The Man From Glengarry

Ranald Macdonald is man a living in rural eastern Ontario soon after the Canadian confederation. Faced with the challenges of rural life in Canada and following the example of the minister's wife who serves as his role model, Ranald's choices shape both the man he will become and the country that he loves. The Man from Glengarry was one of author Ralph Connor's most popular works and inspired him to publish The Girl from Glengarry and Glengarry School Days, which were set in the same county. With its strong moral and spiritual message, The Man from Glengarry reflected the life and beliefs of Connor, a Presbyterian minister who was born and raised in Glengarry County.

Winner of the 1984 Pulitzer Prize, David Mamet's scalding comedy is about small-time, cutthroat real esate salesmen trying to grind out a living by pushing plots of land on reluctant buyers in a never-ending scramble for their fair share of the American dream. Here is Mamet at his very best, writing with brutal power about the tough life of tough characters who cajole, connive, wheedle, and wheel and deal for a piece of the action -- where closing a sale can mean a brand new cadillac but losing one can mean losing it all. This masterpiece of American drama is now a major motion picture starring Al Pacino, Jack Lemmon, Alan Arkin, Alex Baldwain, Jonathan Pryce, Ed Harris, and Kevin Spacey.

"The Man from Glengarry" is an adventure tale set in Canada. It follows the lives and struggles of the crews of tough hardened men working in the forests of Ottawa as they struggle to wrest resources from the forest through lumbering wood and farming. Among the crews is the Glengarry crew, led by the greatly admired and feared leader Macdonald Bhain. The crew will face many eventful moments, including the death of one of their members...

McLean works in the manuscript division of the National Archives of Canada, and draws extensively on unpublished sources to present a new interpretation of Scottish migration to Canada. Showing how the traditional clan society in western Inverness was disrupted by capitalism, she documents the emigration of nine coherent groups and their attempts to recreate Highland culture in Glengarry County in Ontario. Annotation copyrighted by Book News, Inc., Portland, OR

Set in the second half of the nineteenth century, in the American and Canadian West and in Victorian England, The Last Crossing is a sweeping tale of interwoven lives and stories Charles and Addington Gaunt must find their brother Simon, who has gone missing in the wilds of the American West. Charles, a disillusioned artist, and Addington, a disgraced military captain, enlist the services of a guide to lead them on their journey across a difficult and unknown landscape. This is the enigmatic Jerry Potts, half Blackfoot, half Scottish, who suffers his own painful past. The party grows to include Caleb Ayto, a sycophantic American journalist, and Lucy Stoveall, a wise and beautiful woman who travels in the hope of avenging her sister’s vicious murder. Later, the group is joined by Custis Straw, a Civil War veteran searching for salvation, and Custis’s friend and protector Aloysius Dooley, a saloon-keeper. This unlikely posse becomes entangled in an unfolding drama that forces each person to come to terms with his own demons. The Last Crossing contains many haunting scenes – among them, a bear hunt at dawn, the meeting of a Métis caravan, the discovery of an Indian village decimated by smallpox, a sharpshooter’s devastating annihilation of his prey, a young boy’s last memory of his mother. Vanderhaeghe links the hallowed colleges of Oxford and the pleasure houses of London to the treacherous Montana plains; and the rough trading posts of the Canadian wilderness to the heart of Indian folklore. At the novel’s centre is an unusual and moving love story. The Last Crossing is Guy Vanderhaeghe’s most powerful novel to date. It is a novel of harshness and redemption, an epic masterpiece, rich with unforgettable characters and vividly described events, that solidifies his place as one of Canada’s premier storytellers.

WINNER OF THE GLENGARRY BOOK AWARD WINNER OF THE CITY OF REGINA BOOK AWARD From the winner of the Governor General’s Literary Award, an engaging new novel about the unconventional Estella Diamond and her struggle with the expectations that bind her family Estella Diamond is the youngest child and only daughter of a successful brick-factory owner, a self-described family man who is not averse to being called a kingpin. Estella’s precocious nature leads her to discover something none of her brothers know: that their father was once married to an aspiring ceramics artist named Salina, who dreamed big and turned her back on society’s conventions. Estella grows up planning her future in the image of her father’s daring first wife, rather than that of her traditional mother. When her plans are derailed again and again by the family patriarchy, she longs to rebel and be like Salina. Unable to openly challenge her father, and with a chorus of sisters-in-law passing judgment, she does the right thing instead, and plays the role of the good daughter. Until she doesn’t. The effects of Estella’s rebellion will stay with her and the family for years, until she is left alone in the house her father built with only her housekeeper, Emyflor, for company. When an uncompromising young woman named Hannah Diamond enters her world, Estella is forced to wrestle with the legacy she helped create and to confront the woman she has become, just in time for one last reinvention.

NATIONAL BESTSELLER WINNER of the 2022 Glengarry Book Award The first novel in nearly a decade from the three-time Governor General's Award‒winning author of The Last Crossing, August Into Winter is an epic story of crime and retribution, of war and its long shadow, and of the redemptive possibilities of love. You carried the past into the future on your back, its knees and arms hugging you tighter with every step. It is 1939, with the world on the brink of global war, when Constable Hotchkiss confronts the spoiled, narcissistic man-child Ernie Sickert about a rash of disturbing pranks in their small prairie town. Outraged and cornered, Ernie commits an act of unspeakable violence, setting in motion a course of events that will change forever the lives of all in his wake. With Loretta Pipe—the scrappy twelve-year-old he idealizes as the love of his life—in tow, Ernie flees town. In close pursuit is Corporal Cooper, who enlists the aid of two brothers, veterans of World War One: Jack, a sensitive, spiritual man with a potential for brutal violence; and angry, impetuous Dill, still recovering from the premature death of his wife who, while on her deathbed, developed an inexplicable obsession with the then-teenaged Ernie Sickert. When a powerful storm floods the prairie roads, wreaking havoc, Ernie and Loretta take shelter in a one-room schoolhouse where they are discovered by the newly arrived teacher, Vidalia Taggart. Vidalia has her own haunted past, one that has driven her to this stark and isolated place with only the journals of her lover Dov, recently killed in the Spanish Civil War, for company. Dill, arriving at the schoolhouse on Ernie's trail, falls hard and fast for Vidalia—but questions whether he can compete with the impossible ideal of a dead man. Guy Vanderhaeghe, writing at the height of his celebrated powers, has crafted a tale of unrelenting suspense against a backdrop of great moral searching and depth. His is a canvas of lavish, indelible detail: of character, of landscape, of history—in all their searing beauty but all their ugliness, too. Vanderhaeghe does not shrink from the corruption, cruelty, and treachery that pervade the world. Yet even in his clear-eyed depiction of evil—a depiction that frequently and delightfully turns darkly comic—he will not deny the possibility of love, of light. With August Into Winter, Guy Vanderhaeghe has given us a masterfully told, masterfully timed story for our own troubled hearts.