The Mammoth Book Of Heroes

True courage is a hugely valued aspect of humanity. Many of the accounts in this volume are in the words of those who were there, of men and women who showed real courage, often with their own lives on the line. The tales include: the death of Sir Thomas More; George Washington at Valley Forge; Nelson losing his arm at Santa Cruz; Oscar Schindler saving the lives of Polish Jews; SOE heroine Violette Szabo in occupied France; the protesters in Tiananmen Square; and the New York firefighters and the airline passengers of flight UA49 on September 11th, 2001.

Pulp fiction has been looked down on as a guilty pleasure, but it offers the perfect form of entertainment: the very best storytelling filled with action, surprises, sound and fury. In short, all the exhiliration of a roller-coaster ride. The 1920s in America saw the proliferation of hundreds of dubiously named but thrillingly entertaining pulp magazines in America – Black Mask, Amazing, Astounding, Spicy Stories, Ace-High, Detective Magazine, Dare-Devil Aces. It was in these luridly-coloured publications, printed on the cheapest pulp paper, that the first gems began to appear. The one golden rule for writers of pulp fiction was to adhere to the art of storytelling. Each story had to have a beginning, an end, economically-etched characters, but plenty going on, both in terms of action and emotions. Pulp magazines were the TV of their day, plucking readers from drab lives and planting them firmly in thrilling make-believe, successors to the Victorian penny dreadfuls of writers such as Sir Arthur Conan Doyle and Charles Dickens. These stories exemplify the best of crime and mystery pulp fiction – its zest, speed, rhythm, verve and commitment to straightforward storytelling – spanning seven decades of popular writing.

A fresh, new look at gangs in every part of the world which deliberately avoids the stories that have been done to death - about Capone, Dillinger, Bonnie and Clyde - and focuses on less well-known gangs such as 'Ma' Barker's Boys; the Smaldones of Denver; Scotland Yard's 1960s' Flying Squad, the so-called Firm within a Firm; Dr Death, the Melbourne drug dealer and Andre Stander, the former South African police officer who led a gang of bank robbers before being shot dead in Fort Lauderdale having fled a 17-year sentence.

The newspaper has recorded and influenced modern history like nothing else on earth. From The Washington Post's exposure of Watergate, Tom Wolfe's 1960's social documentary in The Electric Cool-Aid Acid Test to Robert Fisk uncovering the slaugher at Chatila, all the articles included here are reportage from the frontline of life. These are the editorials that have changed our thinking and the criticisms that have penetrated most deeply into contemporary culture. Most of all, they offer a snapshot of these modern times.

Modern masters of the macabre bring the dead to life in this specially re-vamped edition of the classic compilation every horror fan will want to sink their teeth into. From an award-winning editor who knows the genre backwards, here is the very best in vampire fiction: from tales of tempting sirens to contemporary serial killers; from the dark origins of fairy tales to a modern reinterpretation of the King of the Undead himself, Count Dracula. This revised edition features over a dozen new stories, including Tina Rath's A Trick of the Dark and Kim Newman's Andy Warhol's Dracula, as well as classic novellas such as Hugh B. Cave's Stragella and Chelsea Quinn Yarbro's Investigating Jericho. There are contributions by Nancy Kilpatrick, Christopher Fowler, Paul Mcauley, Chelsea Quinn Yarbro, Tina Rath, Neil Gaiman, Harlan Ellison and Kim Newman.

Bursting with the same magic that has brought a whole new following to fantasy, this anthology combines the excitement of the Harry Potter phenomenon with the appeal of Lord of the Rings, the ingenuity of the Discworld series and the adventure of the Conan stories. It features a range of light and dark fantasies - from quests, games and monsters, to wizards, witches, dark spells and even darker secrets - all obsessed with the use of magic in this world or the next. Mike Ashley's masterly selection includes such precursors of the Potter series as 'The Sleuth-Worm' by Edith Nesbit, 'The Wall around the World' by Theodore Cogswell, 'Ged's Apprenticeship' by Ursula K. Le Guin and others that deal with the discovery of magic or apprenticeship into magic by ordinary folk. With plenty of specially commissioned new stories, it all adds up to a spellbinding bumper volume in which contributors include: Neil Gaiman, Michael Moorcock, John Morressy, Theodore Sturgeon, John Jakes, Patricia McKillip, Esther Friesner, Louise Cooper, Marion Zimmer Bradley, Tom Holt and Charles de Lint.

Mike Ashley's brilliant new collection of whodunnits presents stories that reflect all the excitement, escapism and eccentricity of the 1920s. The Roaring Twenties, the Jazz Age, the Age of Wonderful Nonsense - this was a decade when everyone went a little bit crazy. It was also a decade that saw wonderful detective fiction from the likes of Agatha Christie, Margery Allingham and others. Contributions range from Cornell Woolrich's story of murder at a jazz party set aboard a steamboat on the Mississippi, to Grenville Robbins's impossible homicide committed on the radio, live on air, and Mat Coward's tale of death at a house party hosting the inaugural meeting of the British Communist Party.

Native Americans make up less than one per cent of the total US population but represent half the nation's languages and cultures. Here, in one grand sweep, is the full story of Native American society, culture and religion. Here is everything from the land-based spirituality of their early creation myths and the late rise of Indian Pride, to the 88 uses to which the Sioux put the flesh and bones of the buffalo and the practice of berdache (men adopted as women). The book offers a chronological history of America's indigenous peoples. It covers their dramatic early entry into North America, out of the now submerged continent of Beringia, then in more recent times the 'forgotten wars' of the 16th and 17th centuries, which wiped many tribes from the face of the East Coast, and finally describes to the last struggles of the Cheyenne and the Comanche. Celebrating these peoples' way of life rather than focusing narrowly on the manner of their genocide, it does not ignore uncomfortable facts of the Amerindian past - including the cannibalism believed to have been practised by some tribes and the Native Americans' part in the decimation of North America's buffalo herds.