The Mad The Bad And The Innocent

Into the heart of a killer The Mad Over the past twenty years, renowned forensic psychologist Barbara Kirwin has confronted a terrifying lineup of murderers, rapists, paranoids, and psychopaths--including notorious serial killer Joel Rifkin--to distinguish the truly mad from the bad trying to cop an insanity plea. The Bad Here, in chilling detail, she recalls her most grisly cases and offers riveting psychological portraits of other infamous killers, including "Son of Sam" David Berkowitz, Colin Ferguson, Ted Bundy, Jeffrey Dahmer, the Menendez brothers, Susan Smith, and John W. Hinckley, Jr. The Innocent Moving from prison holding cells to sensational courtroom trails, Kirwin tells the truth about the insanity defense and its abuse by criminal lawyers conjuring up outrageous defenses--from adopted child syndrome to postpartum psychosis to sleepwalking. As she pries open the criminal mind, Kirwin takes us on a riveting journey into the heart of darkness, where madness and evil thrive.

A stinging critique of the American legal system's abuse of the insanity defense.

A cutting-edge text that provides a comprehensive introduction to mental health problems and criminal behaviour, this book explores the link between mental health and criminality and considers the most common and effective therapeutic approaches for working with offenders and victims of crime. · Part 1 explores the predominant tensions between forensic and therapeutic agendas; · Part 2 considers how criminal and ‘insane’ identities and careers may be considered gendered, classed, culturally and age-dependent experiences, and be related to power and oppression; · Part 3 examines issues around sex and sexuality in forensic and therapeutic settings; · Part 4 introduces a range of therapeutic approaches for working with offenders and victims of crime; · Part 5 covers forensic and therapeutic practices, including programmes for the prevention of both mental health issues and offending. Edited by an expert team from the Open University and written by a broad range of contributors, this book draws on a wealth of experience in this popular subject area. It will be a key text for students of forensic psychology, counselling and psychotherapy, and for health and social care professionals working in therapeutic and forensic settings.

Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.

In a violent 19th century, desperate attempts by the alienists - a new wave of 'mad-doctor' - brought the insanity plea into Victorian courts. Defining psychological conditions in an attempt at acquittal, they faced ridicule, obstruction - even professional ruin - as they strove for acceptance and struggled for change. It left 'mad people' hanged for offenses they could not remember, and bad people freed on unscrupulous pleas.Written in accessible language, this book - unlike any before it - retells twenty-five cases, from the renowned to obscure, including an attempt to murder a bemused Queen Victoria; the poisoner Dove and the much-feared magician; the kings former wet-nurse who slaughtered six children; the worst serial killer in Britainand more.A Who's Who introduces the principal players - lifesaving medics, like Maudsley and Bucknill; intransigent lawyers like Bramwell and Parke., while a convenient Glossary of terms and conditions: ranging from Insane on Arraignment to Her Majestys Pleasure, Ticket of Leave to Burden of Proof, helps to explain the outcomes of the cases.Insanity Conditions presents, in glossary format, the diagnosed maladies put forward in court. Rarely accepted, more often rejected, by those keen on justice in its traditional form. A History of Debate explains the titular subject - through graspable language and a window in time. How the ones found 'not guilty on the grounds of insanity' were curiously handled in Victorian law.A chapter devoted to madness and women - from hysteria to murder, monthly madness to crime. Raising opportune questions about the issue of gender, and exposing the truths of a masculine world.

Sponsored by the Communication, Information Technologies, and Media Sociology section of the American Sociological Association (CITAMS), this volume features social science research that examines the practices, patterns and messages related to representations of crime in mass media around the world.

This book looks at developing the capacity to apply poststructuralism in a setting where other discourses are dominant. It focuses on working both with students categorized as 'emotionally/behaviourally disordered' and their teachers in the context of a

An NYRB Classics Original Winner of the French-American Foundation Translation Prize for Fiction Michel Hartog, a sometime architect, is a powerful businessman and famous philanthropist whose immense fortune has just grown that much greater following the death of his brother in an accident. Peter is his orphaned nephew—a spoiled brat. Julie is in an insane asylum. Thompson is a hired gunman with a serious ulcer. Michel hires Julie to look after Peter. And he hires Thompson to kill them. Julie and Peter escape. Thompson pursues. Bullets fly. Bodies accumulate. The craziness is just getting started. Like Jean-Patrick Manchette’s celebrated Fatale, The Mad and the Bad is a clear-eyed, cold-blooded, pitch-perfect work of creative destruction.