do-things spiral. It's up to Poet to fix what's been broken. That is if she can.

Freaky in Fresno Educator's Guide is a companion to Freaky in Fresno by Laurie Boyle Crompton. This guide can be utilized in the classroom, in a home school setting, or by parents seeking additional resources. Ideal for grades 7-12.

An innovative and unique play collection that examines the relationship between writer, audience and performer and their combined incorporation into the theatrical event. Written (and occasionally performed) by Rob Drummond in collaboration with director David Overend, this play collection is a record of a long-term artistic partnership. From the award-winning magic of Bullet Catch (the Arches, 2012), to the audience votes The Majority (Royal National Theatre, 2017), these play texts open up a space for improvisation and participation, and a range of responses and reactions from the audience. The collection includes four previously unpublished scripts along with up-to-date versions of their most successful productions. With introductory essays and in-text commentary by both the writer and director, this is a valuable resource for practitioners, students, and scholars of contemporary British and Scottish theatre.

The story behind the bottle, First Big Crush is Eric Arnold's wild account of his year immersing himself in all things wine...and somehow not winding up in rehab. Never having held a meaningful job for very long (and getting fired from most of them), Eric Arnold heads to New Zealand -- to Allan Scott Wines -- seeking adventure and hoping to learn a little bit about wine. What could be better than working outside in the fresh air and drinking wine all day? Before he knows it, he is dirty, wet, cold, and at the mercy of a tank of wine that just might explode and take him with it. So begin Eric's adventures in the world of wine. He gets sunburned, sore, and drunk -- and then does it all over again the next day. First Big Crush is a story that is as outrageous as it is compelling. Here are tales of first pressings, pruning, and tasting competitions. There are also rowdy nights at the local pub, girls, meat pies, girls, rugby, and tales of hunting wild pig. Along the way, each step of the winemaking process is explained in a way that humans can actually understand. Almost against his will, Eric becomes an expert.

In April Asher’s next Supernatural Singles novel, Not Your Crush's Cauldron, a buttoned-up witch takes a stroll on the wildish side, sparking an alert that lands her a familiar Guardian Angel. Olive Maxwell much prefers teaching about the Supernatural world to taking part in it and leaves the magical shenanigans to her two sisters. After assigning her college students a project designed to nudge them outside their comfort zones, Olive realizes she’s never once stepped a toe out of her own . . . and it’s about time that changed. Her first trip into the unknown? Moving in with her longtime crush and friend . . . tattooed, motorcycle-riding, and pleasantly pierced Baxter Donovan. Bax Donovan, Guardian Angel not-so-extraordinaire, has acquired so many black marks on his record it looks like a Scantron test. He’s been given one last chance to keep his Guardian wings—a high-profile Assignment he knows all too well. Olive is usually as low-risk as it gets. Hell, she wrote the safety manual. But something landed her on the Guardian Angel Affairs radar, and he guesses it has something to do with the heart-pounding stunts she’s determined to check off her Dare I Docket list. Keeping Olive out of trouble is about to be his toughest Assignment. He’s at real risk of shattering the only Guardian Angel code of conduct rule he’s yet to break: Don’t fall in love with your Assignment. And he isn’t so sure that’s a bad thing. If love doesn’t play by the rules, why should they?

Could Whippet be developing his own comic superpower? The boys are heading off to the woods for an Explorers' Camp weekend. They'd rather be at home reading comics, but it should take their minds off the super-weird events of two weeks ago. They haven't seen Lucy since their destruction of the Snotticus, and Mossy's superpower hasn't worked since then either, so maybe it's time to move on. Lake Shore must be monster-free now! Anyway, with caveman-like Ted Recks (AKA "T Rex") as camp leader the boys will be more than safe this weekend, right? Luckily for Simon & Whippet help is closer than they think, and their combined talent for Telling and Drawing stories is about to come in very handy indeed. With out-of-this-world artwork by Jan Bielecki, FREAKY & FEARLESS is a fun-filled series like no other!