The Marvelous Clouds

Peters defines media expansively as elements that compose the human world. Drawing from ideas implicit in media philosophy, Peters argues that media are more than carriers of messages: they are the very infrastructures combining nature and culture that allow human life to thrive. Through an encyclopedic array of examples from the oceans to the skies,The Marvelous Clouds reveals the long prehistory of so-called new media. Digital media, Peters argues, are an extension of early practices tied to the establishment of civilization such as mastering fire, building calendars, reading the stars, creating language, and establishing religions. New media do not take us into uncharted waters, but rather confront us with the deepest and oldest questions of society and ecology: how to manage the relations people have with themselves, others, and the natural world.

Communication plays a vital and unique role in society-often blamed for problems when it breaks down and at the same time heralded as a panacea for human relations. A sweeping history of communication, Speaking Into the Air illuminates our expectations of communication as both historically specific and a fundamental knot in Western thought. "This is a most interesting and thought-provoking book. . . . Peters maintains that communication is ultimately unthinkable apart from the task of establishing a kingdom in which people can live together peacefully. Given our condition as mortals, communication remains not primarily a problem of technology, but of power, ethics and art." —Antony Anderson, New Scientist "Guaranteed to alter your thinking about communication. . . . Original, erudite, and beautifully written, this book is a gem." —Kirkus Reviews "Peters writes to reclaim the notion of authenticity in a media-saturated world. It's this ultimate concern that renders his book a brave, colorful exploration of the hydra-headed problems presented by a rapid-fire popular culture." —Publishers Weekly What we have here is a failure-to-communicate book. Funny thing is, it communicates beautifully. . . . Speaking Into the Air delivers what superb serious books always do-hours of intellectual challenge as one absorbs the gradually unfolding vision of an erudite, creative author." —Carlin Romano, Philadelphia Inquirer

Courting the Abyss updates the philosophy of free expression for a world that is very different from the one in which it originated. The notion that a free society should allow Klansmen, neo-Nazis, sundry extremists, and pornographers to spread their doctrines as freely as everyone else has come increasingly under fire. At the same time, in the wake of 9/11, the Right and the Left continue to wage war over the utility of an absolute vision of free speech in a time of increased national security. Courting the Abyss revisits the tangled history of free speech, finding resolutions to these debates hidden at the very roots of the liberal tradition. A mesmerizing account of the role of public communication in the Anglo-American world, Courting the Abyss shows that liberty's earliest advocates recognized its fraternal relationship with wickedness and evil. While we understand freedom of expression to mean "anything goes," John Durham Peters asks why its advocates so often celebrate a sojourn in hell and the overcoming of suffering. He directs us to such well-known sources as the prose and poetry of John Milton and the political and philosophical theory of John Locke, Adam Smith, John Stuart Mill, and Oliver Wendell Holmes Jr., as well as lesser-known sources such as the theology of Paul of Tarsus. In various ways they all, he shows, envisioned an attitude of self-mastery or self-transcendence as a response to the inevitable dangers of free speech, a troubled legacy that continues to inform ruling norms about knowledge, ethical responsibility, and democracy today. A world of gigabytes, undiminished religious passion, and relentless scientific discovery calls for a fresh account of liberty that recognizes its risk and its splendor. Instead of celebrating noxious doctrine as proof of society's robustness, Courting the Abyss invites us to rethink public communication today by looking more deeply into the unfathomable mystery of liberty and evil.

“[A] lively account of the cultural and intellectual history of how Americans have lived with image and information since the mid-nineteenth century.” —Peter Simonson, author of Refiguring Mass Communication Sergey Brin, a cofounder of Google, once compared the perfect search engine to “the mind of God.” As the modern face of promiscuous knowledge, however, Google’s divine omniscience traffics in news, maps, weather, and porn indifferently. This book, begun by the late Kenneth Cmiel and completed by his close friend John Durham Peters, provides a genealogy of the information age from its early origins up to the reign of Google. It examines how we think about fact, image, and knowledge, centering on the different ways that claims of truth are complicated when they pass to a larger public. To explore these ideas, Cmiel and Peters focus on three main periods—the late nineteenth century, 1925 to 1945, and 1975 to 2000, with constant reference to the present. Cmiel’s original text examines the growing gulf between politics and aesthetics in postmodern architecture, the distancing of images from everyday life in magical realist cinema, the waning support for national betterment through taxation, and the inability of a single presentational strategy to contain the social whole. Peters brings Cmiel’s study into the present moment, providing the backstory to current controversies about the slipperiness of facts in a digital age. A hybrid work from two innovative thinkers, Promiscuous Knowledge enlightens our understanding of the internet and the profuse visual culture of our time. “With a clear voice and careful evidence, Promiscuous Knowledge offers fascinating glimpses into important people and practices from across the centuries.” —Fred Turner, author of From Counterculture to Cyberculture

Privacy: A Short History provides a vital historical account of an increasingly stressed sphere of human interaction. At a time when the death of privacy is widely proclaimed, distinguished historian, David Vincent, describes the evolution of the concept and practice of privacy from the Middle Ages to the present controversy over digital communication and state surveillance provoked by the revelations of Edward Snowden. Deploying a range of vivid primary material, he discusses the management of private information in the context of housing, outdoor spaces, religious observance, reading, diaries and autobiographies, correspondence, neighbours, gossip, surveillance, the public sphere and the state. Key developments, such as the nineteenth-century celebration of the enclosed and intimate middle-class household, are placed in the context of long-term development. The book surveys and challenges the main currents in the extensive secondary literature on the subject. It seeks to strike a new balance between the built environment and world beyond the threshold, between written and face-to-face communication, between anonymity and familiarity in towns and cities, between religion and secular meditation, between the state and the private sphere and, above all, between intimacy and individualism. Ranging from the fourteenth century to the twenty-first, this book shows that the history of privacy has been an arena of contested choices, and not simply a progression towards a settled ideal. Privacy: A Short History will be of interest to students and scholars of history, and all those interested in this topical subject.

The novel tells the story of Akira Kumo, a retired couturier living in Paris, owner of the world's largest collection of books about clouds, and Virginie Latour, whom Kumo hires to help catalogue his library. While they work he tells her the story behind three figures in particular, all British, all obsessed by clouds: Luke Howard, a real-life Quaker who in 1802 wrote the first treatise classifying clouds (we still use it today); a painter named Carmichael, clearly based on John Constable, one of the most famous cloud painters of all time, and a fictional amateur meteorologist named Richard Abercrombie, who aspires to write the definitive book on cloud description, which would come to be known in cloud circles as the Abercrombie Protocol. Kumo sends Virginie Latour to London to buy the Protocol. By the end of the novel, we learn the Protocol's great secret; we understand what binds these men together; and and we learn that Kumo himself is a survivor of the Hiroshima blast, in whose cloud his family vanished.

Clouds of Witness by Dorothy L. Sayers is the second novel in the acclaimed Lord Peter Wimsey mystery series. Published in 1926, this novel follows the amateur detective Lord Peter Wimsey as he investigates a murder that has taken place at his family's ancestral home. Set in the idyllic English countryside, this novel is a perfect blend of a classic whodunit mystery and a social commentary on the changing landscape of the British aristocracy. The story begins with Lord Peter's brother, the Duke of Denver, being accused of murdering his sister's fiancé, Captain Denis Cathcart. Despite the strong evidence against the Duke, Lord Peter is convinced of his brother's innocence and is determined to clear his name. The investigation takes Lord Peter and his faithful manservant Bunter to the family's estate, where they must navigate through a tangled web of family secrets, old grudges, and potential motives for the murder. One of the most striking aspects of Clouds of Witness is its vivid and richly detailed setting. Sayers expertly captures the beauty and tranquility of the English countryside, while also highlighting the stark contrast between the lavish lifestyle of the aristocracy and the struggles of the working class. Through her descriptions of the grand estate and its inhabitants, Sayers paints a picture of a society in transition, with the looming threat of the First World War and the changing values of the younger generation. The characters in this novel are also incredibly well-developed, each with their own distinct personalities and motivations. Lord Peter, with his sharp wit and deductive skills, is an endearing and charming protagonist, while his brother, the Duke, is portrayed as a troubled and emotionally distant character. The rest of the Wimsey family, as well as the various suspects and witnesses, are all well-crafted and add depth to the overall story. In addition to its well-crafted plot and characters, Clouds of Witness also delves into deeper themes such as loyalty, honor, and justice. As Lord Peter unravels the truth behind the murder, he is forced to confront his own beliefs and biases, and question the loyalty of those closest to him. Sayers also provides a scathing commentary on the shallow and superficial nature of the British aristocracy, and the ways in which their actions can have far-reaching consequences. Overall, Clouds of Witness is a masterfully written mystery novel that combines a gripping plot, well-developed characters, and thought-provoking themes. Sayers' writing is sharp, witty, and engaging, making this novel a must-read for fans of the genre and anyone interested in exploring the intricacies of British society in the early 20th century. It is a timeless classic that continues to captivate readers with its intricate plot twists, compelling characters, and beautiful prose.

On July 6, 1906, Baron Gustaf Mannerheim boarded the midnight train from St. Petersburg, charged by Czar Nicholas II to secretly collect intelligence on the Qing Dynasty's sweeping reforms that were radically transforming China. The last czarist agent in the so–called Great Game, Mannerheim chronicled almost every facet of China's modernization, from education reform and foreign investment to Tibet's struggle for independence. On July 6, 2006, writer Eric Enno Tamm boards that same train, intent on following in Mannerheim's footsteps. Initially banned from China, Tamm devises a cover and retraces Mannerheim's route across the Silk Road, discovering both eerie similarities and seismic differences between the Middle Kingdoms of today and a century ago. Along the way, Tamm offers piercing insights into China's past that raise troubling questions about its future. Can the Communist Party truly open China to the outside world yet keep Western ideas such as democracy and freedom at bay, just as Qing officials mistakenly believed? What can reform during the late Qing Dynasty teach us about the spectacular transformation of China today? As Confucius once wrote, "Study the past if you would divine the future," and that is just what Tamm does in The Horse that Leaps Through Clouds.