The Making Of Modern Poetry In Canada

The Making of Modern Poetry in Canada gathers together primary literary documents including manifestos, reviews, critical essays, and recollections to illustrate the most significant developments in the rise of modernist English Canadian poetry. Rather than present exclusively academic criticism, the editors have carefully selected original texts by the principal figures of modernism to offer readers a behind-the-scenes look at twentieth-century poetry in Canada. Collecting several decades of writings by luminaries beginning with pivotal essays by John Sutherland and A.J.M. Smith, and including George Bowering, Northrop Frye, Irving Layton, P.K. Page, F.R. Scott, Raymond Souster, and William Carlos Williams, this volume also provides explanatory notes to guide the reader and to evaluate the significance of each piece in its literary and historical context. This classic work of Canadian literary studies is now back in print with a substantial new introduction and appendices by Michael Gnarowski, who explains and interprets the essence of key initiatives in the unfolding of a modernist point of view. The Making of Modern Poetry in Canada offers a comprehensive chronological path from the earliest examples of Canadian modernism to the beginning of the postmodern period.

The Making of Modern Poetry in Canada gathers together primary literary documents including manifestos, reviews, critical essays, and recollections to illustrate the most significant developments in the rise of modernist English Canadian poetry. Rather than present exclusively academic criticism, the editors have carefully selected original texts by the principal figures of modernism to offer readers a behind-the-scenes look at twentieth-century poetry in Canada. Collecting several decades of writings by luminaries beginning with pivotal essays by John Sutherland and A.J.M. Smith, and including George Bowering, Northop Frye, Irving Layton, P.K. Page, F.R. Scott, Raymond Souster, and William Carlos Williams, this volume also provides explanatory notes to guide the reader and to evaluate the significance of each piece in its literary and historical context. This classic work of Canadian literary studies is now back in print with a substantial new introduction and appendices by Michael Gnarowski, who explains and interprets the essence of key initiatives in the unfolding of a modernist point of view. The Making of Modern Poetry in Canada offers a comprehensive chronological path from the earliest examples of Canadian modernism to the beginning of the postmodern period.

Bibliogr.: p. 281-313. és a jegyzetekben: p. 237-280.

Little magazines like Alan Crawley's Contemporary Verse are the life blood of literary culture. They provide an ongoing forum in which both well established and new poets can experiment and present their latest work, and it is often with the little magazines, therefore, that litearary change and oringiality have their beginnings. In this book Joan McCullagh shows how, between 1941 and 1952, the magazine charted the establishment of modernism in Canadian poetry by publishing, even before 1947, the largest, most impressive, and most representative collection of early forties' poetry in the country. Her extensive quotation from the hitherto unbpublished correspondence between Crawley and nearly every major poet of the forties also shows how important and valued a literary influence Crawley himself was as a critic and advisor behind the scenes.

Trehearne observes that in most cases the Aesthetic influence was sustained through the entire career of the poets whose work he examines. Although later affected by the Modernists, their works continued to be shaped and distinguished by an early Aesthetic training. In the case of A.J.M. Smith, for example, his initial thematic and stylistic Aetheticism affects his mature critical pronouncements. John Glassco, who was influenced by the Aesthetic and Modernist ideas throughout his career, created a unique form of Aesthetic modern poetry. Trehearne's new readings of major and minor Canadian poets make Aestheticism and the Canadian Modernists a central text in the assessment of Canadian literary history from a contemporary point of view.

The best in four decades of exceptional Canadian poetry, now in a limited hardcover edition. The poets in this anthology, all of whom matured creatively between 1920 and 1960, considered it one of their primary obligations to modernize Canadian writing, to bring the country's poetry out of late Romantic stasis after the Great War into a fertile and combative response to the cultural, political, technological, philosophical, religious, and economic conditions of the modern era. In their common reaction against Romanticism, and in their commitments to modern poetry's possibilities of profound newness, the poets in this volume make up one great movement in Canada's cultural history. The anthology includes: • 250 poems by 44 poets • Regionally diverse voices from Newfoundland, the Maritimes, Quebec, Ontario, the Prairies, and B.C. • Extensive selections of the work of major poets • An afterword and biographical headnotes provide important historical and literary context The poets included in Canadian Poetry from 1920 to 1960 are: Frank Oliver Call; Louise Morey Bowman; Raymond Knister; Joe Wallace; E.J. Pratt; W.W. E. Ross; F.R. Scott; A.J.M. Smith; Charles Bruce; Earle Birney; A.M. Klein; Dorothy Livesay; Leo Kennedy; Audrey Alexandra Brown; Kenneth Leslie; Robert Finch; Floris Clark McLaren; L.A. Mackay; Anne Marriott; Bertram Warr; Patrick Anderson; P.K. Page; Kay Smith; Miriam Waddington; Margaret Avison; A.G. Bailey; Louis Dudek; John Glassco; Ralph Gustafson; Raymond Souster; Irving Layton; Roy Daniells; Douglas LePan; George Whalley; James Reaney; Elizabeth Brewster; George Johnston; Goodridge MacDonald; Jay MacPherson; Anne Wilkinson; Phyllis Webb; Wilfred Watson; R.A.D. Ford; Eldon Grier.