The Madwomen Of Paris

EDGAR AWARD FINALIST • “Epstein’s page-turning historical novel—an indictment of the medical establishment’s manipulation of women—remains eerily relevant and timely.”—Fiona Davis, New York Times bestselling author of The Spectacular Two women fall under the influence of a powerful doctor in Paris’s notorious nineteenth-century women’s asylum—a gripping novel inspired by true events, from the bestselling author of Wunderland. After being dragged into the Salpêtrière asylum screaming, covered in blood, and suffering from amnesia, Josephine is diagnosed with what the nineteenth-century Parisian press has dubbed “the epidemic of the age”: hysteria. It’s a disease so uniquely baffling that Jean-Martin Charcot, the Salpêtrière’s acclaimed director, devotes popular lectures to it, using hypnosis to elicit fits and fantastical symptoms in front of rapt audiences. Young, charismatic, and highly susceptible to this entrancement, Josephine quickly becomes a favorite of the powerful doctor and the Parisian public alike. But her true ally at the Salpêtrière is Laure, a lonely ward attendant. As their friendship blossoms into something more, the two women find comfort and even joy together despite their bleak surroundings. Soon, Josephine’s memory returns, and with it images of a gruesome crime she’s convinced she’s committed. Ensnared in Charcot’s hypnotic web, she starts spiraling into seeming insanity, prompting a terrified Laure to plot their escape together. First, though, Laure must solve a grim mystery: Who, really, is the girl she’s grown to love? Is Josephine a madwoman . . . or a murderer? Inspired by true events, expertly researched, and masterfully written, The Madwomen of Paris is a Gothic saga for the ages with themes that remain hauntingly resonant today.

Reid (history, U. of NC Chapel Hill) emphasizes the human story of sewers--politics, sanitation, labor. The engineering of Parisian sewers occupies some 85 pages (lacking a single map). Good book. Annotation copyrighted by Book News, Inc., Portland, OR

Paris and the Musical explores how the famous city has been portrayed on stage and screen, investigates why the city has been of such importance to the genre and tracks how it has developed as a trope over the 20th and 21st centuries. From global hits An American in Paris, Gigi, Les Misérables, Moulin Rouge! and The Phantom of the Opera to the less widely-known Bless the Bride, Can-Can, Irma la Douce and Marguerite, the French capital is a central character in an astounding number of Broadway, Hollywood and West End musicals. This collection of 18 essays combines cultural studies, sociology, musicology, art and adaptation theory, and gender studies to examine the envisioning and dramatisation of Paris, and its depiction as a place of romance, hedonism and libertinism or as ‘the capital of the arts’. The interdisciplinary nature of this collection renders it as a fascinating resource for a wide range of courses; it will be especially valuable for students and scholars of Musical Theatre and those interested in Theatre and Film History more generally.

THE STORY: The play is a kind of poetic and comic fable set in the twilight zone of the not-quite-true. At the Cafe Chez Francis, a group of promoters plot to tear up Paris in order to unearth the oil which a prospector believes he has located in t

A New York Times best historical novel of the year, adapted as a major film for Amazon Prime, this feminist literary thriller is set in Paris's infamous Salpêtrière asylum—now in paperback The Salpêtrière Asylum: Paris, 1885. Dr. Charcot holds all of Paris in thrall with his displays of hypnotism on women who have been deemed mad and cast out from society. But the truth is much more complicated—these women are often simply inconvenient, unwanted wives, those who have lost something precious, wayward daughters, or girls born from adulterous relationships. For Parisian society, the highlight of the year is the Lenten ball—the Mad Women’s Ball—when the great and good come to gawk at the patients of the Salpêtrière dressed up in their finery for one night only. For the women themselves, it is a rare moment of hope. Genevieve is a senior nurse. After the childhood death of her sister Blandine, she shunned religion and placed her faith in both the celebrated psychiatrist Dr. Charcot and science. But everything begins to change when she meets Eugénie, the 19-year-old daughter of a bourgeois family that has locked her away in the asylum. Because Eugénie has a secret: she sees spirits. Inspired by the scandalous, banned work that all of Paris is talking about, The Book of Spirits, Eugénie is determined to escape from the asylum—and the bonds of her gender—and seek out those who will believe in her. And for that she will need Genevieve's help . . .