The Man Called Noon

In one swift moment, a fall wiped away his memory. All he knew for certain was that someone wanted him dead—and that he had better learn why. But everywhere he turned there seemed to be more questions—or people too willing to hide the truth behind a smoke screen of lies. He had only the name he had been told was his own, his mysterious skill with a gun, and a link to a half million dollars’ worth of buried gold as evidence of his past life. Was the treasure his? Was he a thief? A killer? He didn’t have the answers, but he needed them soon. Because what he still didn’t know about himself, others did—and if he didn’t unlock the secret of his past, he wasn’t going to have much of a future.

From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize-winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.

As part of the Louis L’Amour’s Lost Treasures series, this edition contains exclusive bonus materials! In one swift moment a fall wiped away his memory. Now all he knew for certain was that someone wanted him dead—and that he had better learn why. But everywhere he turned there seemed to be more questions—or people too willing to hide the truth behind a smoke screen of lies. He had only the name he had been told was his own, his mysterious skill with a gun, and a link to a half million dollars’ worth of buried gold as evidence of his past life. Was the treasure his? Was he a thief? A killer? He didn’t have the answers, but he needed them soon. Because what he still didn’t know about himself, others did—and if he didn’t unlock the secret of his past, he wasn’t going to have much of a future. Louis L’Amour’s Lost Treasures is a project created to release some of the author’s more unconventional manuscripts from the family archives. In Louis L’Amour’s Lost Treasures: Volumes 1, Beau L’Amour takes the reader on a guided tour through many of the finished and unfinished short stories, novels, and treatments that his father was never able to publish during his lifetime. L’Amour’s never-before-seen first novel, No Traveller Returns, faithfully completed for this program, is a voyage into danger and violence on the high seas. These exciting publications will be followed by Louis L’Amour’s Lost Treasures: Volume 2. Additionally, many beloved classics will be rereleased with an exclusive Lost Treasures postscript featuring previously unpublished material, including outlines, plot notes, and alternate drafts. These postscripts tell the story behind the stories that millions of readers have come to know and cherish.

Long out of print, Shirley Hazzard's classic novel of love and memory A young Englishwoman working in Naples, Jenny comes to Italy fleeing a history that threatened to undo her. Alone in the fabulously ruined city, she idly follows up a letter of introduction from an acquaintance and thus changes her life forever. Through the letter, she meets Giocanda, a beautiful and gifted writer, and Gianni, a famous Roman film director and Giocanda's lover. At work she encounters Justin, a Scotsman whose inscrutability Jenny finds mysteriously attractive. As she becomes increasingly involved in the lives of these three, she discovers that the past--and the patterns of a lifetime--are not easily discarded.

Subtle and haunting, Noon is the story of Rehan Tabassum, a young man who has seen a childhood of uncertainty, and whose vulnerability has rendered him a gaze so keen that it divines easily the shifts around him: his mother and her new husband, the emergence of a dazzling new India, the retreat of the old, muted order of dust and shortages, and the swell of a suppressed people. In this uncompromising yet unexpectedly tender third book, Aatish Taseer maps a difficult period in India and Pakistan, a period of deep upheavals, whose true direction is elusive. By presenting Rehan's journey through lands of sudden wealth and hidden violence, in an atmosphere of political quicksand and moral danger, Taseer brings us into closer contact with a world experiencing convulsive change. Stark, brave, and absolutely compelling, Noon confirms Aatish Taseer as a writer of emotional acuity and great intellectual gift.

Canada's the last place you'd expect to find an American spy, but CIA operative Talia Reynolds has problems piling up higher than a Canadian snowbank. When Elliott Monteith, her ridiculously handsome new coworker, shows up (and shows her up), Talia decides it's game on. She'll be the first to track down a dangerous counter-spy, and she'll give Elliott an unforgettable souvenir of his time in Ottawa: some humble pie.Her plans don't work as well as she expects, though. Elliott's over-the-top flirting dredges up too many painful memories for Talia and undermines the confidence she's worked hard to regain. To do her job and keep her integrity intact, she'll have to keep her personal feelings at bay. Now Talia must find a way to work alongside Elliott--and maybe even trust him--to outsmart the enemy.

The third book in Jeff Noon's widely acclaimed 'Nyquest Mysteries' find our protagonist caught up in a new mystery that delves into nightmares, Saints and the answer to his father's disappearance In the winter of 1959, private eye John Nyquist arrives in the village of Hoxley-on-the-Hale with only a package of cryptic photographs, and the frail hope of finding an answer to a question he's been asking since his childhood. But the villagers offer little help, as each day brings a twisted new rule in the name of a different Saint that they, and Nyquist, must follow. And there are whispers of the return of the Tolly Man, an avatar of chaos in a terrible mask... As Nyquist struggles to distinguish friend from foe, and the Tolly Man draws nearer, he must race to finally settle the one mystery he has never been able to solve: the disappearance of his father. From the singular imagination of Jeff Noon comes this dark tale of folk horror in the Philip K. Dick Award-nominated John Nyquist series. File Under: Horror Fantasy [ Everyday Saints | Not the Ravens | Fatherland | Written in Blood ]